AudioMedia - August 2008 - (Page 82) Monitors Full Range Monitors HM-1S Powered studio monitor. X X-10 Two-way monitor with 15-inch woofer, four-inch voice coil, four-inch HF compression driver. Frequency response: 16Hz-20kHz. F X-10RBS X-10 studio monitor with RMS, black satin. F MPS-1510 Compact nearfield two-way monitor. X MPS-1520 Horizontal profile centre, main or surround monitor. X MPS-1525 Compact triple surround speaker. X MPS-1610 Precision two-way mid to nearfield. X MPS-1611PTwo-way precision near-to-mid field monitor for stereo and multichannel. Backfire Flared Tuned Bass Port. Removable sub/no sub use. X MPS-1625PTri-amplified tripole surround speaker. X MPS-2510 Precision near to mid-field. X MPS-2510PUltra-precision bi-amplified near to mid-field powered monitor. X MPS-2525PTripole surround speaker. X MPS-2550 Compact high-output mid to far field. X MPS-300 Soffit or wall mount main/surround unit. X Genelec 6010A Studiophile AV 40 Professional Multimedia Speakers Professional active (20W-per-channel) reference speaker system with four-inch woofers, optimised for computer audio. A EX66 Reference Monitor Professional high-resolution active MTM reference monitor. A Studiophile BX5a Deluxe Upgraded two-way 70W powered monitor with new five low-frequency drivers with curved Kevlar cones and high-frequency drivers with natural silk domes, integrated waveguides and magnetic shielding. A Studiophile BX8a Deluxe Internally and cosmetically upgraded two-way 130W powered monitor with new eight Kevlar low-frequency drivers and 1.25-inch waveguideloaded high-frequency drivers. A StudioPro 3 Professional desktop multimedia powered audio monitors with 3.25-inch drivers. A F11 Self-powered monitor with one-inch soft dome tweeter and 6.5-inch bass driver. A S6 Self-powered nearfield monitor with one-inch soft dome tweeter and five-inch bass driver. A S7 Self-powered nearfield monitor with one-inch soft dome tweeter and 6.5-inch bass driver. A VS2108 Self-powered, two-way nearfield and midfield monitor with one-inch soft dome and eightinch bass driver. B VS3208 Self-powered, three-way for medium- to largesized rooms with dome tweeter, two soft dome mid drivers and an eight-inch LF. C HD-1 Powered, high definition, nearfield monitor. D SM6P Passive nearfield studio monitors. A Miller and Kreisel Professional C3A Compact main monitor system designed for mastering and critical post-production. E C4 Three-way active/passive monitor system employing external frequency dividers and power amplification. F M3F THX-approved three-way active/passive monitor system employing external frequency dividers and power amplification. E M4 Active main monitor available in three- or fourway systems based on four 12-inch bass drivers; various mid and high configurations. F M00 2 way Active near field monitors 75Watt RMS, 98Hz-20kHz, cast aluminium/zinc alloy body A DB1S+ Two-way bi-wirable /bi-ampable design passive monitor with140mm LF and 27mm soft dome HF; 50Hz LF response. B DB1S-A Two-way active monitor with 140mm LF driver and 27mm soft-dome tweeter powered by a 160W digital amplifier. C TB2S+ Two-way monitor with 165mm LF driver and 27mm soft dome HF; 40Hz-25kHz. B TB2S-A Two-way active monitor with 170mm LF driver and 27mm soft-dome tweeter powered by a 160W digital amplifier. C AML1 Two-way active monitor with PMC’s six-inch carbon fibre/Nomex flat piston woofer, 34mm soft dome tweeter, and Bryston-designed crossovers and power amps; 25Hz-25kHz. D IB1S Three-way studio monitor with 10-inch carbon fibre/Nomex piston LF, three-inch doped fabric mid, and 27mm soft dome HF; 25Hz-25kHz. D Munro Acoustics NHT PMC MC2 Audio 101A Active compact reference monitor, shielded; with 1x 80W 1x80W RMS amps, polypropylene bass driver, 28mm tweeter. C 202A Active compact reference monitor, shielded; with 1x 80W 1x80W RMS amps, polypropylene bass driver, 28mm tweeter. C 301A Active compact reference monitor, shielded; with 1x 140W 1x80W RMS amps, polypropylene bass driver, and 28mm tweeter. D SM6A Six-inch active nearfield monitors. Mitchell and Todd Reference Monitors Meyer Sound Mission Professional B O 300 In developing the O 300 the goal was to achieve the most accurate, O 300 Active Near-Field Monitor 82 uncolored sound, combined with ideally shaped waveguides, in a compact size. Complex computer simulations and extensive listening tests were conducted. The results are unheard of: this 3-way monitor produces a neutral, equalized sound stage which is unparalleled in its class. Precise bass response, perfect dispersion patterns, and a stunningly real sound stage with remarkable image focus and depth leave nothing to be desired. Now available without the digital components of the successful O 300 D. www.klein-hummel.com M E D I A AUDIO AUGUST 2008 http://www.klein-hummel.com http://www.klein-hummel.com
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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