AudioMedia - August 2008 - (Page 83) Monitors Full Range Monitors Precision 6iDP Three-way semi-active (2x 200W) nearfield monitor with DSP technology, networking intelligence, plus Class D digital amplifiers. C Precision 8 Professional studio monitor with 40mm-thick baffle, 200mm Dual Concentric and 25mm SuperTweeter; 80W RMS/160W prog/56Hz – 51kHz/93dB. A Precision 8D Active (120W LF, 60W HF) version of Precision 8. DIP switches for optimising listening distances in difficult spaces, 44Hz - 51kHz freq rresp. A Precision 8iDP Three-way semi-active (2x200W) nearfield monitor with DSP technology, networking intelligence, plus Class D digital amplifiers. C Reveal 5A Active nearfield monitor with 130mm mid/ bass driver and one-inch soft dome extended bandwidth HF; 65Hz-30kHz. A Reveal 6 Replacement to the Reveal now with enhanced cabinet construction and improved 165mm mid/bass driver and one-inch wideband HF. A Klein + Hummel o410 IB1S-A Flexible three-way monitor seen in Mastering, Broadcast and Postproduction in either stereo or surround when partnered with dedicated centre channel and SB100 sub bass system. E IB2S Three-way monitor with 27mm silk dome HF, PMC's 75mm soft dome mid, and 10-inch carbon fibre/Nomex piston LF; 25Hz-25kHz. D IB2S-A The IB2S-A is the activated version of the IB2S, powered by the Bryston Powerpack PP300. Has the addition of the PMC 75 large soft dome mid range unit which increases definition and clarity to the level of larger monitors in the range. D MB2S Three-way passive monitor with 12-inch radial woofer, three-inch fabric mid, and 27mm soft dome HF housed in a 3/4-inch MDF cabinet. E MB2S-A Three-way active monitor with 12-inch woofer, three-inch soft dome mid, 34mm soft dome tweeter, and Bryston-engineered electronics.F MB2SXBD-A Three-way active monitor with 2x 12-inch radial woofers, PMC’s three-inch soft dome MF, 34mm soft dome tweeter, and Bryston electronics. G BB5 Three-wayp passive monitor with 15-inch radial woofer, three-inch fabric midrange, and oneinch silk dome tweeter; 17Hz-25kHz. E BB5-A Three-way active monitor with 15-inch radial woofer, three-inch fabric midrange, one-inch silk dome tweeter, and Bryston crossovers and power amps; 17Hz-25kHz response. G BB5XBD-A Three-way active monitor with 15-inch radial woofer, three-inch fabric midrange, PMC’s 34mm soft dome HF, and Bryston-designed crossovers and power amps; 17Hz-25kHz. G 17//2 Active monitor loudspeakers with 130mm bass/ mid driver and high-precision 25mm tweeter offering a 100Hz-20kHz response. B A14-2 Active monitor 144mm LF and 70mm HF. X A21-2 Near/midfield monitor with 43Hz-23kHz response and 215mm LF and 100mm HF. X A25-3 Main/mid active reference monitor with +/1.5dB 50Hz to 20kHz, 250mm woofer, 142mm mid-range driver; 100mm tweeter. X S6 Self-powered two-way active, near-field monitor with one-inch soft-dome HF and five-inch LF.A S7 Self-powered two-way active, near-field monitor with one-inch soft-dome HF and 6.5-inch HF.A S8 Self-powered two-way active near- and midfield monitor with one-inch soft-dome and eight-inch bass driver. B VS2108 Self- powered two-way avtive, near and midfield monitor with one-inch soft-dome and eight-inch bass driver. B VS3208 Self-powered three-way active monitor for medium to large rooms with one-inch softdome, three-inch soft-dome and two eight-inch bass drivers. C Resolv 65a Active nearfield monitors with 6.5-inch LF. A Rubicon 5a Active nearfield monitors with ribbon tweeter and five-inch drivers. A Rubicon 6a Active nearfield monitors with ribbon tweeter and six-inch drivers. A Ellipse 8iDP Three-way semi-active (2x 200W) nearfield monitor with DSP technology, networking intelligence, plus class D digital amplifiers. C Precision 6 Professional studio monitor with 40mm-thick baffle, 165mm Dual Concentric and 25mm SuperTweeter; 60W RMS/120W; 64Hz to 51kHz frequency response; 91dB SPL. A Precision 6D Active (75W LF, 35W HF) version of Precision 6 with DIP switches for optimisation of listening distances in difficult acoustic spaces. A Reveal 6D Active (75W LF/35W HF) version of Reveal 6 with DIP switches for optimisation of listening distances, and 60Hz - 51kHz freq response. A S-5 Studio Monitor Two-way bi-amped 120W monitor with fiveinch woofer and one-inch silk domed tweeter plus low and HF cut/boost controls. A S-8 Studio Monitors Two-way bi-amped 120W monitor with eightinch woofer and one-inch silk-domed tweeter plus low and HF cut/boost controls. A VL-A4 4-inch 2 Way Monitors, 35W Bi-Amped Design. A VL-A5 5.25-inch 2 Way Monitors, 90W Bi-Amped Design. A VL-A8 8-inch 2 Way Monitors, 140W Bi-Amped Design. A TAPCO TASCAM/TEAC Profesional PSI Audio Quested Samson Tannoy SpeakerAd.indd 5 18/4/08 3:20:29 pm AUDIO MEDIA AUGUST 2008 83 http://www.scvlondon.co.uk http://www.scvlondon.co.uk
Table of Contents Feed for the Digital Edition of AudioMedia - August 2008 AudioMedia - August 2008 Contents Analogue Processors Digital Processors Consoles Converters & Connections Daws Microphones Recorders Studio Monitoring Directory AudioMedia - August 2008 AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover1) AudioMedia - August 2008 - AudioMedia - August 2008 (Page Cover2) AudioMedia - August 2008 - AudioMedia - August 2008 (Page 3) AudioMedia - August 2008 - Contents (Page 4) AudioMedia - August 2008 - Contents (Page 5) AudioMedia - August 2008 - Analogue Processors (Page 6) AudioMedia - August 2008 - Analogue Processors (Page 7) AudioMedia - August 2008 - Analogue Processors (Page 8) AudioMedia - August 2008 - Analogue Processors (Page 9) AudioMedia - August 2008 - Analogue Processors (Page 10) AudioMedia - August 2008 - Analogue Processors (Page 11) AudioMedia - August 2008 - Analogue Processors (Page 12) AudioMedia - August 2008 - Analogue Processors (Page 13) AudioMedia - August 2008 - Analogue Processors (Page 14) AudioMedia - August 2008 - Analogue Processors (Page 15) AudioMedia - August 2008 - Digital Processors (Page 16) AudioMedia - August 2008 - Digital Processors (Page 17) AudioMedia - August 2008 - Consoles (Page 18) AudioMedia - August 2008 - Consoles (Page 19) AudioMedia - August 2008 - Consoles (Page 20) AudioMedia - August 2008 - Consoles (Page 21) AudioMedia - August 2008 - Consoles (Page 22) AudioMedia - August 2008 - Consoles (Page 23) AudioMedia - August 2008 - Consoles (Page 24) AudioMedia - August 2008 - Consoles (Page 25) AudioMedia - August 2008 - Consoles (Page 26) AudioMedia - August 2008 - Consoles (Page 27) AudioMedia - August 2008 - Consoles (Page 28) AudioMedia - August 2008 - Consoles (Page 29) AudioMedia - August 2008 - Converters & Connections (Page 30) AudioMedia - August 2008 - Converters & Connections (Page 31) AudioMedia - August 2008 - Converters & Connections (Page 32) AudioMedia - August 2008 - Converters & Connections (Page 33) AudioMedia - August 2008 - Converters & Connections (Page 34) AudioMedia - August 2008 - Converters & Connections (Page 35) AudioMedia - August 2008 - Daws (Page 36) AudioMedia - August 2008 - Daws (Page 37) AudioMedia - August 2008 - Daws (Page 38) AudioMedia - August 2008 - Daws (Page 39) AudioMedia - August 2008 - Daws (Page 40) AudioMedia - August 2008 - Daws (Page 41) AudioMedia - August 2008 - Daws (Page 42) AudioMedia - August 2008 - Daws (Page 43) AudioMedia - August 2008 - Daws (Page 44) AudioMedia - August 2008 - Daws (Page 45) AudioMedia - August 2008 - Daws (Page 46) AudioMedia - August 2008 - Daws (Page 47) AudioMedia - August 2008 - Daws (Page 48) AudioMedia - August 2008 - Daws (Page 49) AudioMedia - August 2008 - Daws (Page 50) AudioMedia - August 2008 - Daws (Page 51) AudioMedia - August 2008 - Daws (Page 52) AudioMedia - August 2008 - Daws (Page 53) AudioMedia - August 2008 - Microphones (Page 54) AudioMedia - August 2008 - Microphones (Page 55) AudioMedia - August 2008 - Microphones (Page 56) AudioMedia - August 2008 - Microphones (Page 57) AudioMedia - August 2008 - Microphones (Page 58) AudioMedia - August 2008 - Microphones (Page 59) AudioMedia - August 2008 - Microphones (Page 60) AudioMedia - August 2008 - Microphones (Page 61) AudioMedia - August 2008 - Microphones (Page 62) AudioMedia - August 2008 - Microphones (Page 63) AudioMedia - August 2008 - Microphones (Page 64) AudioMedia - August 2008 - Microphones (Page 65) AudioMedia - August 2008 - Microphones (Page 66) AudioMedia - August 2008 - Microphones (Page 67) AudioMedia - August 2008 - Microphones (Page 68) AudioMedia - August 2008 - Microphones (Page 69) AudioMedia - August 2008 - Microphones (Page 70) AudioMedia - August 2008 - Microphones (Page 71) AudioMedia - August 2008 - Microphones (Page 72) AudioMedia - August 2008 - Microphones (Page 73) AudioMedia - August 2008 - Microphones (Page 74) AudioMedia - August 2008 - Microphones (Page 75) AudioMedia - August 2008 - Recorders (Page 76) AudioMedia - August 2008 - Recorders (Page 77) AudioMedia - August 2008 - Studio Monitoring (Page 78) AudioMedia - August 2008 - Studio Monitoring (Page 79) AudioMedia - August 2008 - Studio Monitoring (Page 80) AudioMedia - August 2008 - Studio Monitoring (Page 81) AudioMedia - August 2008 - Studio Monitoring (Page 82) AudioMedia - August 2008 - Studio Monitoring (Page 83) AudioMedia - August 2008 - Studio Monitoring (Page 84) AudioMedia - August 2008 - Studio Monitoring (Page 85) AudioMedia - August 2008 - Studio Monitoring (Page 86) AudioMedia - August 2008 - Studio Monitoring (Page 87) AudioMedia - August 2008 - Studio Monitoring (Page 88) AudioMedia - August 2008 - Directory (Page 89) AudioMedia - August 2008 - Directory (Page 90) AudioMedia - August 2008 - Directory (Page 91) AudioMedia - August 2008 - Directory (Page 92) AudioMedia - August 2008 - Directory (Page 93) AudioMedia - August 2008 - Directory (Page 94) AudioMedia - August 2008 - Directory (Page Cover3) AudioMedia - August 2008 - Directory (Page Cover4)
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