AudioMedia - October 2008 - (Page 30) LEXICON PCM96 Digital Reverb The return of Lexicon’s prized heritage reverb – and DAVID HELPLING thinks this might just be a new legend in the making. he world over, Lexicon has been held in the highest something from SPL a very impressive design indeed. regard as the manufacturer of premium effects A look at the back end shows more than I expected. processors, digital reverb units in particular, which it Of course there is AES/EBU and XLR I/O, but also virtually invented in with the Model . dual FireWireports for getting the Lexicon Throughout the s with the L sound into your favourite DAW. (costing more than some cars) and the Other than the Ethernet, Wordclock, and smaller PCM- , it garnered a reputation MIDI ports that’s it – no SPDIF, Adat, or for an extremely dense, realistic, and Toslink connectors. Now I am starting to tweak-able simulation of acoustic get a bit too excited for a product review reverberation. In the early s Lexicon – this IS a pro unit! P C M 96 S U R R O U N D ! After connecting and powering on the introduced the more attainable PCMWait for a new Lexicon, and two come unit a brilliant yellow/gold Lexicon logo and PCM- – bringing a bit of that L along at once. As we were finishing up appears on the screen for a few seconds, sound to the rest of us. So many of those this review, Lexicon announced a new then displays ‘verifying hardware great records produced in the s (that PMC, this time called the PCM restoring state ’ for another before the you still secretly listen to) owe much of Surround. So, no prizes for guessing default Large Plate preset screen appears. their magical sound to Lexicon. what one extra is – more outputs. You The crisp font and OLED screen in general Then came the next best – the L– can choose between six XLR stereo rivals most audiophile home theatre and some other lower-end units that left inputs and outputs, or analogue and some wondering when the next legend components in quality. When navigating would appear. Enter the new PCM , a through parameters all but the current digital I/O on DB connectors. blend of heritage and innovation navigated word is dimmed causing the Internally, the PCM can be sporting new and legendary Lexicon selected item to pop out in a very easy divided into up to four virtual reverbs, delays, and modulation effects to read way – very fancy stuff really. machines, each capable of running its straight into your DAW. Appearing for This thing better sound pretty darn own algorithm and thus expanding the the first time are new Room and Hall amazing, or it could be a serious operating configurations enormously. algorithms, plus an assortment of new embarrassment for such a divinely The list goes as follows: Dual Super mono reverbs and effects. With decades appointed machine. The main Select Mono, Quad Mono, Super Stereo, of legacy products to pull from, the knob has a wonderful feel and is Super Stereo Mono In, Dual Stereo, PCM also includes a massive softly de-tented – pressing inward on Dual Stereo Mono In, Dual Mono + collection of factory presets (over , the knob loads the currently selected and growing apparently) including program or confirms other actions. Single Stereo, Cascade Mono, Cascade some recognisable classics from the Under the algorithm name on the Stereo, Cascade Mono + Single Stereo, immense library of classic Lexicon display are three vertically arranged -in -out, -in -out, -in -out, -in sounds. Wow. parameters that correspond to the -out, -in -out. three Soft Row knobs for a quick tweak As well as the additional I/O and A New M achine of key parameters – typically Pre Delay, engine configurations, the PCM Upon opening the box and removing Reverb Time, and Reverb Out Frequency. adds the new Lexicon Surround Room the PCM from its plastic sheath, Like the main Select knob, these knobs algorithm, new pitch algorithms, I am a bit star-struck by the physical have additional context-sensitive and more factory presets (over , design of the unit itself. This is not functions when pressed. To the right of and counting ). my father’s Lexicon. Gone is the black these are Tap/Tempo, Load, Compare and powder-coated steel and Star WarsStore buttons. Also on the front panel like blue lines! This thing is gorgeous – with a thick and are two columns of six multi-coloured gain LEDs that heavy textured Nickel faceplate, beveled silver knobs, show analogue and digital input levels and a Compact and a deep black display, the PCM looks more like Flash card slot. T THE REVIEWER DAVID HELPLING is a full-time composer/producer with over ten years experience in music for picture. He runs DHM Music Design in San Diego, California, producing music for film, TV, corporate, interactive, and web clients. David has two ambient/ cinematic albums released on the Spotted Peccary label, with a third now in production, and has several independent film projects on deck. Clients include DELL Computers, Hewlett Packard, Boeing, Lexus, Microsoft Game Studios and Qualcomm. 30 AUDIO MEDIA OCTOBER 2008
Table of Contents Feed for the Digital Edition of AudioMedia - October 2008 Audio Media - October 2008 Content Recording Post Broadcast Geofocus: Portugal & Spain What's Up UK IBC Report Microtech Geffel UM 930 Steinberg Cubase 4.5 ADK Hamburg & Vienna Final Cut: House of Fallen Lexicon PCM96 Review The Conch Awards Feature Sound Devices 788T Review Lexicon PCM96 Allen & Heath Zed R16 Power: Fact & Fiction, PT.2 Product Sampler Plug-ins Video Guide AMSR Plasa Report Audio Technica IEM M3 Rushes Live Mixing Techniques: Bruce Johnston Drawmer 4x4 Kickbox AudioMedia - October 2008 AudioMedia - October 2008 - Audio Media - October 2008 (Page Cover1) AudioMedia - October 2008 - Audio Media - October 2008 (Page Cover2) AudioMedia - October 2008 - Audio Media - October 2008 (Page 3) AudioMedia - October 2008 - Content (Page 4) AudioMedia - October 2008 - Content (Page 5) AudioMedia - October 2008 - Content (Page 6) AudioMedia - October 2008 - Content (Page 7) AudioMedia - October 2008 - Recording (Page 8) AudioMedia - October 2008 - Recording (Page 9) AudioMedia - October 2008 - Recording (Page 10) AudioMedia - October 2008 - Recording (Page 11) AudioMedia - October 2008 - Post (Page 12) AudioMedia - October 2008 - Post (Page 13) AudioMedia - October 2008 - Broadcast (Page 14) AudioMedia - October 2008 - Broadcast (Page 15) AudioMedia - October 2008 - Geofocus: Portugal & Spain (Page 16) AudioMedia - October 2008 - Geofocus: Portugal & Spain (Page 17) AudioMedia - October 2008 - What's Up UK (Page 18) AudioMedia - October 2008 - What's Up UK (Page 19) AudioMedia - October 2008 - IBC Report (Page 20) AudioMedia - October 2008 - IBC Report (Page 21) AudioMedia - October 2008 - Microtech Geffel UM 930 (Page 22) AudioMedia - October 2008 - Microtech Geffel UM 930 (Page 23) AudioMedia - October 2008 - Steinberg Cubase 4.5 (Page 24) AudioMedia - October 2008 - Steinberg Cubase 4.5 (Page 25) AudioMedia - October 2008 - ADK Hamburg & Vienna (Page 26) AudioMedia - October 2008 - ADK Hamburg & Vienna (Page 27) AudioMedia - October 2008 - Final Cut: House of Fallen (Page 28) AudioMedia - October 2008 - Final Cut: House of Fallen (Page 29) AudioMedia - October 2008 - Review (Page 30) AudioMedia - October 2008 - Review (Page 31) AudioMedia - October 2008 - Review (Page 32) AudioMedia - October 2008 - Review (Page 33) AudioMedia - October 2008 - Review (Page 34) AudioMedia - October 2008 - Review (Page 35) AudioMedia - October 2008 - Feature (Page 36) AudioMedia - October 2008 - Feature (Page 37) AudioMedia - October 2008 - Feature (Page 38) AudioMedia - October 2008 - Feature (Page 39) AudioMedia - October 2008 - Review (Page 40) AudioMedia - October 2008 - Review (Page 41) AudioMedia - October 2008 - Lexicon PCM96 (Page 42) AudioMedia - October 2008 - Lexicon PCM96 (Page 43) AudioMedia - October 2008 - Allen & Heath Zed R16 (Page 44) AudioMedia - October 2008 - Allen & Heath Zed R16 (Page 45) AudioMedia - October 2008 - Allen & Heath Zed R16 (Page 46) AudioMedia - October 2008 - Allen & Heath Zed R16 (Page 47) AudioMedia - October 2008 - Power: Fact & Fiction, PT.2 (Page 48) AudioMedia - October 2008 - Power: Fact & Fiction, PT.2 (Page 49) AudioMedia - October 2008 - Power: Fact & Fiction, PT.2 (Page 50) AudioMedia - October 2008 - Power: Fact & Fiction, PT.2 (Page 51) AudioMedia - October 2008 - Product Sampler Plug-ins (Page 52) AudioMedia - October 2008 - Product Sampler Plug-ins (Page 53) AudioMedia - October 2008 - Product Sampler Plug-ins (Page 54) AudioMedia - October 2008 - Product Sampler Plug-ins (Page 55) AudioMedia - October 2008 - Video Guide (Page 56) AudioMedia - October 2008 - Video Guide (Page 57) AudioMedia - October 2008 - Video Guide (Page 58) AudioMedia - October 2008 - Video Guide (Page 59) AudioMedia - October 2008 - AMSR (Page 60) AudioMedia - October 2008 - AMSR (Page 61) AudioMedia - October 2008 - Plasa Report (Page 62) AudioMedia - October 2008 - Plasa Report (Page 63) AudioMedia - October 2008 - Rushes (Page 64) AudioMedia - October 2008 - Rushes (Page 65) AudioMedia - October 2008 - Live Mixing Techniques: Bruce Johnston (Page 66) AudioMedia - October 2008 - Live Mixing Techniques: Bruce Johnston (Page 67) AudioMedia - October 2008 - Live Mixing Techniques: Bruce Johnston (Page 68) AudioMedia - October 2008 - Live Mixing Techniques: Bruce Johnston (Page 69) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page 70) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page 71) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page 72) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page 73) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page 74) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page Cover3) AudioMedia - October 2008 - Drawmer 4x4 Kickbox (Page Cover4)
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