AudioMedia - November 2008 - (Page 28) With the TLM 67, everything old is new again… or is it?, wonders TY FORD. N eumann’s most recent mic, the TLM , was a welcome visitor when it arrived. The mic is an enigma wrapped in a conundrum, and constrained within a riddle. To wit; how can a mic with no vacuum tube or transformer be positioned as the evolution of a mic with a tube and transformer? Is this not heresy? Let the impassioned fistpounding arguments begin about how close to the original U (or prototype U ) this TLM could be. Leave it to the Neumann marketing department to find a way to brew a controversy. What we have is a three-pattern, FET, condenser microphone with two, large Mylar diaphragms, switchable dB pad, and high-pass filter. The patterns are the typical omni, cardioid, and figure-of-eight. In that relative order, the sensitivities at kHz into kΩ are / / mV/Pa. The rated impedance is Ω with a load impedance of kΩ. Equivalent noise levels, CCIR are / / dB. A-weighted self-noise are / / dB-A. Maximum output voltage is - dBu. Inside the TLM , Neumann is using surface mount technology similar to that in the TLM . As such, the insides are very tidy. Selfnoise is not a problem. The TLM sounds even quieter than its NEUMANN TLM 67 Condenser Microphone THE REVIEWER TY FORD is a recording engineer in the US, and regular contributor to Pro Audio Review, another NewBay title. The TLM uses the K capsule. A bit of background from Neumann’s Juergen Breitlow: “The capsule K , K , and K (the K and K are used in the U i and U Ai) are acoustically identical. There is an electrical difference between the K and K on one side, and the K on the other side: the ‘half’ electrodes in the K are isolated against each other, which requires four wires to connect the capsule to the circuit. In the K and K the electrodes are electrically connected.” Features quoted figures. The figure-of-eight nulls are very deep. The omni is mildly beamy at high frequencies, but most are. The cardioid is fairly wide. In any of its three patterns, the TLM doesn’t sound particularly thick or ‘tubey’ to me. It’s crisp and clear, with just a hint of something going on in the lower mids or upper bass. I think it’s probably better not get too caught up in the tube/not tube thing and, instead, listen to how I n Use NTG-3 THE EXTREME LOCATION MICROPHONE All The Performance. Half The Price. Like the current high-end shotgun mic of choice among professional sound recordists, the new Røde NTG-3 is almost entirely moisture resistant, and equipped to deliver impeccable results in the most extreme conditions. The difference is, it’s half the price. True Condenser (Externally RF biased) 50% less noise than most shotgun microphones Extremely low handling noise Weighs in at just 163g High level of immunity to RF interference £449 T SSP INC VA Full range of boompoles, pistol grips and windshields also available 100% designed and manufactured in Australia UK distribution by Source • Find a dealer at www.sourcedistribution.co.uk/rode • T: 020 8962 5080 28 AUDIO MEDIA NOVEMBER 2008 http://www.sourcedistribution.co.uk/rode http://www.sourcedistribution.co.uk/rode
Table of Contents Feed for the Digital Edition of AudioMedia - November 2008 AudioMedia - November 2008 Contents Recording News Post News Broadcast News Geofocus: Italy What's Up UK AES Review For the Record Studio Snapshot: Aquarium Abbey Road Plug-ins Brilliance Pack Neumann TLM67 Mercenary Audio KM-69 IZ Technology ADA Final Cut Special: Bond TC Powercore 6000 EP Productions Nagra VI Product Sampler: Location Tools Video Guide AMSR News Shure KSM9 Big Beach Boutique 4 AudioMedia - November 2008 AudioMedia - November 2008 - AudioMedia - November 2008 (Page Cover1) AudioMedia - November 2008 - AudioMedia - November 2008 (Page Cover2) AudioMedia - November 2008 - AudioMedia - November 2008 (Page 3) AudioMedia - November 2008 - Contents (Page 4) AudioMedia - November 2008 - Contents (Page 5) AudioMedia - November 2008 - Contents (Page 6) AudioMedia - November 2008 - Contents (Page 7) AudioMedia - November 2008 - Recording News (Page 8) AudioMedia - November 2008 - Recording News (Page 9) AudioMedia - November 2008 - Recording News (Page 10) AudioMedia - November 2008 - Recording News (Page 11) AudioMedia - November 2008 - Post News (Page 12) AudioMedia - November 2008 - Post News (Page 13) AudioMedia - November 2008 - Broadcast News (Page 14) AudioMedia - November 2008 - Broadcast News (Page 15) AudioMedia - November 2008 - Geofocus: Italy (Page 16) AudioMedia - November 2008 - Geofocus: Italy (Page 17) AudioMedia - November 2008 - What's Up UK (Page 18) AudioMedia - November 2008 - What's Up UK (Page 19) AudioMedia - November 2008 - AES Review (Page 20) AudioMedia - November 2008 - AES Review (Page 21) AudioMedia - November 2008 - For the Record (Page 22) AudioMedia - November 2008 - For the Record (Page 23) AudioMedia - November 2008 - Studio Snapshot: Aquarium (Page 24) AudioMedia - November 2008 - Studio Snapshot: Aquarium (Page 25) AudioMedia - November 2008 - Abbey Road Plug-ins Brilliance Pack (Page 26) AudioMedia - November 2008 - Abbey Road Plug-ins Brilliance Pack (Page 27) AudioMedia - November 2008 - Neumann TLM67 (Page 28) AudioMedia - November 2008 - Neumann TLM67 (Page 29) AudioMedia - November 2008 - Mercenary Audio KM-69 (Page 30) AudioMedia - November 2008 - Mercenary Audio KM-69 (Page 31) AudioMedia - November 2008 - Mercenary Audio KM-69 (Page 32) AudioMedia - November 2008 - Mercenary Audio KM-69 (Page 33) AudioMedia - November 2008 - IZ Technology ADA (Page 34) AudioMedia - November 2008 - IZ Technology ADA (Page 35) AudioMedia - November 2008 - Final Cut Special: Bond (Page 36) AudioMedia - November 2008 - Final Cut Special: Bond (Page 37) AudioMedia - November 2008 - Final Cut Special: Bond (Page 38) AudioMedia - November 2008 - Final Cut Special: Bond (Page 39) AudioMedia - November 2008 - Final Cut Special: Bond (Page 40) AudioMedia - November 2008 - Final Cut Special: Bond (Page 41) AudioMedia - November 2008 - Final Cut Special: Bond (Page 42) AudioMedia - November 2008 - Final Cut Special: Bond (Page 43) AudioMedia - November 2008 - Final Cut Special: Bond (Page 44) AudioMedia - November 2008 - Final Cut Special: Bond (Page 45) AudioMedia - November 2008 - Final Cut Special: Bond (Page 46) AudioMedia - November 2008 - Final Cut Special: Bond (Page 47) AudioMedia - November 2008 - Final Cut Special: Bond (Page 48) AudioMedia - November 2008 - Final Cut Special: Bond (Page 49) AudioMedia - November 2008 - Final Cut Special: Bond (Page 50) AudioMedia - November 2008 - Final Cut Special: Bond (Page 51) AudioMedia - November 2008 - TC Powercore 6000 (Page 52) AudioMedia - November 2008 - TC Powercore 6000 (Page 53) AudioMedia - November 2008 - TC Powercore 6000 (Page 54) AudioMedia - November 2008 - TC Powercore 6000 (Page 55) AudioMedia - November 2008 - EP Productions (Page 56) AudioMedia - November 2008 - EP Productions (Page 57) AudioMedia - November 2008 - Nagra VI (Page 58) AudioMedia - November 2008 - Nagra VI (Page 59) AudioMedia - November 2008 - Product Sampler: Location Tools (Page 60) AudioMedia - November 2008 - Product Sampler: Location Tools (Page 61) AudioMedia - November 2008 - Video Guide (Page 62) AudioMedia - November 2008 - Video Guide (Page 63) AudioMedia - November 2008 - Video Guide (Page 64) AudioMedia - November 2008 - Video Guide (Page 65) AudioMedia - November 2008 - AMSR News (Page 66) AudioMedia - November 2008 - AMSR News (Page 67) AudioMedia - November 2008 - Shure KSM9 (Page 68) AudioMedia - November 2008 - Shure KSM9 (Page 69) AudioMedia - November 2008 - Big Beach Boutique 4 (Page 70) AudioMedia - November 2008 - Big Beach Boutique 4 (Page 71) AudioMedia - November 2008 - Big Beach Boutique 4 (Page 72) AudioMedia - November 2008 - Big Beach Boutique 4 (Page 73) AudioMedia - November 2008 - Big Beach Boutique 4 (Page 74) AudioMedia - November 2008 - Big Beach Boutique 4 (Page Cover3) AudioMedia - November 2008 - Big Beach Boutique 4 (Page Cover4)
For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.