EQ Magazine - July 2008 - (Page 65) Order now online at this Special Offer Page: www.PerfectPitch.com/27years Get $ 30 off + 2 Bonus CDs + FREE shipping. Use VIP code: EQ-102 Outside USA & Canada call: 641-472-3100 1-888-745-8880 ® Call now 24 hours: sound. They had always been there. But this was the Oh, you must be wondering: whatever happened with first time I had ever really “let go” —and listened—to Linda? Excuse me, I’ll have to backtrack . . . discover these subtle differences. It was now my senior year of high school. I was Soon—to my own disbelief—I too could name the nearly 18. In these three-and-a-half years with Perfect tones by ear! It was simple. I could hear how F sounds Pitch, my piano teacher insisted I had made ten one way, while B has a totally different sound—sort of years of progress. And I had. But my youthful ambition wasn’t satisfied. I needed one more like “hearing” red and blue! thing: to beat Linda. Now was my final chance. The realization struck me: THIS IS PERFECT The University of Delaware hosts a performing PITCH! This is how Bach, Beethoven, and Mozart music festival each could mentally envispring, complete with sion their masterJoin musicians around the world judges and awards. To pieces—and know tones, chords, and who have already discovered the my horror, they scheduled me that year as keys—all by ear! to the grand finale. It was almost For 27 years, we’ve received letters The fated day childish—I felt sure from musicians in 120 countries: arrived. Linda gave her that anyone could G “Wow! It really worked. I feel like a new musician. I am usual sterling perforunlock their own very proud I could achieve something of this caliber.” J.M., mance. She would be Perfect Pitch with percussion G “Someone played a D major chord and I recogtough to match, let this simple secret of nized it straight away. S.C., bass G “Thanks I developed a full alone surpass. But my “Color Hearing.” Perfect Pitch in just two weeks! It just happened like a miracle.” turn finally came, and Bursting with B.B., guitar/piano G “It is wonderful. I can truly hear the differences in the color of the tones.” D.P., student G “I heard I went for it. excitement, I told my the differences on the initial playing, which did in fact surprise Slinking to the best friend, Ann me. It is a breakthrough.” J.H., student G “It’s so simple it’s stage, I sat down and (a flutist). ridiculous. M.P., guitar G “I’m able to play things I hear in my played my heart out She laughed at me. head. Before, I could barely do it.” J.W., keyboards G “I hear a with selections from “You have to be born song on the radio and I know what they’re doing. My improviBeethoven, Chopin, with Perfect Pitch,” sations have improved. I feel more in control.” I.B., bass guitar G “It feels like I’m singing and playing MY notes instead of and Ravel. The she asserted. “You somebody else’s—like music is more ‘my own.’ L.H., voice/ applause was overcan’t develop it.” guitar G “What a boost for children’s musical education! R.P., whelming. “You don’t undermusic teacher G “I can identify tones and keys just by hearing Afterwards, I stand how Perfect them and sing tones at will. When I hear music now it has scoured the bulletin Pitch works,” I counmuch more definition, form and substance. I don’t just board for our grades. tered. I sat her down passively listen anymore, but actively listen to detail.” M.U., bass G “Although I was skeptical at first, I am now awed.” R.H., sax Linda received an A. and showed her how G “It’s like hearing in a whole new dimension.” L.S., guitar This was no surprise. to listen. Timidly, she G “I started crying and laughing all at the same time. J.S., Then I saw that confessed that she music educator G “I wish I could have had this 30 years ago!” I had scored an A+. too could hear the R.B., voice G “This is absolutely what I had been searching for.” Sweet victory was pitch colors. With D.F., piano G “Mr. Burge—you’ve changed my life!” T.B., music to my ears, mine this jump start, Ann student G “Learn it or be left behind.” P.S., student . . . at last! —D.L.B. soon realized she also had gained Perfect Pitch. We became instant celebrities. Classmates loved to Now it’s YOUR turn! call out tones for us to magically sing from thin air. or 27 years now, musicians around the globe have They played chords for us to name by ear. They quizzed proven the simple methods that David-Lucas Burge us on what key a song was in. stumbled upon as a teenager (plus research at two leadEveryone was fascinated with our “supernatural” ing universities—see www.PerfectPitch.com/research). powers, yet to Ann and me, it was just normal. Now you can hear it for yourself! It’s easy and fun— Way back then, I never dreamed I would later cause and guaranteed to work for YOU—regardless of your such a stir in the academic world. But when I entered instrument, your playing style, or your current ability. college and started to explain my discoveries, professors Order your own Perfect Pitch® Ear Training laughed at me. SuperCourse and listen to the first CD. We promise “You must be born with Perfect Pitch,” they’d say. you will immediately hear the Perfect Pitch colors that “You can’t develop it!” David-Lucas starts you on—or return the course for a I would listen politely. Then I’d reveal the simple full prompt refund (you’ve got our 27-year word on it). secret—so they could hear it for themselves. You can even check out your progress at no risk. You You’d be surprised how fast they changed their tune! must notice immediate and dramatic advancements in In college, my so-called “perfect ear” allowed me to 1) your ear, 2) your playing and singing, and 3) your skip over two required music theory courses. Perfect enjoyment of music, or return your course for a full Pitch made everything easier—my ability to perform, prompt refund, no questions asked. compose, arrange, transpose, improvise, and even Imagine the talents that Perfect Pitch can open up sight-read (because—without looking at the keyin YOU to advance your playing, your singing, your own board—you know you’re playing the correct tones). creativity and confidence. Then again, how will you ever And because my ears were open, music sounded know unless you listen for yourself? There’s no risk. richer. I learned that music is truly a HEARING art. Order your course now and HEAR IT for YOURSELF! The Perfect Pitch Ear Training SuperCourse by David-Lucas Burge secrets Perfect Pitch. You receive 8 audio CDs + easy Handbook + TWO FREE bonus CDs (see below). For ALL musicians of ALL instruments, beginning and advanced. No music reading skills required. 40-Day Money Back Guarantee: You will experience Perfect Pitch for yourself— you get a full refund! —or Prove to me that I have Perfect Pitch! Send me ALL 8 CDs + handbook. I’ll listen to the first 5 CDs. I must notice immediate and dramatic advancements in 1) my ear, 2) my performance level, and 3) my enjoyment—or I’ll return the course for a full prompt refund, no questions asked. If I decide to continue my ear training, I’ll enjoy my remaining 3 CDs with advanced lessons. My FREE 74-minute bonus CD on Relative Pitch is mine to keep (a $15 gift)—even if I return my course for a refund. I also get FREE: Perfect Pitch for Children (a $15 gift). YES! Our 27 Year Celebration also includes: FREE SHIPPING worldwide to your door! Use Your Credit Card or Debit Card to Choose a Monthly Easy Pay Plan: (more online) J10 payments of $13.90 (+ $1.95/month service charge) J 5 payments of $27.80 (+ $1.95/month service charge) J 1 payment of $139 (no service charge) CARD NUMBER EXPIRATION DATE Your discount price: only $139. (List : $169.) You save $30 with publisher discount. J Send Check or Money Order Send your personal check or money order for just $139 payable to PerfectPitch.com. You save $30 and get free shipping worldwide. (International orders: Please submit your money order in U.S. funds.) NAME ADDRESS TELEPHONE NUMBER CITY STATE ZIP EMAIL ADDRESS (We promise we’ll never give out your info to anyone, ever!) INSTRUMENT(S) YOU PLAY (please include VOICE if applicable) Mail to: Or fax to: (641) 472-2700 PerfectPitch com/27years HEAR IT FOR YOURSELF! Save $30, get FREE shipping+2 Bonus CDs! Our 27 Year Offer! We are a proud member of the Music Industry Conference, an affiliate of MENC: The National Association for Music Education. VIP Code: EQ-102 (Free ship/$30 off/2 free CDs) 1200 E. Burlington Avenue, Fairfield, IA 52556 http://www.PerfectPitch.com/27years http://www.PerfectPitch.com/research http://PerfectPitch.com http://www.PerfectPitch.com/27years
Table of Contents Feed for the Digital Edition of EQ Magazine - July 2008 EQ Magazine - July 2008 Contents Talk Box Sounding Board Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age Tool Box Death Cab For Cutie Guitar Trax Bass Management Key Issues Drum Heads Vocal Cords Mix Bus Cheat Sheet Propellerhead Reason 4 Sony Acid Pro 6 EDAX Audio Labs VTP-100 M-Audio Profire 2626 Tape Simulator Shootout Tape Simulators Sounds Room With a VU: Infrasonic Sound Recording Company, Los Angeles, CA. EQ Magazine - July 2008 EQ Magazine - July 2008 - EQ Magazine - July 2008 (Page Cover1) EQ Magazine - July 2008 - EQ Magazine - July 2008 (Page Cover2) EQ Magazine - July 2008 - EQ Magazine - July 2008 (Page 1) EQ Magazine - July 2008 - Contents (Page 2) EQ Magazine - July 2008 - Contents (Page 3) EQ Magazine - July 2008 - Talk Box (Page 4) EQ Magazine - July 2008 - Talk Box (Page 5) EQ Magazine - July 2008 - Sounding Board (Page 6) EQ Magazine - July 2008 - Sounding Board (Page 7) EQ Magazine - July 2008 - Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age (Page 8) EQ Magazine - July 2008 - Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age (Page 9) EQ Magazine - July 2008 - Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age (Page 10) EQ Magazine - July 2008 - Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age (Page 11) EQ Magazine - July 2008 - Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age (Page 12) EQ Magazine - July 2008 - Louis XIV, Four TET and Steve Reid, Can Your Record Go Gold in the Digital Age (Page 13) EQ Magazine - July 2008 - Tool Box (Page 14) EQ Magazine - July 2008 - Tool Box (Page 15) EQ Magazine - July 2008 - Death Cab For Cutie (Page 16) EQ Magazine - July 2008 - Death Cab For Cutie (Page 17) EQ Magazine - July 2008 - Death Cab For Cutie (Page 18) EQ Magazine - July 2008 - Death Cab For Cutie (Page 19) EQ Magazine - July 2008 - Death Cab For Cutie (Page 20) EQ Magazine - July 2008 - Death Cab For Cutie (Page 21) EQ Magazine - July 2008 - Death Cab For Cutie (Page 22) EQ Magazine - July 2008 - Death Cab For Cutie (Page 23) EQ Magazine - July 2008 - Death Cab For Cutie (Page 24) EQ Magazine - July 2008 - Death Cab For Cutie (Page 25) EQ Magazine - July 2008 - Guitar Trax (Page 26) EQ Magazine - July 2008 - Guitar Trax (Page 27) EQ Magazine - July 2008 - Bass Management (Page 28) EQ Magazine - July 2008 - Bass Management (Page 29) EQ Magazine - July 2008 - Key Issues (Page 30) EQ Magazine - July 2008 - Key Issues (Page 31) EQ Magazine - July 2008 - Drum Heads (Page 32) EQ Magazine - July 2008 - Drum Heads (Page 33) EQ Magazine - July 2008 - Vocal Cords (Page 34) EQ Magazine - July 2008 - Vocal Cords (Page 35) EQ Magazine - July 2008 - Vocal Cords (Page 36) EQ Magazine - July 2008 - Vocal Cords (Page 37) EQ Magazine - July 2008 - Mix Bus (Page 38) EQ Magazine - July 2008 - Mix Bus (Page 39) EQ Magazine - July 2008 - Mix Bus (Page 40) EQ Magazine - July 2008 - Mix Bus (Page 41) EQ Magazine - July 2008 - Cheat Sheet (Page 42) EQ Magazine - July 2008 - Cheat Sheet (Page 43) EQ Magazine - July 2008 - Propellerhead Reason 4 (Page 44) EQ Magazine - July 2008 - Propellerhead Reason 4 (Page 45) EQ Magazine - July 2008 - Sony Acid Pro 6 (Page 46) EQ Magazine - July 2008 - Sony Acid Pro 6 (Page 47) EQ Magazine - July 2008 - EDAX Audio Labs VTP-100 (Page 48) EQ Magazine - July 2008 - EDAX Audio Labs VTP-100 (Page 49) EQ Magazine - July 2008 - M-Audio Profire 2626 (Page 50) EQ Magazine - July 2008 - M-Audio Profire 2626 (Page 51) EQ Magazine - July 2008 - Tape Simulators (Page 52) EQ Magazine - July 2008 - Tape Simulators (Page 53) EQ Magazine - July 2008 - Tape Simulators (Page 54) EQ Magazine - July 2008 - Tape Simulators (Page 55) EQ Magazine - July 2008 - Tape Simulators (Page 56) EQ Magazine - July 2008 - Tape Simulators (Page 57) EQ Magazine - July 2008 - Tape Simulators (Page 58) EQ Magazine - July 2008 - Tape Simulators (Page 59) EQ Magazine - July 2008 - Tape Simulators (Page 60) EQ Magazine - July 2008 - Tape Simulators (Page 61) EQ Magazine - July 2008 - Sounds (Page 62) EQ Magazine - July 2008 - Sounds (Page 63) EQ Magazine - July 2008 - Sounds (Page 64) EQ Magazine - July 2008 - Sounds (Page 65) EQ Magazine - July 2008 - Sounds (Page 66) EQ Magazine - July 2008 - Sounds (Page 67) EQ Magazine - July 2008 - Sounds (Page 68) EQ Magazine - July 2008 - Sounds (Page 69) EQ Magazine - July 2008 - Sounds (Page 70) EQ Magazine - July 2008 - Sounds (Page 71) EQ Magazine - July 2008 - Room With a VU: Infrasonic Sound Recording Company, Los Angeles, CA. (Page 72) EQ Magazine - July 2008 - Room With a VU: Infrasonic Sound Recording Company, Los Angeles, CA. (Page Cover3) EQ Magazine - July 2008 - Room With a VU: Infrasonic Sound Recording Company, Los Angeles, CA. (Page Cover4)
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