EQ Magazine - October 2008 - (Page 33) Many companies make audio interfaces. Few make great ones. “The ProFire 2626’s functionality and versatility kinda scares me. As a studio owner who’s spent a lot on pres, A/D converters, etc., units like this make me feel like I’ve wasted a lot of money this is definitely one of the best deals for small studio owners I’ve found yet.” —EQ Magazine ProFire 2626 © 2008 Avid Technology, Inc. All rights reserved. Product features, specifications, system requirements and availability are subject to change without notice. Use of enclosed software may be subject to a related license agreement. Avid, M-Audio, the “>” logo and ProFire are either trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and in other countries. All other trademarks contained herein are the property of their respective owners. High-Definition 26-in/26-out FireWire Audio Interface with Octane Preamp Technology In creating the ProFire 2626, our engineers pored over the details that add up to an exceptional recording experience. The eight mic preamps feature award-winning Octane™ preamp technology designed for optimal headroom— resulting in extremely low distortion through the entire gain range. The preamps have also been tweaked to offer a generous 75dB gain range and an extremely high signal-to-noise ratio, allowing you to accurately capture performances across a tremendous dynamic range. Careful selection of components— including high-end converters with low band-pass ripple and linear phase response—results in cohesive, detailed audio with a wide frequency response. Complete with low THD+N and preamp circuitry that follows the shortest possible signal paths, ProFire 2626 remains uncolored and true to any input source. We labored over these details so you can concentrate on what’s most important: making a great recording. Read all the details at m-audio.com. • 26 x 26 simultaneous analog/digital I/O • 8 preamps with award-winning Octane technology • flexible on-board DSP mixer for multiple unique cue mixes • user-assignable master volume knob • doubles as 8-channel mic pre/ 8-channel A/D-D/A converter • up to 24-bit/192kHz for pristine high-definition digital audio • critically acclaimed JetPLL jitter elimination technology Compatible with Pro Tools M-Powered 7.4 via downloadable update. Check m-audio.com for details. www.m-audio.com http://m-audio.com http://m-audio.com http://www.m-audio.com
Table of Contents Feed for the Digital Edition of EQ Magazine - October 2008 EQ Magazine - October 2008 Contents Talk Box Sounding Board Punch In Smashing Pumpkins Guitar Trax Bass Management Key Issues Drum Heads Vocal Cords Mix Bus Cheat Sheet Cakewalk Sonar 7 Steinberg Cubase 4 Studio Meets Stage Gear for the Studio and Stage Sounds Room with a Vu EQ Magazine - October 2008 EQ Magazine - October 2008 - EQ Magazine - October 2008 (Page Cover1) EQ Magazine - October 2008 - EQ Magazine - October 2008 (Page Cover2) EQ Magazine - October 2008 - EQ Magazine - October 2008 (Page 1) EQ Magazine - October 2008 - Contents (Page 2) EQ Magazine - October 2008 - Contents (Page 3) EQ Magazine - October 2008 - Talk Box (Page 4) EQ Magazine - October 2008 - Talk Box (Page Blowin1) EQ Magazine - October 2008 - Talk Box (Page Blowin2) EQ Magazine - October 2008 - Talk Box (Page 5) EQ Magazine - October 2008 - Sounding Board (Page 6) EQ Magazine - October 2008 - Sounding Board (Page 7) EQ Magazine - October 2008 - Punch In (Page 8) EQ Magazine - October 2008 - Punch In (Page 9) EQ Magazine - October 2008 - Punch In (Page 10) EQ Magazine - October 2008 - Punch In (Page 11) EQ Magazine - October 2008 - Punch In (Page 12) EQ Magazine - October 2008 - Punch In (Page 13) EQ Magazine - October 2008 - Smashing Pumpkins (Page 14) EQ Magazine - October 2008 - Smashing Pumpkins (Page 15) EQ Magazine - October 2008 - Smashing Pumpkins (Page 16) EQ Magazine - October 2008 - Smashing Pumpkins (Page 17) EQ Magazine - October 2008 - Smashing Pumpkins (Page 18) EQ Magazine - October 2008 - Smashing Pumpkins (Page 19) EQ Magazine - October 2008 - Smashing Pumpkins (Page 20) EQ Magazine - October 2008 - Smashing Pumpkins (Page 21) EQ Magazine - October 2008 - Smashing Pumpkins (Page 22) EQ Magazine - October 2008 - Smashing Pumpkins (Page 23) EQ Magazine - October 2008 - Smashing Pumpkins (Page 24) EQ Magazine - October 2008 - Smashing Pumpkins (Page 25) EQ Magazine - October 2008 - Smashing Pumpkins (Page 26) EQ Magazine - October 2008 - Smashing Pumpkins (Page 27) EQ Magazine - October 2008 - Smashing Pumpkins (Page 28) EQ Magazine - October 2008 - Smashing Pumpkins (Page 29) EQ Magazine - October 2008 - Guitar Trax (Page 30) EQ Magazine - October 2008 - Guitar Trax (Page 31) EQ Magazine - October 2008 - Bass Management (Page 32) EQ Magazine - October 2008 - Bass Management (Page 33) EQ Magazine - October 2008 - Key Issues (Page 34) EQ Magazine - October 2008 - Key Issues (Page 35) EQ Magazine - October 2008 - Drum Heads (Page 36) EQ Magazine - October 2008 - Drum Heads (Page 37) EQ Magazine - October 2008 - Drum Heads (Page 38) EQ Magazine - October 2008 - Drum Heads (Page 39) EQ Magazine - October 2008 - Vocal Cords (Page 40) EQ Magazine - October 2008 - Vocal Cords (Page 41) EQ Magazine - October 2008 - Mix Bus (Page 42) EQ Magazine - October 2008 - Mix Bus (Page 43) EQ Magazine - October 2008 - Mix Bus (Page 44) EQ Magazine - October 2008 - Mix Bus (Page 45) EQ Magazine - October 2008 - Cheat Sheet (Page 46) EQ Magazine - October 2008 - Cheat Sheet (Page 47) EQ Magazine - October 2008 - Cakewalk Sonar 7 (Page 48) EQ Magazine - October 2008 - Cakewalk Sonar 7 (Page 49) EQ Magazine - October 2008 - Steinberg Cubase 4 (Page 50) EQ Magazine - October 2008 - Steinberg Cubase 4 (Page 51) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 52) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 53) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 54) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 55) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 56) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 57) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 58) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 59) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 60) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 61) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 62) EQ Magazine - October 2008 - Gear for the Studio and Stage (Page 63) EQ Magazine - October 2008 - Sounds (Page 64) EQ Magazine - October 2008 - Sounds (Page 65) EQ Magazine - October 2008 - Sounds (Page 66) EQ Magazine - October 2008 - Sounds (Page 67) EQ Magazine - October 2008 - Sounds (Page 68) EQ Magazine - October 2008 - Sounds (Page 69) EQ Magazine - October 2008 - Sounds (Page 70) EQ Magazine - October 2008 - Sounds (Page 71) EQ Magazine - October 2008 - Room with a Vu (Page 72) EQ Magazine - October 2008 - Room with a Vu (Page Cover3) EQ Magazine - October 2008 - Room with a Vu (Page Cover4)
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