ProAudio Review - March 2008 - (Page 58) Single Slice by Strother Bullins “Fading In and Fading Out” | Ringo Starr SINGLE: “Fading In And Fading Out” ALBUM: 5.1: The Surround Sound Collection (Koch) DATES: Recorded mid-2004 to early 2005 at Ringo Starr’s private studio in England; mixed 2007 at Bruce Sugar’s private studio in Hollywood, California PRODUCERS: Ringo Starr and Mark Hudson ENGINEER AND MIXER: Bruce Sugar MASTERING: Chris Bellman at Bernie Grundman Mastering in Hollywood, California SURROUND ENCODING: Steve Clarke and Dan Bir Other Projects: Sugar has worked with artists such as Ozzy Osbourne, Buckcherry, Barry Manilow, Dave Koz, the Royal Philharmonic Orchestra, and many others. SINGLE SONGWRITERS: Richard Starkey, Gary Burr, Mark Hudson MIX CONSOLE/WORKSURFACE: Digidesign Control|24 RECORDER: Digidesign Pro Tools|HD MIX MONITORS: JBL LSR 4328P mains and LSR4312SP subwoofer (5.1 configuration) SELECT MICROPHONES: Sennheiser MD 421 (toms) and Neumann U87 pair (drum room) SELECT TRACKING HARDWARE: Neve 1073 preamps, UREI 1176 compressors, Drawmer DS201 gates, Empirical Labs Distressors SELECT SOFTWARE: WAVES surround plug-ins and Universal Audio UAD-1’s classic Neve emulations (mixing); Minnetonka AudioTools AWE, Minnetonka discWelder Chrome II, Minnetonka SurCode MLP , SurCode DTS (encoding) ENGINEER’S DIARY The existence of Ringo Starr’s latest release — 5.1: The Surround Sound Collection — could be literally credited to engineer Bruce Sugar’s fairly recent, and very significant, equipment upgrade. “I had just purchased a JBL LSR 5.1 system for my Pro Tools|HD studio,” he recalls. “I had previously recorded Ringo’s last three albums, and I tried to apply one of those songs as test material. It came out very well, so I sent it to the record label with my idea to mix it in 5.1, and they went for it.” 5.1: The Surround Sound Collection is comprised of two albums’ worth of material — Ringorama and Choose Love — mixed for release on DVD-A. Its first song, “Fading In And Fading Out,” was tracked by Sugar at Starr’s private studio. “Tracking was done sort of old fashioned: no click,” he recalls. “For basic tracks, he’s playing with a bass player and two guitar players live, so it’s not a piecemeal thing, though there are a lot of overdubs. For Ringo’s drums, we used a lot of old Neve 1073 preamps with the same drum kit that he used on Abbey Road and Let It Be, his walnut kit with the original calfskin heads on the toms. They sounded great.” According to Sugar, a key component of the “Fading In And Fading Out” surround mix was the vintage Neumann U87 pair used for drum room mics. “They are from the studio he had with John Bruce Sugar and (Lennon),” notes Sugar. “On the 5.1 mix, I stuck them right in the back, which really balanced the Ringo Starr drum kit. When Ringo first heard it, I think he was a little taken aback; he said, ‘I’m not used to hearing the hi-hat in the back!’ In using his new JBL 5.1 monitoring system, Sugar treated each speaker democratically. “I’ve listened in a lot of home theaters, and a lot of material doesn’t treat the rear speakers as equals. I do. I figure that people have good surround systems to listen to the album with, and I had faith in my mastering engineer. I just went for it; I handed a mastered discrete 5.1 mix to the record label, who sent it off to Broadness, a New York-based DVD authoring company. This authoring technology is amazing; if more [record companies] offered packages like this, there might be less downloading.” Strother Bullins is a North Carolina-based freelance writer specializing in the professional audio, music and entertainment industries. 58 | ProAudio Review | March 2008 www.proaudioreview.com http://www.proaudioreview.com
Table of Contents Feed for the Digital Edition of ProAudio Review - March 2008 ProAudio Review - March 2008 Contents Publisher's Page Studio News and New Products Sennheiser MKH 8040 Microphone Digidesign Mbox 2 Micro Studio Spotlight Upsampler X/Audio Live News and New Products Touring Gear From the Road Broadcast News and New Products ION Audio Tape2PC Cassette Archiving System Brauner VMA Large-Diaphragm Microphone Audio Ltd. RMS 2040 Series Post News and New Products First Look NAB Showcase Buyers Guide Single Slice ProAudio Review - March 2008 ProAudio Review - March 2008 - ProAudio Review - March 2008 (Page 1) ProAudio Review - March 2008 - ProAudio Review - March 2008 (Page 2) ProAudio Review - March 2008 - ProAudio Review - March 2008 (Page 3) ProAudio Review - March 2008 - Contents (Page 4) ProAudio Review - March 2008 - Contents (Page 5) ProAudio Review - March 2008 - Publisher's Page (Page 6) ProAudio Review - March 2008 - Publisher's Page (Page blowin2) ProAudio Review - March 2008 - Publisher's Page (Page blowin1) ProAudio Review - March 2008 - Publisher's Page (Page 7) ProAudio Review - March 2008 - Studio News and New Products (Page 8) ProAudio Review - March 2008 - Studio News and New Products (Page 9) ProAudio Review - March 2008 - Sennheiser MKH 8040 Microphone (Page 10) ProAudio Review - March 2008 - Sennheiser MKH 8040 Microphone (Page 11) ProAudio Review - March 2008 - Digidesign Mbox 2 Micro (Page 12) ProAudio Review - March 2008 - Digidesign Mbox 2 Micro (Page 13) ProAudio Review - March 2008 - Digidesign Mbox 2 Micro (Page 14) ProAudio Review - March 2008 - Digidesign Mbox 2 Micro (Page 15) ProAudio Review - March 2008 - Upsampler (Page 16) ProAudio Review - March 2008 - Upsampler (Page 17) ProAudio Review - March 2008 - X/Audio (Page 18) ProAudio Review - March 2008 - X/Audio (Page 19) ProAudio Review - March 2008 - Live News and New Products (Page 20) ProAudio Review - March 2008 - Live News and New Products (Page 21) ProAudio Review - March 2008 - Touring Gear (Page 22) ProAudio Review - March 2008 - Touring Gear (Page 23) ProAudio Review - March 2008 - Touring Gear (Page 24) ProAudio Review - March 2008 - Touring Gear (Page 25) ProAudio Review - March 2008 - Touring Gear (Page 26) ProAudio Review - March 2008 - Touring Gear (Page 27) ProAudio Review - March 2008 - Touring Gear (Page 28) ProAudio Review - March 2008 - Touring Gear (Page 29) ProAudio Review - March 2008 - From the Road (Page 30) ProAudio Review - March 2008 - From the Road (Page 31) ProAudio Review - March 2008 - Broadcast News and New Products (Page 32) ProAudio Review - March 2008 - Broadcast News and New Products (Page 33) ProAudio Review - March 2008 - ION Audio Tape2PC Cassette Archiving System (Page 34) ProAudio Review - March 2008 - ION Audio Tape2PC Cassette Archiving System (Page 35) ProAudio Review - March 2008 - Brauner VMA Large-Diaphragm Microphone (Page 36) ProAudio Review - March 2008 - Brauner VMA Large-Diaphragm Microphone (Page 37) ProAudio Review - March 2008 - Audio Ltd. RMS 2040 Series (Page 38) ProAudio Review - March 2008 - Audio Ltd. RMS 2040 Series (Page 39) ProAudio Review - March 2008 - Post News and New Products (Page 40) ProAudio Review - March 2008 - Post News and New Products (Page 41) ProAudio Review - March 2008 - First Look (Page 42) ProAudio Review - March 2008 - First Look (Page 43) ProAudio Review - March 2008 - First Look (Page 44) ProAudio Review - March 2008 - First Look (Page 45) ProAudio Review - March 2008 - NAB Showcase (Page 46) ProAudio Review - March 2008 - NAB Showcase (Page 47) ProAudio Review - March 2008 - NAB Showcase (Page 48) ProAudio Review - March 2008 - NAB Showcase (Page 49) ProAudio Review - March 2008 - Buyers Guide (Page 50) ProAudio Review - March 2008 - Buyers Guide (Page 51) ProAudio Review - March 2008 - Buyers Guide (Page 52) ProAudio Review - March 2008 - Buyers Guide (Page 53) ProAudio Review - March 2008 - Buyers Guide (Page 54) ProAudio Review - March 2008 - Buyers Guide (Page 55) ProAudio Review - March 2008 - Buyers Guide (Page 56) ProAudio Review - March 2008 - Buyers Guide (Page 57) ProAudio Review - March 2008 - Single Slice (Page 58) ProAudio Review - March 2008 - Single Slice (Page 59) ProAudio Review - March 2008 - Single Slice (Page 60)
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