ProAudio Review - August 2008 - (Page 41) LIVE | REVIEW by Karl Bader Behringer Eurolive B412DSP and B415DSP Active Loudspeakers The economically priced B412DSP and B415DSP offer interesting features, good performance, and considerable ‘bang for the buck.’ Powered speakers are not new to this industry by any means. They are an effort by the manufacturers to present the bestmatched amplifier, processing, and speaker to the consumer with the marketing approach and consumer benefit of taking up less room in transit and on the floor at the gig as well as faster setup and strike times. Behringer — the well known, German-headquartered international pro audio firm — took another stab at powered speakers with the release of the B412DSP and B415DSP, both of which are manufactured in China. FEATURES The B412DSP and B415DSP are very similar in features. Both speakers’ back panels include two line/mic inputs on XLR connectors with a -40 dB to +10 dBu input sensitivity and 27k ohm impedance. The line out is a balanced 120 ohm XLR connector. After the mixing function is a simple two-band parametric EQ with +/- 15 dB at 100 Hz and 12 kHz, a sweepable high-pass filter that can be set from 40-160 Hz and a variable noise gate that can be set from off to -30 dB < -45 dBr. Both models offer a 460-watt peak (at 8 ohm) Class B amplifier on the low-end driver. The B412DSP contains a 12-inch driver crossed over at 1.7 kHz; the B415DSP contains a 15-inch low driver crossed over at 1.5kHz. Both models contain a 1.75-inch titanium diaphragm compression driver mounted on a 90 x 45 degree horn and powered by a 140-watt peak amplifier. Behringer claims that these speakers are capable of putting out 128 dB at 1 meter and have a frequency response from 40 Hz to 20 kHz. These B412DSP and B415DSP offer a lot of features to be packed into such small price tags ($589 and $739 list, respectively). Also, they are user-serviceable in the event an unfortunate breakdown does occur. IN USE As I unpacked the boxes, I was immediately taken with the grille over the woofer. This grille said a lot. Its unique design was ‘un-dentable.’ By that I mean this: I put all of my weight into it, and it wouldn’t move. I took this as a challenge and then got out my trusty rubber mallet. After several hits I still couldn’t tell where I hit it. The boxes’ plastic casing also holds up well to a general use beating. Upon moving from show to show and around the shop, only a few minor scuffmarks and scratches occurred. The scratches that did occur were only noticeable upon close inspection. The advantage of plastic is it is the same color all the way through, and it doesn’t show scratches and scuff like wood and paint. I do have one major “issue” with the speakers’ physical attributes: the handles. Good handle placement and design is important when you are moving these speakers on a daily basis from venue to venue, and I first thought the boxes were designed to carry briefcase-style. I found the handles small for my hands and awkward to use in lifting and carrying the boxes; the smaller B412DSP weighs 65 lbs, so this wasn’t treating my body, or knuckles, well. The most comfortable way to carry these was to hold the box high on your chest, a hand in each handle. It made BEHRINGER continues on page 42 ® APPLICATIONS: Live mains, monitor, or fill speaker; solo artist/instrument PA. KEY FEATURES: 2-channel mixer; gate; timed turnoff; 2-band parametric EQ; music and vocal EQ contour; balanced XLR loop through; 600 watts of power PRICE: $589 and $739 list, respectively CONTACT: Behringer | ¤ 425-672-0816 | · www.behringer.com PRODUCTPOINTS + Economically priced to not break the bank + A lot of features for the buck + Multi-use as monitors or mains - Handle placement - Heavy SCORE These boxes are a great solution and very economically priced. www.proaudioreview.com August 2008 | ProAudio Review | 41 http://www.behringer.com http://www.proaudioreview.com
Table of Contents Feed for the Digital Edition of ProAudio Review - August 2008 ProAudio Review - August 2008 Contents Publisher's Page Broadcast News and New Products Yamaha Pocketrak 2G Olympus LS-10 Linear PCM Recorder Bench Test Marantz PMD620 Flash Recorder TASCAM DR-1 Portable Digital Recorder Tips From The Pros: Location/Production Audio Prosumer Portables in a Pro World Studio News and New Products Apogee Ensemble Solid State Logic Duende Mini FireWire DSP Live News and New Products Avril Lavigne's The Best Damn Thing World Tour Behringer Eurolive B412DSP and B415DSP Active Loudspeakers Gear for FOH Engineers — A PAR Contributors’ Wish List Contracting News and New Products Buyer's Guide Single Slice ProAudio Review - August 2008 ProAudio Review - August 2008 - ProAudio Review - August 2008 (Page Cover1) ProAudio Review - August 2008 - ProAudio Review - August 2008 (Page Cover2) ProAudio Review - August 2008 - ProAudio Review - August 2008 (Page 3) ProAudio Review - August 2008 - Contents (Page 4) ProAudio Review - August 2008 - Contents (Page 5) ProAudio Review - August 2008 - Publisher's Page (Page 6) ProAudio Review - August 2008 - Publisher's Page (Page 7) ProAudio Review - August 2008 - Broadcast News and New Products (Page 8) ProAudio Review - August 2008 - Broadcast News and New Products (Page 9) ProAudio Review - August 2008 - Yamaha Pocketrak 2G (Page 10) ProAudio Review - August 2008 - Yamaha Pocketrak 2G (Page 11) ProAudio Review - August 2008 - Olympus LS-10 Linear PCM Recorder (Page 12) ProAudio Review - August 2008 - Bench Test (Page 13) ProAudio Review - August 2008 - Marantz PMD620 Flash Recorder (Page 14) ProAudio Review - August 2008 - Marantz PMD620 Flash Recorder (Page 15) ProAudio Review - August 2008 - TASCAM DR-1 Portable Digital Recorder (Page 16) ProAudio Review - August 2008 - TASCAM DR-1 Portable Digital Recorder (Page 17) ProAudio Review - August 2008 - TASCAM DR-1 Portable Digital Recorder (Page 18) ProAudio Review - August 2008 - TASCAM DR-1 Portable Digital Recorder (Page 19) ProAudio Review - August 2008 - Tips From The Pros: Location/Production Audio (Page 20) ProAudio Review - August 2008 - Tips From The Pros: Location/Production Audio (Page 21) ProAudio Review - August 2008 - Tips From The Pros: Location/Production Audio (Page 22) ProAudio Review - August 2008 - Tips From The Pros: Location/Production Audio (Page 23) ProAudio Review - August 2008 - Prosumer Portables in a Pro World (Page 24) ProAudio Review - August 2008 - Prosumer Portables in a Pro World (Page 25) ProAudio Review - August 2008 - Studio News and New Products (Page 26) ProAudio Review - August 2008 - Studio News and New Products (Page 27) ProAudio Review - August 2008 - Apogee Ensemble (Page 28) ProAudio Review - August 2008 - Apogee Ensemble (Page 29) ProAudio Review - August 2008 - Apogee Ensemble (Page 30) ProAudio Review - August 2008 - Apogee Ensemble (Page 31) ProAudio Review - August 2008 - Apogee Ensemble (Page 32) ProAudio Review - August 2008 - Apogee Ensemble (Page 33) ProAudio Review - August 2008 - Solid State Logic Duende Mini FireWire DSP (Page 34) ProAudio Review - August 2008 - Solid State Logic Duende Mini FireWire DSP (Page 35) ProAudio Review - August 2008 - Live News and New Products (Page 36) ProAudio Review - August 2008 - Live News and New Products (Page 37) ProAudio Review - August 2008 - Avril Lavigne's The Best Damn Thing World Tour (Page 38) ProAudio Review - August 2008 - Avril Lavigne's The Best Damn Thing World Tour (Page 39) ProAudio Review - August 2008 - Behringer Eurolive B412DSP and B415DSP Active Loudspeakers (Page 40) ProAudio Review - August 2008 - Behringer Eurolive B412DSP and B415DSP Active Loudspeakers (Page 41) ProAudio Review - August 2008 - Behringer Eurolive B412DSP and B415DSP Active Loudspeakers (Page 42) ProAudio Review - August 2008 - Behringer Eurolive B412DSP and B415DSP Active Loudspeakers (Page 43) ProAudio Review - August 2008 - Gear for FOH Engineers — A PAR Contributors’ Wish List (Page 44) ProAudio Review - August 2008 - Gear for FOH Engineers — A PAR Contributors’ Wish List (Page 45) ProAudio Review - August 2008 - Gear for FOH Engineers — A PAR Contributors’ Wish List (Page 46) ProAudio Review - August 2008 - Gear for FOH Engineers — A PAR Contributors’ Wish List (Page 47) ProAudio Review - August 2008 - Gear for FOH Engineers — A PAR Contributors’ Wish List (Page 48) ProAudio Review - August 2008 - Gear for FOH Engineers — A PAR Contributors’ Wish List (Page 49) ProAudio Review - August 2008 - Contracting News and New Products (Page 50) ProAudio Review - August 2008 - Contracting News and New Products (Page 51) ProAudio Review - August 2008 - Buyer's Guide (Page 52) ProAudio Review - August 2008 - Buyer's Guide (Page 53) ProAudio Review - August 2008 - Buyer's Guide (Page 54) ProAudio Review - August 2008 - Buyer's Guide (Page 55) ProAudio Review - August 2008 - Buyer's Guide (Page 56) ProAudio Review - August 2008 - Buyer's Guide (Page 57) ProAudio Review - August 2008 - Single Slice (Page 58) ProAudio Review - August 2008 - Single Slice (Page Cover3) ProAudio Review - August 2008 - Single Slice (Page Cover4)
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