ProAudio Review - October 2008 - (Page 51) T h i s i s a s e l e c t s a m p l i n g o f p r o d u c t s t o b e d i s p l aye d a t t h e 2 0 0 8 A E S s h o w, O c t o b e r 3 - 5 , i n S a n Fr a n c i s c o AEA RPQ — Ribbon Pre with EQ A preamp/EQ signal path optimized for ribbon mics, active or passive.Two channels of clean,quiet, high input-impedance JFET gain with tuneable low-cut and high-boost EQs, in a rackmount package. API 1608 Recording Console A new classic, the 1608’s alldiscrete signal path features 16 inputs, each with 8 aux and bus sends, mic pre and EQ. A comprehensive center section holds the 8 echo returns, 5.1 monitoring, and additional 500 series slots, A VU meter bridge and rear connector patch is standard. Visit AES Booth 1222 or www.ribbonmics.com Visit AES Booth 926 or www.apiaudio.com Arsenal Audio by API – R24 The R24 Dual Channel, 4-band equalizer contains two identical channels of equalization in a rack-mounted unit with internal power supply. The EQ features continuously variable adjustment of frequency and gain using individual controls. The R24 equalizer, which complements the Arsenal Audio by API R20 Dual Mic Pre, is also available in a single channel 500 series format version, the V14. API 5500 Dual Channel Equalizer Designed for recording, mixing and mastering applications, the single rack space API 5500 is a two channel EQ package with an all-discrete signal path that combines the classic features of the API 550B, 550D, and 550M equalizers. Each channel features four independent bands of EQ, plus a unique feature, Range Control, offering three choices for boost and cut; the standard API +/- 2dB, +/- 1dB, and a +/- 0.5dB setting. Visit AES Booth 926 or www.apiaudio.com Visit AES Booth 926 or www.apiaudio.com ATI AES Master Clock Generator / DA ATI introduces the MCDA-112, a precision reference AES sync generator. Use the ultra-low jitter internal clock to generate up to 192kHz clock, or use any external source for a 1X12 Clock DA. ATI Portable Digital Audio Monitor If you work with digital audio, you need the new ATI Model DM500 Digital Audio Monitor. Displays AES level, Sample Rate and Errors, includes D/A converter for headphone and analog line level output. Visit AES Booth 522 or www.atiaudio.com Visit AES Booth 522 or www.atiaudio.com ATI New Digital DAs ATI, world leader in audio distribution, introduces the new Series 2 family of High Resolution Digital Audio Distribution Amplifiers. All models support 192kHz sample rates, selectable re-clocking, full diagnostic displays and user switchable setup. Audio Precision APx521/526 4 Channel Audio Analyzers AP’s new APx521 and APx526 analyzers are ideal for automotive audio: 4 analog channels, extremely high performance (THD+N typically -108dB), and fast, one-click measurements.There is no need to compromise. Visit AES Booth 522 or www.atiaudio.com Visit AES Booth 825 or www.audioprecision.com Audio Precision APx585 with HDMI APx585 with HDMI is the only HDMI/Blu-ray Disc audio test solution in the world. Ideal for verifying Dolby & dts encoded audio or troubleshooting component compatibility and downsampling / downmixing / transcoding issues. Audio Precision High Speed Tester High Speed Tester for 2700 Series or ATS-2 measures DC offset, output level, frequency response, interchannel phase, distortion, noise, and crosstalk in just 3 seconds. Ideal for production or broadcast test. Visit AES Booth 825 or www.audioprecision.com www.proaudioreview.com Visit AES Booth 825 or www.audioprecision.com October 2008 | ProAudio Review | 51 http://www.ribbonmics.com http://www.apiaudio.com http://www.apiaudio.com http://www.apiaudio.com http://www.atiaudio.com http://www.atiaudio.com http://www.atiaudio.com http://www.audioprecision.com http://www.audioprecision.com http://www.audioprecision.com http://www.proaudioreview.com
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