ProAudio Review - December 2008 - (Page 12) www.proaudioreview.com The Voiceover Ducking DSP analyzes the amplitude of a voiceover and automatically adjusts volume of the background audio. This feature is ideal for podcast authoring when a voiceover needs to be mixed with background music. The Change Pitch and Convolve Envelope feature applies dynamic changes over time. Pitch Envelope allows pitch changes to be controlled with a user-customizable envelope. It is perfect for creating special pitch-based effects over time. Convolve Envelope offers dynamic control over the amount of convolution being applied over time and is excellent for creating new sounds by mapping the harmonic spectrum of one file over another. The Change Duration options allow algorithmic selection for optimizing results with vocals or musical content. The Vbox Link allows a cross-synthesis between virtual instruments, audio, effects, and live input with real-time mix, convolve, vocode, modulate and magnitude multiply modes. The proprietary Dither Cloning Audio Technology (DCAT) provides ultra-accurate emulation of the most popular dithering technologies as well as parameter controls to adjust, pre- view, and apply frequency and attenuation skew. As in previous editions, POW-r dithering is included. Cache in RAM provides a fast editing option that stores audio in RAM. This avoids disc-access holdups when working with large files and drastically increases processing speed for many DSP operations. Peak Pro is frequently used for CD, web, video, and gaming audio file preparation. Version 6 adds new export capabilities while streamlining integration between other applications. Advanced PQ sheet/text export now includes custom playlist reports with durations, index points, CD-TEXT info, notes, etc. This data can be printed, saved to PDF, or exported as a tab-delimited file. Audio documents and playlists can be quickly exported directly to iTunes, and files can be dragged and dropped between iTunes and Peak playlists. The “Send To iTunes” option also allows files — or entire playlists — to be encoded using iTunes automatically, if desired. The Default Save As feature stores frequently used file type, bit depth, and compression settings in the Save As dialog. Peak can read and write to all major file types (AIFF, SDII, QuickTime, MP2, MP3, MP4, FLAC, WAVE, Broadcast WAVE, AU, Sonic AIFF, JAM Image, Raw, DDP, and more). It also supports the reading, writing, and even editing of metadata (audio information stored within the file such as artist, title, and SMPTE start time) for the most major of file types — MP3, FLAC, AIFF, WAVE, and Broadcast WAVE. The Peak Pro Production Pack is a powerful assembly of audio plug-ins, utilities, and content. It includes BIAS Reveal LE, BIAS SoundSoap LE, WireTap Pro, a 1-year membership to Broadjam.com, AMG’s “ONE” sample player (content-limited edition), and tons of content from PowerFX, Hollywood Edge, and Sound Ideas. The LE editions of SoundSoap and Reveal integrate exclusively with Peak on Mac OS X, while the retail editions are cross-platform and compatible with thirdparty AU, RTAS/AS, and VST hosts. WireTap Pro from Ambrosia is an excellent application for capturing system/Internet audio with no loss of quality or additional cable connections. AMG’s “ONE” sample player is a real-time sample playback instrument featuring a limited selection of quality loop content. http://www.Broadjam.com http://www.parts-express.com/catalog http://www.parts-express.com/catalog
Table of Contents Feed for the Digital Edition of ProAudio Review - December 2008 ProAudio Review - December 2008 Contents Technically Speaking New Studio Products Opinion: Mastering Matters Review: BIAS Peak Pro XT 6 Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder Review: Sound Devices 788T 8-Track Digital Audio Recorder Review: Universal Audio UAD-2 Solo DSP Accelerator Review: Chandler Limited Germanium Compressor Review: RME ADI-8 QS A/D-D/A Converter Feature: Converters and Clocks: Engineers on Their Choices New Live Products Opinion: From the Road Review: Yamaha IM8 Series Mixing Consoles Review: NTI Digirator DR2 Digital Audio Signal Generator Review: Sencore SoundPro SP495 Audio Consultant Test Set Single Slice ProAudio Review - December 2008 ProAudio Review - December 2008 - ProAudio Review - December 2008 (Page Cover1) ProAudio Review - December 2008 - ProAudio Review - December 2008 (Page Cover2) ProAudio Review - December 2008 - Contents (Page 3) ProAudio Review - December 2008 - Technically Speaking (Page 4) ProAudio Review - December 2008 - Technically Speaking (Page 5) ProAudio Review - December 2008 - New Studio Products (Page 6) ProAudio Review - December 2008 - New Studio Products (Page 7) ProAudio Review - December 2008 - Opinion: Mastering Matters (Page 8) ProAudio Review - December 2008 - Opinion: Mastering Matters (Page 9) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 10) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 11) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 12) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 13) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 14) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 15) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 16) ProAudio Review - December 2008 - Review: BIAS Peak Pro XT 6 (Page 17) ProAudio Review - December 2008 - Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder (Page 18) ProAudio Review - December 2008 - Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder (Page 19) ProAudio Review - December 2008 - Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder (Page 20) ProAudio Review - December 2008 - Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder (Page 21) ProAudio Review - December 2008 - Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder (Page 22) ProAudio Review - December 2008 - Review: Zaxcom Fusion ENG Mixer and Multitrack Recorder (Page 23) ProAudio Review - December 2008 - Review: Sound Devices 788T 8-Track Digital Audio Recorder (Page 24) ProAudio Review - December 2008 - Review: Sound Devices 788T 8-Track Digital Audio Recorder (Page 25) ProAudio Review - December 2008 - Review: Sound Devices 788T 8-Track Digital Audio Recorder (Page 26) ProAudio Review - December 2008 - Review: Sound Devices 788T 8-Track Digital Audio Recorder (Page 27) ProAudio Review - December 2008 - Review: Universal Audio UAD-2 Solo DSP Accelerator (Page 28) ProAudio Review - December 2008 - Review: Universal Audio UAD-2 Solo DSP Accelerator (Page 29) ProAudio Review - December 2008 - Review: Universal Audio UAD-2 Solo DSP Accelerator (Page 30) ProAudio Review - December 2008 - Review: Universal Audio UAD-2 Solo DSP Accelerator (Page 31) ProAudio Review - December 2008 - Review: Chandler Limited Germanium Compressor (Page 32) ProAudio Review - December 2008 - Review: Chandler Limited Germanium Compressor (Page 33) ProAudio Review - December 2008 - Review: RME ADI-8 QS A/D-D/A Converter (Page 34) ProAudio Review - December 2008 - Review: RME ADI-8 QS A/D-D/A Converter (Page 35) ProAudio Review - December 2008 - Feature: Converters and Clocks: Engineers on Their Choices (Page 36) ProAudio Review - December 2008 - Feature: Converters and Clocks: Engineers on Their Choices (Page 37) ProAudio Review - December 2008 - Feature: Converters and Clocks: Engineers on Their Choices (Page 38) ProAudio Review - December 2008 - Feature: Converters and Clocks: Engineers on Their Choices (Page 39) ProAudio Review - December 2008 - New Live Products (Page 40) ProAudio Review - December 2008 - New Live Products (Page 41) ProAudio Review - December 2008 - Opinion: From the Road (Page 42) ProAudio Review - December 2008 - Opinion: From the Road (Page 43) ProAudio Review - December 2008 - Review: Yamaha IM8 Series Mixing Consoles (Page 44) ProAudio Review - December 2008 - Review: Yamaha IM8 Series Mixing Consoles (Page 45) ProAudio Review - December 2008 - Review: Yamaha IM8 Series Mixing Consoles (Page 46) ProAudio Review - December 2008 - Review: Yamaha IM8 Series Mixing Consoles (Page 47) ProAudio Review - December 2008 - Review: NTI Digirator DR2 Digital Audio Signal Generator (Page 48) ProAudio Review - December 2008 - Review: NTI Digirator DR2 Digital Audio Signal Generator (Page 49) ProAudio Review - December 2008 - Review: NTI Digirator DR2 Digital Audio Signal Generator (Page 50) ProAudio Review - December 2008 - Review: NTI Digirator DR2 Digital Audio Signal Generator (Page 51) ProAudio Review - December 2008 - Single Slice (Page 52) ProAudio Review - December 2008 - Single Slice (Page 53) ProAudio Review - December 2008 - Single Slice (Page 54) ProAudio Review - December 2008 - Single Slice (Page 55) ProAudio Review - December 2008 - Single Slice (Page 56) ProAudio Review - December 2008 - Single Slice (Page 57) ProAudio Review - December 2008 - Single Slice (Page 58) ProAudio Review - December 2008 - Single Slice (Page Cover3) ProAudio Review - December 2008 - Single Slice (Page Cover4)
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