ProAudio Review - January 2009 - (Page 41) RapcoHorizon Silverflex Cable Line RapcoHorizon will show its high-end Dominator cable line at Winter NAMM 2009, featuring the new SilverFlex instrument and mic models. This line features instrument and microphone cables in two different configurations and is jacketed with a TechFlex outer skin and clear inner conductor. SilverFlex speaker cables are available in 12- and 10-gauge sizes with bare annealed copper conductors, all of which are silver-plated and “mega-stranded” for enhanced performance and lower capacitance. Pric e: TBA C ontac t: RapcoHorizon • www.rapcohorizon.com PreSonus StudioLive 16.4.2 A 2008 PAR Excellence winner, the PreSonus StudioLive 16.4.2 Digital Performance and Recording Mixer will make its Winter NAMM debut in Anaheim. As apparent by its name, StudioLive is a flexible multipurpose mixer with 16 XMAX microphone preamplifiers, built-in 22 x 18 FireWire recording and playback engine, Fat Channel processing with 4-band EQ, compressors, limiters, gates, DSP effects, six aux busses, four sub groups, extensive LED metering, mixer save/recall, channel-strip save/recall/copy/paste, talkback and more. StudioLive also includes Capture, a fully integrated live recording software for recording all 16 inputs, subgroups, and main mix. Pric e: $2,499 C ontac t: PreSonus • www.presonus.com Avlex Superlux S125 Handheld Condenser Microphone Avlex Corporation has introduced the new Superlux S125 True Condenser microphone featuring a pressure gradient, 0.5-inch shock mounted condenser capsule, high SPL characteristics, a -10 dB pad, a low-cut switch, and conductive shielding to minimize RF (radio frequency) and handling noise. The S125 is a half-inch diaphragm cardioid condenser mic with a foam-less triple pop filter. Both its -10 dB attenuator and 150 Hz low cut filter switches Pric e: $133 are under a rubber cover to proC ontac t: Avlex, tect them from moisture and www.avlex.com accidental change. The S125's maximum level is 148 dB SPL and the noise floor is 18 dB SPL A-weighted. This translates to a 130 dB dynamic range. Another noteworthy feature of the new Superlux S125 True Condenser microphone is its gold plated connectors between the microphone's capsule and electronics. www.proaudioreview.com http://www.rapcohorizon.com http://www.presonus.com http://www.avlex.com http://www.rndigital.org http://www.rndigital.org http://www.proaudioreview.com
Table of Contents Feed for the Digital Edition of ProAudio Review - January 2009 ProAudio Review - January 2009 Contnets Technically Speaking New At NAMM: Studio Opinion: Studio Sense Feature: PAR Session Trials: Large-Diaphragm Microphones Review and Second Opinion: McDSP TDM Emerald Pack III featuring FutzBox PAR Contributor Of The Month Review: Audio-Technica AT2050 Multi-pattern Condenser Microphone Review: LaChapell Model 583s Microphone Preamp & Model 583e Microphone Preamp/EQ Review: RNDigital D4 Plug-In Mini Review: MXL Microphones V88 Large-Diaphragm Microphone Mini Review: Solid State Logic Mynx New at NAMM: Live New Live Products Opinion: Worship Audio PAR Recommends: Portable PA Options for 2009 Mini Review: Fishman SoloAmp Review: AKG D 40 Instrument Microphone Installation Profile: 9:30 Club, Washington, DC Single Slice ProAudio Review - January 2009 ProAudio Review - January 2009 - ProAudio Review - January 2009 (Page Cover1) ProAudio Review - January 2009 - ProAudio Review - January 2009 (Page Cover2) ProAudio Review - January 2009 - Contnets (Page 3) ProAudio Review - January 2009 - Technically Speaking (Page 4) ProAudio Review - January 2009 - Technically Speaking (Page 5) ProAudio Review - January 2009 - New At NAMM: Studio (Page 6) ProAudio Review - January 2009 - New At NAMM: Studio (Page 7) ProAudio Review - January 2009 - New At NAMM: Studio (Page 8) ProAudio Review - January 2009 - New At NAMM: Studio (Page 9) ProAudio Review - January 2009 - New At NAMM: Studio (Page 10) ProAudio Review - January 2009 - New At NAMM: Studio (Page 11) ProAudio Review - January 2009 - New At NAMM: Studio (Page 12) ProAudio Review - January 2009 - New At NAMM: Studio (Page 13) ProAudio Review - January 2009 - New At NAMM: Studio (Page 14) ProAudio Review - January 2009 - New At NAMM: Studio (Page 15) ProAudio Review - January 2009 - Opinion: Studio Sense (Page 16) ProAudio Review - January 2009 - Opinion: Studio Sense (Page 17) ProAudio Review - January 2009 - Feature: PAR Session Trials: Large-Diaphragm Microphones (Page 18) ProAudio Review - January 2009 - Feature: PAR Session Trials: Large-Diaphragm Microphones (Page 19) ProAudio Review - January 2009 - Feature: PAR Session Trials: Large-Diaphragm Microphones (Page 20) ProAudio Review - January 2009 - Feature: PAR Session Trials: Large-Diaphragm Microphones (Page 21) ProAudio Review - January 2009 - Feature: PAR Session Trials: Large-Diaphragm Microphones (Page 22) ProAudio Review - January 2009 - Feature: PAR Session Trials: Large-Diaphragm Microphones (Page 23) ProAudio Review - January 2009 - Review and Second Opinion: McDSP TDM Emerald Pack III featuring FutzBox (Page 24) ProAudio Review - January 2009 - Review and Second Opinion: McDSP TDM Emerald Pack III featuring FutzBox (Page 25) ProAudio Review - January 2009 - PAR Contributor Of The Month (Page 26) ProAudio Review - January 2009 - PAR Contributor Of The Month (Page 27) ProAudio Review - January 2009 - PAR Contributor Of The Month (Page 28) ProAudio Review - January 2009 - PAR Contributor Of The Month (Page 29) ProAudio Review - January 2009 - PAR Contributor Of The Month (Page 30) ProAudio Review - January 2009 - PAR Contributor Of The Month (Page 31) ProAudio Review - January 2009 - Review: Audio-Technica AT2050 Multi-pattern Condenser Microphone (Page 32) ProAudio Review - January 2009 - Review: Audio-Technica AT2050 Multi-pattern Condenser Microphone (Page 33) ProAudio Review - January 2009 - Review: LaChapell Model 583s Microphone Preamp & Model 583e Microphone Preamp/EQ (Page 34) ProAudio Review - January 2009 - Review: LaChapell Model 583s Microphone Preamp & Model 583e Microphone Preamp/EQ (Page 35) ProAudio Review - January 2009 - Review: RNDigital D4 Plug-In (Page 36) ProAudio Review - January 2009 - Review: RNDigital D4 Plug-In (Page 37) ProAudio Review - January 2009 - Mini Review: Solid State Logic Mynx (Page 38) ProAudio Review - January 2009 - Mini Review: Solid State Logic Mynx (Page 39) ProAudio Review - January 2009 - New at NAMM: Live (Page 40) ProAudio Review - January 2009 - New at NAMM: Live (Page 41) ProAudio Review - January 2009 - New Live Products (Page 42) ProAudio Review - January 2009 - New Live Products (Page 43) ProAudio Review - January 2009 - Opinion: Worship Audio (Page 44) ProAudio Review - January 2009 - Opinion: Worship Audio (Page 45) ProAudio Review - January 2009 - PAR Recommends: Portable PA Options for 2009 (Page 46) ProAudio Review - January 2009 - PAR Recommends: Portable PA Options for 2009 (Page 47) ProAudio Review - January 2009 - PAR Recommends: Portable PA Options for 2009 (Page 48) ProAudio Review - January 2009 - PAR Recommends: Portable PA Options for 2009 (Page 49) ProAudio Review - January 2009 - PAR Recommends: Portable PA Options for 2009 (Page 50) ProAudio Review - January 2009 - PAR Recommends: Portable PA Options for 2009 (Page 51) ProAudio Review - January 2009 - Review: AKG D 40 Instrument Microphone (Page 52) ProAudio Review - January 2009 - Review: AKG D 40 Instrument Microphone (Page 53) ProAudio Review - January 2009 - Review: AKG D 40 Instrument Microphone (Page 54) ProAudio Review - January 2009 - Review: AKG D 40 Instrument Microphone (Page 55) ProAudio Review - January 2009 - Installation Profile: 9:30 Club, Washington, DC (Page 56) ProAudio Review - January 2009 - Installation Profile: 9:30 Club, Washington, DC (Page 57) ProAudio Review - January 2009 - Single Slice (Page 58) ProAudio Review - January 2009 - Single Slice (Page Cover3) ProAudio Review - January 2009 - Single Slice (Page Cover4)
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