ProAudio Review - March 2009 - (Page 46) live review by Bruce Bartlett Behringer 2442FX 10x4x2 Analog Mixer Once again, Behringer delivers a comprehensively equipped analog mixer at a “how’d they do it?” price. Designed for sound reinforcement and recording applications, the 2442FX is Behringer’s flagship analog mixer in its compact class. It has 24 inputs, 12 faders, four subgroups and two main outputs, plus EQ and 24-bit digital effects: all this for a $349 street price. Its coolest feature is the separate 2-channel USB audio interface that connects to a computer for recording. Features The 2442FX includes 10 XLR mic inputs connectors, feeding 10 mic preamps, spec’d at 60 dB gain, 10 Hz - 200 kHz bandwidth, .004% A-weighted THD+N, 112 dB A-weighted S/N and 130 dB dynamic range. There is a single 48V phantom power switch for all; also on top are eight mono and four stereo balanced line input jacks, padded down to feed the mic pres. Four RCA connectors are on hand for CD/tape input, and output channel strips 9-12 have stereo line inputs; strips 9 and 10 have mono mic inputs. Four-band equalization includes +/- 15 dB shelving at 80 Hz and 12 kHz, plus peaking EQ at 500 Hz and 3 kHz. From the EQ, the signal goes to a clip/solo LED, mute switch and a 60mm fader, then comes a direct out and four aux sends per channel. Two aux sends can be switched pre-fader for monitoring or postfader for effects. Aux sends 1, 2 and 4 feed external effects; aux 3 feeds the internal effects. Outputs include main stereo bus, subgroups 1-2 (pan selectable), and subgroups 3-4 (pan selectable), four aux sends, eight direct outs, four stereo aux returns, main out, main insert, and control-room monitor signal out. There are four unbalanced subgroup outputs with two paralleled jacks per subgroup; two of the main outputs are balanced gold-plated XLRs with a maximum output level of +28 dBu. The UCA200 2-channel USB audio interface allows the recording of two direct outs or the stereo mix to your DAW. The UCA200 interface is 16-bit/48 kHz maximum. At www.behringer.com, you can download free audio recording and editing software (Audacity and Kristal). Additionally, you will find there an ultra-low latency USB ASIO driver for Windows XP and Vista (32-bit), plus access to the flexible and fast-starting DAW “EnergyXT2 Compact Behringer Edition,” a full equipped software music studio including instruments, effects, time-stretching, VST and ASIO support. It runs portable from any USB pen drive and works with Windows, Mac, or Linux OS. And rest assured, if your Behringer product develops a defect that falls under the Behringer warranty and occurs during the warranty period, they will replace your defective product with a brand-new unit. In Use At first glance, the mixer’s all-metal chassis and rugged construction impressed me, especially considering the price. I like the mixer’s sharp appearance and logical layout. The connectors and controls are clearly labeled. They are so similar that anyone who has used a Mackie 1604VLZ will feel comfortable operating the 2442FX (the EQ and aux sections are reversed). All controls of the mixer feel solid and operate smoothly. The pots have a viscous feel. The fader controls, however, are slippery, so you have to press down when you move them. To test the preamps, I reached for a Neumann KM140 and split its signal to the 2442FX mixer and a PreSonus Firepod audio interface. I recorded both of their direct-out signals at the same time and did an A-B test at matched levels with acoustic guitar, bass, and drums. Both the Xenyx and the Firepod preamps AES member Bruce Bartlett is a tech writer, recording engineer, and audio journalist. 46 ProAudioReview | March 2009 www.proaudioreview.com http://www.behringer.com http://www.proaudioreview.com
Table of Contents Feed for the Digital Edition of ProAudio Review - March 2009 ProAudio Review - March 2009 Contents Technically Speaking New Studio Products Opinion: Studio Sense Gear Trends In Nashville Focusrite Liquid Mix HD TDM Plug-in Daking Mic-Pre One sE Electronics RNR1 Active Ribbon Microphone WAVES Tony Maserati Plug-in Collection KRK Systems Rokit 8 G2 Monitors and 10s Subwoofer JBL Control 2P Powered Desktop Monitors Neumann TLM 103D Digital Microphone System Violet Design “The Wedge” Condenser Microphone New Live Products Opinion: Worship Audio Fender Passport Deluxe PD-500 Portable PA PAR Contributor Of The Month Behringer 2442FX 10x4x2 Analog Mixer Single Slice ProAudio Review - March 2009 ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page Cover1) ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page Cover2) ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page 3) ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page 4) ProAudio Review - March 2009 - Contents (Page 5) ProAudio Review - March 2009 - Technically Speaking (Page 6) ProAudio Review - March 2009 - Technically Speaking (Page 7) ProAudio Review - March 2009 - New Studio Products (Page 8) ProAudio Review - March 2009 - New Studio Products (Page 9) ProAudio Review - March 2009 - New Studio Products (Page 10) ProAudio Review - March 2009 - New Studio Products (Page 11) ProAudio Review - March 2009 - New Studio Products (Page 12) ProAudio Review - March 2009 - New Studio Products (Page 13) ProAudio Review - March 2009 - Opinion: Studio Sense (Page 14) ProAudio Review - March 2009 - Opinion: Studio Sense (Page 15) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 16) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 17) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 18) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 19) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 20) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 21) ProAudio Review - March 2009 - Focusrite Liquid Mix HD TDM Plug-in (Page 22) ProAudio Review - March 2009 - Focusrite Liquid Mix HD TDM Plug-in (Page 23) ProAudio Review - March 2009 - Daking Mic-Pre One (Page 24) ProAudio Review - March 2009 - Daking Mic-Pre One (Page 25) ProAudio Review - March 2009 - sE Electronics RNR1 Active Ribbon Microphone (Page 26) ProAudio Review - March 2009 - sE Electronics RNR1 Active Ribbon Microphone (Page 27) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 28) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 29) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 30) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 31) ProAudio Review - March 2009 - KRK Systems Rokit 8 G2 Monitors and 10s Subwoofer (Page 32) ProAudio Review - March 2009 - JBL Control 2P Powered Desktop Monitors (Page 33) ProAudio Review - March 2009 - Neumann TLM 103D Digital Microphone System (Page 34) ProAudio Review - March 2009 - Neumann TLM 103D Digital Microphone System (Page 35) ProAudio Review - March 2009 - Violet Design “The Wedge” Condenser Microphone (Page 36) ProAudio Review - March 2009 - Violet Design “The Wedge” Condenser Microphone (Page 37) ProAudio Review - March 2009 - New Live Products (Page 38) ProAudio Review - March 2009 - New Live Products (Page 39) ProAudio Review - March 2009 - New Live Products (Page 40) ProAudio Review - March 2009 - Opinion: Worship Audio (Page 41) ProAudio Review - March 2009 - Fender Passport Deluxe PD-500 Portable PA (Page 42) ProAudio Review - March 2009 - Fender Passport Deluxe PD-500 Portable PA (Page 43) ProAudio Review - March 2009 - PAR Contributor Of The Month (Page 44) ProAudio Review - March 2009 - PAR Contributor Of The Month (Page 45) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 46) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 47) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 48) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 49) ProAudio Review - March 2009 - Single Slice (Page 50) ProAudio Review - March 2009 - Single Slice (Page Cover3) ProAudio Review - March 2009 - Single Slice (Page Cover4)
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