ProAudio Review - March 2009 - (Page 50) single slice Engineer’s Diary: by Christopher Walsh “Isis Unveiled” — And You Will Know Us By The Trail Of Dead “Isis Unveiled,” demonstrates that And You Will Know Us By The Trail of Dead’s enthusiasm for ultra-dense, epic rock ‘n’ roll remains strong. The first single from The Century of Self, “Isis Unveiled” packs a wall-of-sound blast that would make Phil Spector envious. The trail of sessions leading to “Isis Unveiled”’s completion was a long one, according to co-producer/mix engineer Chris Coady. “It was tracked to tape, transferred to Pro Tools, transferred to Nuendo, transferred to Logic, transferred back to Pro Tools,” he explains at his DNA Studios in New York’s East Village, where additional overdubs and all mixing took place. Seventy tracks make up “Isis Unveiled.” “This is the kind of song where having a ‘wall of chaos’ really fit in with the band’s sound,” says Coady. “A million guitars, double drums, six percussions, seven vocal tracks, a subsonic bass — and it’s suitable for what they do.” A breakdown section features vocals sung by members of the Dragons of Zynth and Shock Cinema. “[Vocalist] Conrad [Keely]’s description for what he wanted the section to sound like was ‘an angry mob screaming up at the balcony at Pontius Pilate,’” Coady recalls. “I got a kick out of that, and hopefully that’s what he hears. “In mixing,” he continues, “we needed the right reverb for an instrumental guitar breakdown. I’m a big fan of endless reverb sounds that drag over and fill out all the space. I used the Black Hole setting on the Eventide Orville, which is a ridiculously long delay. “I didn’t hesitate to use a lot of plug-ins,” Coady adds. “One was the E Channel [from Waves’ SSL Collection]. As far as I can tell, this is the best plug-in for general EQ’ing and compression. I wouldn’t say it sounds like the board, but I use it just like the board. If anything, I would say it sounds better and more accurate. The console obviously has a three-dimensional sound, but this plug-in is symbolic, a breakthrough where plug-ins started to become good. “[Digidesign’s] Smack is another plug-in I like. The Abbey Road Brilliance pack is pretty good for what I need a plug-in to do. There’s some Altiverb, and I used the Bomb Factory compressor. I don’t ordinarily use those — my favorite compressor is the 1176. There’s some OhmBoyz plug-ins on a guitar — they’re RTAS plug-ins that have an extreme effect.” The Century of Self was mixed to ATR Magnetics tape on a Studer A820 tape machine. “It was the first time I’d used it,” Coady says of ATR tape, “and it’s very good.” Song Facts Single: “Isis Unveiled” Album: The Century of Self Date Recorded: over six months in 2008 Producer: Trail of Dead, Chris Coady, Frenchie Smith; additional production by Mike McCarthy Engineers: Jim Vollentine (Mob House, Austin, TX), Jason Buntz (The Bubble, Austin), Chris Coady (DNA Studios, New York) Mastering Engineer: Greg Calbi (Sterling Sound, New York) Other Projects: TV on the Radio, Dear Science, Return to Cookie Mountain, Desperate Youth, Blood Thirsty Babes; Architecture in Helsinki, Places Like This; the Yeah Yeah Yeahs, Show Your Bones, Fever to Tell Single Songwriter: Words by Conrad Keely; Arrangement by Trail of Dead Mixing Monitors: Yamaha NS-10, Genelec 1031A Mixing Console: Solid State Logic E Series with G computer and modules Recorder: Analog tape; Pro Tools; Nuendo; Logic Vocal Signal Chain: Neumann CMV 563 tube microphone, Neve 1066, Urei 1176; in mixing, Federal compressor, Spectrasonics 610, Neve 1066, Empirical Labs Distressor Christopher Walsh is the recording editor for Pro Sound News and the associate editor of Pro Audio Review. 50 ProAudioReview | March 2009 www.proaudioreview.com http://www.proaudioreview.com
Table of Contents Feed for the Digital Edition of ProAudio Review - March 2009 ProAudio Review - March 2009 Contents Technically Speaking New Studio Products Opinion: Studio Sense Gear Trends In Nashville Focusrite Liquid Mix HD TDM Plug-in Daking Mic-Pre One sE Electronics RNR1 Active Ribbon Microphone WAVES Tony Maserati Plug-in Collection KRK Systems Rokit 8 G2 Monitors and 10s Subwoofer JBL Control 2P Powered Desktop Monitors Neumann TLM 103D Digital Microphone System Violet Design “The Wedge” Condenser Microphone New Live Products Opinion: Worship Audio Fender Passport Deluxe PD-500 Portable PA PAR Contributor Of The Month Behringer 2442FX 10x4x2 Analog Mixer Single Slice ProAudio Review - March 2009 ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page Cover1) ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page Cover2) ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page 3) ProAudio Review - March 2009 - ProAudio Review - March 2009 (Page 4) ProAudio Review - March 2009 - Contents (Page 5) ProAudio Review - March 2009 - Technically Speaking (Page 6) ProAudio Review - March 2009 - Technically Speaking (Page 7) ProAudio Review - March 2009 - New Studio Products (Page 8) ProAudio Review - March 2009 - New Studio Products (Page 9) ProAudio Review - March 2009 - New Studio Products (Page 10) ProAudio Review - March 2009 - New Studio Products (Page 11) ProAudio Review - March 2009 - New Studio Products (Page 12) ProAudio Review - March 2009 - New Studio Products (Page 13) ProAudio Review - March 2009 - Opinion: Studio Sense (Page 14) ProAudio Review - March 2009 - Opinion: Studio Sense (Page 15) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 16) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 17) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 18) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 19) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 20) ProAudio Review - March 2009 - Gear Trends In Nashville (Page 21) ProAudio Review - March 2009 - Focusrite Liquid Mix HD TDM Plug-in (Page 22) ProAudio Review - March 2009 - Focusrite Liquid Mix HD TDM Plug-in (Page 23) ProAudio Review - March 2009 - Daking Mic-Pre One (Page 24) ProAudio Review - March 2009 - Daking Mic-Pre One (Page 25) ProAudio Review - March 2009 - sE Electronics RNR1 Active Ribbon Microphone (Page 26) ProAudio Review - March 2009 - sE Electronics RNR1 Active Ribbon Microphone (Page 27) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 28) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 29) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 30) ProAudio Review - March 2009 - WAVES Tony Maserati Plug-in Collection (Page 31) ProAudio Review - March 2009 - KRK Systems Rokit 8 G2 Monitors and 10s Subwoofer (Page 32) ProAudio Review - March 2009 - JBL Control 2P Powered Desktop Monitors (Page 33) ProAudio Review - March 2009 - Neumann TLM 103D Digital Microphone System (Page 34) ProAudio Review - March 2009 - Neumann TLM 103D Digital Microphone System (Page 35) ProAudio Review - March 2009 - Violet Design “The Wedge” Condenser Microphone (Page 36) ProAudio Review - March 2009 - Violet Design “The Wedge” Condenser Microphone (Page 37) ProAudio Review - March 2009 - New Live Products (Page 38) ProAudio Review - March 2009 - New Live Products (Page 39) ProAudio Review - March 2009 - New Live Products (Page 40) ProAudio Review - March 2009 - Opinion: Worship Audio (Page 41) ProAudio Review - March 2009 - Fender Passport Deluxe PD-500 Portable PA (Page 42) ProAudio Review - March 2009 - Fender Passport Deluxe PD-500 Portable PA (Page 43) ProAudio Review - March 2009 - PAR Contributor Of The Month (Page 44) ProAudio Review - March 2009 - PAR Contributor Of The Month (Page 45) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 46) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 47) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 48) ProAudio Review - March 2009 - Behringer 2442FX 10x4x2 Analog Mixer (Page 49) ProAudio Review - March 2009 - Single Slice (Page 50) ProAudio Review - March 2009 - Single Slice (Page Cover3) ProAudio Review - March 2009 - Single Slice (Page Cover4)
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