TV Technology - January 7, 2009 - (Page 26)

FEATURES Chalk it up to the Internet, or to that ephemeral “Digital Convergence” we’ve heard so much about; or simply acknowledge the passing of an era— but the magical powers have passed into the hands of Everyman, and the genie’s out of the bottle. HARD TIMES FOR WIZARDS INSIDE PRODUCTION Walter Schoenknecht The Wizard Takes a Holiday obody likes off-the-shelf. And shooters are no exception. You’ve got diamond plate running boards on your SUV. You’ve added window awnings to your vinylsided tract home. Your aftermarket cell phone case is emblazoned with the logo of your favorite estate-bottled Belgian ale, and your ringtone is a Deep Purple song so obscure that the band members don’t remember it. Not everybody understands your motives. It’s not simply a case of marking your turf; your desire to customize arises out of a hope that you can make each thing you touch better than it was before. And as a shooter, you’re confident that you can achieve a “look” so rich, or so fresh, or warm, or vibrant, that your crew will be the only one in town booking five days a week. Or maybe six! The key, of course, is a camera setup that looks better than any offthe-shelf package sold anywhere. Somehow, you’d need to start with the same pile of circuitry and glass that everyone else owns, yet wind up with a far, far superior rig than your competitors. And that’s how you discovered The Wizard. By definition, The Wizard lives far away, off the beaten path; it’s a miracle N you ever found him at all. The Wizard has a workshop. He used to work alone, but so many supplicants have found him and his workshop that he’s needed help; his cabal consists mostly uniqueness all its own—all your own. He’ll do all the things the manuals prohibit: swap some resistors and capacitors; adjust gammas and enhancers; and most of all, fiddle These days, it seems, the ability to aggressively control the colorimetry, the texture, and the “look” of your camera rests more in the hands of strangers, members of any of several “communities of interest” clustered These days, it seems, the ability to aggressively control the colorimetry, the texture, and the “look” of your camera rests more in the hands of strangers. of silent Asian men, retired as camera technicians from each of the major manufacturers. You bring, or send, your pitiful offthe-shelf camera to The Wizard, and he nods knowingly. For a fee (seemingly far less than it ought to be), he’ll remove the mass-produced stigma from your baby, and infuse it with a about with the matrix, the heart of the analog camera’s picture processing chain. You’ll now shoot with a tweaked-up, hot-rodded, one-of-kind precision instrument. And The Wizard’s recipe will go with him to the grave. There’s trouble in the wind, though, for The Wizard and his ilk. around your particular model of camera. For it’s here that you’re likely to find other shooters’ camera setup files posted for swaps and comparisons. Unlike those first-generation setup cards, today’s files touch virtually every parameter of a modern, microprocessor-controlled camera. As a result, the degree of customization is absolute, as long as you’re willing to step up to the task of modifying, testing and experimenting. Creating new shooting profiles from scratch, though, can be a daunting exercise; your camera’s a blank canvas. Actually, it’s more like a blank paintby-number canvas, since all the values are already filled in with defaults. Which ones to change? Which ones will affect the overall look more than others? You’d better hope for a production dry spell, so you’ll have plenty of time to diddle all the parameters. Or… you can start with someone else’s numbers. The Sony XDCAM shooters have their Picture Profile datasets posted in any of several forums and communities; tune in elsewhere to find the Panasonic P2 family parameters. Creative Planet’s 2-Pop forums host boards for both, as do a variety of other outlets; and the manufacturers’ own Web sites often serve as a resource for downloadable profiles and advice on tweaks. SORCERY MOURNED The missing element, of course, is the romance provided by The Wizard. WIZARD, PAGE 27 26 January 7, 2009 • TV Technology • www.tvtechnology.com http://www.bittree.com http://www.bittree.com http://www.tvtechnology.com

Table of Contents Feed for the Digital Edition of TV Technology - January 7, 2009

TV Technology - January 7, 2009 NFL Enters a New Dimension Mobile DTV Looms Large in 2009 Contents A ‘Flexible Framework’ Doing More With Less ‘X’tra-Streamlined Finish Line in Sight for BAS Transition Ahead of the Relocation Curve DTV Transition Survival Guide ENG and the Lines of Communication DTV Transition Survival Guide Who Do We Really Work For? Obama to Expand Internet Access The Wizard Takes a Holiday The Solid-State Disk Revival To Light the Ear... or Not Hulu Gets It Right—the First Time User Reports—Video Servers & Recording/Controllers Reference Guide Product Showcase Classifieds Marketplace TV Tech Business

TV Technology - January 7, 2009

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