Contract - January/February 2011 - (Page 34)
designers of the year
outside of art and design, like business and technology, actually could enhance the design process. “I found a sense of freedom in interior design because I could explore so many areas,” he recalls. “The possibilities were wide open and only limited by my imagination.” In hindsight, Orpilla admits that it is a good thing he had limitless imagination and boundless optimism. He always has believed that things will work out for the best, and, in most cases, they do. Even for a partially color-blind interior designer? “Yes, even for me!” he says with a laugh. “I discovered I was somewhat color-blind during my first critique in design school. I said something was grey, and it was green. Luckily, my professor
believed being a good designer was more about manipulating space and coordinating detail than it was about recognizing exact colors. I’ve taken that idea and run with it.” Alexander also chuckles when discussing Orpilla’s unique zest for colors, particularly when he bought her a sweater that he thought was yellow, to match one he had bought himself. It was actually an “interesting” shade of pea green. “Needless to say, I took it back,” she says sweetly, “but that is what I love about Primo. He is willing to try anything and take risks until he gets it right, without any hard feelings.” Fortunately, there have not been any color missteps on
34
contract january/february 2011
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Table of Contents for the Digital Edition of Contract - January/February 2011
Contract - January/February 2011
Contents
Editor’s Note
Industry
Exhibition: Orgatec
Corporate Philanthropy
The 32nd Annual Interiors Awards
Designers of the Year
Legend Award
Large Office
Education
Healthcare
Hotel
Retail
Restaurant
Showroom
Exhibit
Sports/Entertainment
Public Space
Historic Restoration
Adaptive Reuse
Environmental Design
Student/Conceptual
Designers Rate
Sources
Ad Index
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