Contract - April 2013 - (Page 93)
By John Czarnecki
Photography courtesy
Andaz Amsterdam
on the floor of the observatory
atrium is a Delft-blue carpet
embroidered with the Dutch
East india Company’s map of
the world as it was known in
the Golden age. Wanders’s
own tulip chairs and three
bell-shaped lamps with crystal
chandeliers inside add to the
bespoke nature of the space.
68
contractdesign.com
By Sheri Olson
Photography by
Boone Speed
Photography
HOSPITALITY
By Murrye Bernard
Photography by
Katie Thurber
HOSPITALITY
W Seattle
andaz
amsterdam
hospitality
april 2013
surfaces: Bastille Metal Works
(bar top); Milgo Bufkin (railings,
screens). Rugs: Remming Group.
Seating: Artistic Frame; A Rudin;
Lily Jack; Pearson Company;
Royal Custom Design. Tables:
Arteriors Contract; Beaufurn;
Bolier & Company; Hayes de Fer;
Magni; Oly Studio; Powell &
Bonnell; Wood Goods.
Andaz Amsterdam (page 68)
who Interior designer: Marcel
Wanders. Architect: Kentie &
Partners Architekten. Consultants: Horequip (kitchen); Studio
Rublek (lighting).
Skylab deftly mingles the city’s diverse
culture—from totem poles to grunge music
Marcel Wanders
incorporates Dutch
history and culture in
exhuberant interiors
A visual sonic boom greets guests in the lobby of Seattle’s W Hotel.
Space seemingly explodes outward from a four-story-tall cylindrical
fireplace that’s clad in stainless steel tiles set in a radiating pattern to
create the illusion of movement and expansion. Banquettes fan out
from the fireplace emphasizing this expanding wave of energy.
Overhead, the window of the DJ booth looms like a jet cockpit. It’s one
of several references to the region’s role in aviation history as Boeing’s
home base.
This was an early W built in 1999, and Skylab Architecture’s
charge in a recent interior renovation of the lobby and public areas was
to bring a fresh vision that captures the city’s unique identity. “It was
challenging because Seattle has such an eclectic and rich culture,” says
Brent Grubb, principal at Skylab who led the design project with Jeff
Kovel, a principal and founder of the Portland-based firm. Rather than
narrowing down references, the designers embraced them all: the
aviation industry, native culture, timber lodges, and the music scene.
Located on the picturesque Prinsengracht Canal, the newly opened
Andaz Amsterdam is truly a reflection of modern day Dutch beauty and
culture. Amsterdam’s own Marcel Wanders designed the sophisticated,
imaginative interiors to be a 21st century adaptation of classic Dutch
symbolism and iconography from across multiple time periods.
The hotel is a significant interior renovation of a nearly 40-yearold public library building. While not originally built as a hotel, this
Andaz, which is the 500th Hyatt worldwide, has all of the amenities one
would expect in the brand. And it has a distinctively Wanders touch:
seemingly surreal interiors that evoke a sense of Alice in Wonderland, a
spirit of creativity and nuance that sets the hotel apart from any other
Hyatt or Andaz worldwide.
Connected to the city and context
Wanders not only transformed the interiors but he owns a stake in this
Andaz, which is intricately connected to its context. In one of the most
beautiful neighborhoods of central Amsterdam, the hotel is just four
blocks from the Anne Frank House on the same canal and a short walk
to museums such as the Stedelijk Museum Amsterdam, which will hold
a major Wanders exhibition in 2014.
In designing the Andaz, where patterns and symbolism overlap,
Wanders found inspiration in everything from the Dutch Golden Age to
the blue of Delft pottery. With its sense of connection to the city and its
people, the hotel holds true to its motto: “arrive a tourist, leave a local.”
From the street, one enters the hotel through a narrow corridor
with a low ceiling that is plastered in rococo stucco above short walls
A custom wallpaper depicts
a faux library of album cover
spines in the Living Room.
Colored rope provides subtle
delineation and semi-privacy,
as well as a conversation piece.
76
contract
W Seattle (page 76)
who Architect/interior designer:
Skylab Architecture. Project
team: Jeff Kovel, AIA (principal);
Brent Grubb (project manager);
Nathan Cox (project architect).
Contractor: J.R. Abbott
Construction. Consultants:
Esque Design; LIT Workshop;
Portland Cement; Lighting
Workshop (lighting). Engineering: PAE Consulting Engineers
(mechanical); Schutte Consulting Engineers (structural).
what Fabric: Maharam
(banquettes); Justin David
Textiles (banquettes). Equipment: LIT Workshop (fireplace
surround). Flooring: Deco Pour
Incorporating Pacific Northwestern culture
One of the challenges was to build out the space in 90 days while
keeping the hotel operational during the slow season. The architects
met the accelerated construction timeline by prefabricating as many
elements as possible, including the segmented wood column covers
that fit over the existing structure. The oblique-shaped wood wraps are
split into 3-foot sections and stacked slightly out of alignment allowing
places for recessed up-lights. The mahogany wood veneer has a
gradated fade of black stain to appear like the uneven charring of a log
in a fire. The undulating forms resemble abstract totem poles and
together the 20-foot-tall poles define what Skylab calls a “sonic lodge.”
The client, Host Hotels, requested an open design, more like a
living room, with lots of seating for their weeknight SIP (Socially
contractdesign.com
APRIL 2013
(living room); Portland Cement
Co. (private dining pre-cast tiles);
Provenza (porcelain tile). Glass:
Sensitile Systems. Lighting:
Esque Studio (chandelier, custom); Fontana Arte (pendants);
Foscarini (pendants); LIT Workshop (pendants, private dining
custom chandelier). Seating: Arper (dining); B&B Italia (lounge);
Cappellini (lounge); Gubi Chair
(barstools); Moroso; O&G Studio
(library); Quality & Co. (ottomans,
barstools). Tables: LIT Workshop
(library, chessboard coffee);
Restoration Hardware (coffee);
West Coast Industries (dining).
Wallcoverings: Flavor Paper.
contract
Jelsomino (page 84)
who Architect: Giants in the Dirt.
Architecture project team:
Elizabeth Hardwick. Interior
designer: ICRAVE. Interior design
project team: Monika Chmielewska (designer); Nick Domitrovich (designer); Najung Kim
(designer); Jesse MacDougall
(lead designer); Lionel Ohayon
(owner); Min Yoo (designer).
Contractor: J+M Industries.
Consultants: Advanced Audio
(A/V); ICRAVE (lighting).
Graphics/artwork: Brad Jensen;
Creative Evolution; Imuri Project.
what Ceiling: Acoustical
Surfaces. Fabric: Architex; DLC
Demar Leather. Flooring: Sealed
A Manhattan club offers an upscale take
on the karaoke experience
An evening of karaoke provides the unparalleled opportunity to
embarrass oneself in the presence of friends or coworkers. One New
York nightclub seeks to change that paradigm, creating a karaoke
experience in which the performer—vocally gifted or not—feels and
sounds like a rockstar, as long as they are willing to pay.
Russia-based Ginza Project—a bar and restaurant company—
brought their successful karaoke formula stateside with the opening of
Jelsomino New York in the basement of the Dream Hotel on West 55th
Street. Ginza Project engaged ICRAVE, a bold design and branding firm,
to craft an upscale environment. The exclusive vibe begins at the front
entrance gate, where a Corten steel sign is very subtly emblazoned with
the club’s name. At the foot of a set of stairs stands a tufted red leather
door with a slotted opening that evokes a speakeasy feel.
Once admitted, patrons check in with the host before heading to
one of the club’s three distinct spaces, totaling an intimate 2,500
Marquee-inspired signage
illuminates the “Backstage”
bar area.
84
contractdesign.com
APRIL 2013
Concrete. Glass: Architectural
Systems (architectural);
Manhattan Shade & Glass
(architectural). Metalwork: Trend
Manufacturing. Paint: Benjamin
Moore. Plumbing fixtures:
American Standard. Seating: JC
Furniture. Signage: Everyday
Art. Tables: Innovative Stone
(bar top); JC Furniture (cocktail).
Wallcoverings: Innovations;
Surface Materials. Walls:
Concertex (upholstered); Daltile
(tiled); Nappatile (upholstered).
Stainless Steel
Trash Grommets
TM Series
Designed especially to line trash waste holes
in spas, hotels and restaurants, now widely
used in large family kitchens, bathrooms,
laboratories and medical offices.
Available in Stainless Steel in 4", 6", 8",
10" and 12" diameter in several depths
from 1" to 6".
Finishes: Polished or Satin Stainless.
6" diameter also available in Black,
Walnut Brown, Light Grey, Putty,
Hazmat Red, Green, Blue or White plastic.
“FINE ARCHITECTURAL HARDWARE FOR YOUR FINE FURNITURE”®
w w w . m o c k e t t . c o m • 8 0 0 - 5 2 3 - 12 6 9
Select No. 34 at ContractDesign.com/readerservice
contract
square feet. The karaoke action takes place within the largest space,
dubbed the Main Stage. Banquette seating and tables line the
perimeter and accommodate up to 80 for bottle service and food
pairings such as caviar, oysters, and exotic fruit. At the center of the
room is a small, lit stage where the brave belt out songs to the tune of
nearly $30 a pop.
Spectator as performer
What sets Jelsomino apart from the typical karaoke hall is the fact that
the wait staff doubles as backup singers, and many of them are
bonafide Broadway performers. A live band, DJ, and lighting engineer
further customize experience depending on crowd response. “It’s like
karaoke on steroids,” explains ICRAVE owner Lionel Ohayon, who is
fascinated with blurring the line between spectator and the performer,
a theme that resonates throughout his firm’s work. Jelsomino provides
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Table of Contents for the Digital Edition of Contract - April 2013
Contract - April 2013
Contents
Editorial
Industry News
Columnist: How Young Practitioners Can Present Themselves As Leaders
Product Focus: Rugs the Right Way
Product Focus: Sitting Pretty
Product Focus: Basking in the Sun
Product Briefs: Hospitality
Das Stue
Carousel Bar
Andaz Amsterdam
W Seattle
Jelsomino
Designers Select: Hospitality
Sources
Ad Index
Installation
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