Contract - December 2013 - (Page 50)
PERSPECTIVE
Pushing boundaries of form and structure,
David Adjaye discusses The Washington
Collection he designed for Knoll
London-based architect and designer David Adjaye is known for
his architecture of poetic forms. Building on his design expertise
and aesthetic, Adjaye developed a small collection of furniture
exclusively for Knoll called The Washington Collection, consisting
of two cantilevered side chairs, a club chair, an ottoman, a side table
and a monumental bronze coffee table. The side chairs, Washington
Skin (right) and Washington Skeleton (opposite), and the bronze
coffee table, Washington Corona (below), were introduced this
fall. The other pieces will follow in 2014. The chairs share a similar
cantilevered form. Washington Skeleton is constructed of die-cast
aluminum and is available in outdoor paint finishes or copper plated,
and Washington Skin is sheathed in reinforced nylon. Washington
Corona is limited to an edition of 75 to mark Knoll's 75th anniversary.
Adjaye talked to Contract about the furniture design.
What was your initial reaction to being asked by Knoll to design
a furniture collection for the company?
Adjaye: Initially, I was apprehensive. I am an architect, not a furniture
designer. But when I understood that it would be an opportunity to
express my position in terms of materials, silhouettes, and forms-in
fact, an extension of my work as an architect-then it became more
interesting and I felt more confident with the idea.
How did you begin the design approach for this collection? Did you
consider this in relation to other Knoll pieces in any way?
Adjaye: It was very much an exploration of the "body in space," but on
a smaller scale than my architectural work. Knoll has always had an
amazing ability to produce furniture that is a distillation of the zeitgeist
of the age, and it was this relationship between life, space, and objects
that resonated with my own work.
in the legs has a metal insert to resist stress. As a result, the chair's form
is minimal, yet can hold 300 pounds!
What was the biggest challenge in designing the structure of the
Washington Skeleton or Washington Skin chairs? How was that
challenge overcome?
Adjaye: The ribbing was originally developed in plastic and was then
modified for the metal version. To be cost effective for both metal and
plastic, we were limited to a two-part mold and that required all holes to
be cut in one direction. That was a challenge for us, at first, because we
wanted the ribbing to feel integral, not applied. The stress analysis
revealed distinct structural needs between the metal and plastic chairs
(for example, with the rib number and sizes) and we needed to address
those issues with the casting process.
Looking down at Washington Corona table is a bit of an optical
illusion. Describe how you achieved that.
Adjaye: I wanted to explore the idea of a surface that has a visual power.
The exterior four sandcast bronze panels are exposed in their raw,
sandcast state, and the interior of each is mirror polished. The contrast
in the finish is an investigation into the relationship between inside and
outside, public and private, exposing and concealing. These are ideas
that feed into my work more generally. It also highlights the two sides
of the single, structural surfaces. The legs serve to fix the surfaces
together and to support the glass so the form makes the structure.
Describe the design inspiration for Washington Skeleton and
Washington Skin.
Adjaye: My starting point was the idea of a seated person, and the
form of the chair echoes this. The pattern is, then, a drawing of the
forces required to brace this shape and make it a chair. It is like an
exoskeleton and the Skeleton and Skin chairs are like positive
and negative versions of this same shape.
Describe working with Knoll on the rigorous testing, production,
and prototyping process.
Adjaye: I worked very closely with Knoll's technical team, and it was a
fascinating learning curve. Making production furniture-which is not
something that I had done before-is very different from creating
objects. The furniture went through many iterations, studies, and
tests. To make the cantilevered legs, for example, Knoll developed
the material technology to allow the back to flex, and the T-junction
50
contractdesign.com
DECEMBER 2013
http://www.contractdesign.com
Table of Contents for the Digital Edition of Contract - December 2013
Contents
Contract - December 2013
https://www.nxtbook.com/nxtbooks/contract/201405
https://www.nxtbook.com/nxtbooks/contract/201404
https://www.nxtbook.com/nxtbooks/contract/201403
https://www.nxtbook.com/nxtbooks/contract/iida_red2014
https://www.nxtbook.com/nxtbooks/contract/201401
https://www.nxtbook.com/nxtbooks/nielsen/contract_201312
https://www.nxtbook.com/nxtbooks/nielsen/contract_201311
https://www.nxtbook.com/nxtbooks/nielsen/contract_201310
https://www.nxtbook.com/nxtbooks/nielsen/contract_201310_v2
https://www.nxtbook.com/nxtbooks/nielsen/contract_201309
https://www.nxtbook.com/nxtbooks/nielsen/contract_20130708
https://www.nxtbook.com/nxtbooks/nielsen/contract_20130708_neocon_supplement
https://www.nxtbook.com/nxtbooks/nielsen/contract_201306
https://www.nxtbook.com/nxtbooks/nielsen/contract_201305
https://www.nxtbook.com/nxtbooks/nielsen/contract_201304
https://www.nxtbook.com/nxtbooks/nielsen/contract_201303
https://www.nxtbook.com/nxtbooks/nielsen/contract_20130102
https://www.nxtbook.com/nxtbooks/nielsen/contract_201212
https://www.nxtbook.com/nxtbooks/nielsen/contract_201211
https://www.nxtbook.com/nxtbooks/nielsen/contract_201210
https://www.nxtbook.com/nxtbooks/nielsen/contract_201209
https://www.nxtbook.com/nxtbooks/nielsen/contract_ncw_201208
https://www.nxtbook.com/nxtbooks/nielsen/contract_201208
https://www.nxtbook.com/nxtbooks/nielsen/contract_201206
https://www.nxtbook.com/nxtbooks/nielsen/contract_201205
https://www.nxtbook.com/nxtbooks/nielsen/contract_201204
https://www.nxtbook.com/nxtbooks/nielsen/contract_201203
https://www.nxtbook.com/nxtbooks/nielsen/contract_20120102
https://www.nxtbook.com/nxtbooks/nielsen/contract_20111112
https://www.nxtbook.com/nxtbooks/nielsen/contract_201110
https://www.nxtbook.com/nxtbooks/nielsen/contract_201109
https://www.nxtbook.com/nxtbooks/nielsen/contract_2011neoconwinners
https://www.nxtbook.com/nxtbooks/nielsen/contract_201108
https://www.nxtbook.com/nxtbooks/nielsen/contract_201106
https://www.nxtbook.com/nxtbooks/nielsen/contract_201105
https://www.nxtbook.com/nxtbooks/nielsen/contract_201104
https://www.nxtbook.com/nxtbooks/nielsen/contract_201103
https://www.nxtbook.com/nxtbooks/nielsen/contract_20110102
https://www.nxtbook.com/nxtbooks/nielsen/contract_20101112
https://www.nxtbook.com/nxtbooks/nielsen/contract_201010
https://www.nxtbook.com/nxtbooks/nielsen/contract_201009
https://www.nxtbook.com/nxtbooks/nielsen/contract_20100708
https://www.nxtbook.com/nxtbooks/nielsen/contract_201006
https://www.nxtbook.com/nxtbooks/nielsen/contract_201005
https://www.nxtbook.com/nxtbooks/nielsen/contract_201004
https://www.nxtbook.com/nxtbooks/nielsen/contract_201003
https://www.nxtbook.com/nxtbooks/nielsen/contract_20100102
https://www.nxtbook.com/nxtbooks/nielsen/contract_200911
https://www.nxtbook.com/nxtbooks/nielsen/contract_200909
https://www.nxtbook.com/nxtbooks/nielsen/contract_200910
https://www.nxtbook.com/nxtbooks/nielsen/contract_200908
https://www.nxtbook.com/nxtbooks/nielsen/contract_200907
https://www.nxtbook.com/nxtbooks/nielsen/contract_200906
https://www.nxtbook.com/nxtbooks/nielsen/contract_200905
https://www.nxtbook.com/nxtbooks/nielsen/contract_200904
https://www.nxtbook.com/nxtbooks/nielsen/contract_200903
https://www.nxtbook.com/nxtbooks/nielsen/contract_200902
https://www.nxtbook.com/nxtbooks/nielsen/contract_200901
https://www.nxtbookmedia.com