self-titled - no. 3 - (Page 29) 1. Sailor and Lula stumble upon a car crash in Wild at Heart. “I saw this film for the first time at age fifteen, a year after I’d been in a serious accident. I was thrown from the car and have no recollection except hearing the sound of smashing glass, coming to at the bottom of an embankment and being totally fixated on how I’d ripped my new jeans rather than on how my head was split wide open. In Wild at Heart, the scene where Nick Cage and Laura Dern happen upon a messy wreck—without any real connection to the rest of the narrative—is so freakily on-point with what being in that kind of shock was like that it’s totally unnerving to watch. As the victim stumbling around her dead friends, Sherilyn Fenn utters, ‘My mom’s gonna kill me My hair’s all sticky’ with her finger literally going inside a hole in her head. It’s truly poignant and mortality affirming.” 2. The woman dancing on a car roof to Roy Orbison’s “In Dreams” while Dennis Hopper and friends beat up Kyle MacLachlan in Blue Velvet. “This scene is a huge influence on me because it mixes music, dancing and violence in a twisted yet somewhat grounded surreality. Watching it, I was almost cheering.” 3. Killer Bob looking for Laura Palmer’s diary behind her dresser in Twin Peaks: Fire Walk With Me. “The scariest scene in any movie. I can call this up in my head any time of the day and freak myself out. Beyond Bob being one of the scariest characters ever invented, it’s frightening because the scene takes place in the middle of the day, and you already know he’s in her room before she enters, and she already knows he’s going to be there, and you know it’s actually her father looking for her diary in her bedroom, and it could be anyone’s teenage bedroom, and it makes you think of your father looking for your diary in your bedroom. Fire Walk With Me, being a prequel, is about the events leading up to a murder viewers already know about, yet it’s still tense. When Bob screams and Laura screams, I freak out and squirm. I haven’t watched it in years, but I am pretty sure I’d still have to shut my eyes at this part.” 4. The lady coming toward you in Inland Empire. “It’s somewhat hard to describe, but if you’ve seen the film, you’ll remember. A woman is walking along train tracks in the distance and slowly comes closer to the screen until she’s right in front of the camera and screams. This moment is burned into my psyche, and I’ve only watched it once.” 5. “What the fuck is your name?” in Lost Highway. “Shouting ‘And your name! What the fuck is your name?’ an eyebrowless Robert Blake invasively questions Bill Pullman with a camera tightly to his eye. Surveillance camera replacing the weapon—total head-fuck ensues. The whole ‘I’m in your house right now Give me my phone back’ conversation with Pullman and Blake at the mansion party is pretty amazing as well.” http://www.imdb.com/title/tt0100935/ http://en.wikipedia.org/wiki/Blue_Velvet http://en.wikipedia.org/wiki/Twin_Peaks:_Fire_Walk_With_Me http://en.wikipedia.org/wiki/Inland_Empire_(film) http://en.wikipedia.org/wiki/Lost_Highway
Table of Contents Feed for the Digital Edition of self-titled - no. 3 self-titled - no. 3 Contents Titus Andronicus A.C. Newman Los Campesinos! Zombi Arthur Russell Gentleman Jesse Circlesquare Oneida Cut Off Your Hands Frances and the Lights School of Seven Bells and Free Blood ...Trail of Dead’s Conrad Keely cLOUDDEAD self-titled - no. 3 self-titled - no. 3 - self-titled - no. 3 (Page Cover1) self-titled - no. 3 - self-titled - no. 3 (Page Cover2) self-titled - no. 3 - self-titled - no. 3 (Page 3) self-titled - no. 3 - self-titled - no. 3 (Page 4) self-titled - no. 3 - self-titled - no. 3 (Page 5) self-titled - no. 3 - self-titled - no. 3 (Page 6) self-titled - no. 3 - self-titled - no. 3 (Page 7) self-titled - no. 3 - self-titled - no. 3 (Page 8) self-titled - no. 3 - self-titled - no. 3 (Page 9) self-titled - no. 3 - self-titled - no. 3 (Page 10) self-titled - no. 3 - self-titled - no. 3 (Page 11) self-titled - no. 3 - self-titled - no. 3 (Page 12) self-titled - no. 3 - Contents (Page 13) self-titled - no. 3 - Titus Andronicus (Page 14) self-titled - no. 3 - Titus Andronicus (Page 15) self-titled - no. 3 - A.C. Newman (Page 16) self-titled - no. 3 - A.C. Newman (Page 17) self-titled - no. 3 - A.C. Newman (Page 18) self-titled - no. 3 - A.C. Newman (Page 19) self-titled - no. 3 - Los Campesinos! (Page 20) self-titled - no. 3 - Los Campesinos! (Page 21) self-titled - no. 3 - Los Campesinos! (Page 22) self-titled - no. 3 - Zombi (Page 23) self-titled - no. 3 - Arthur Russell (Page 24) self-titled - no. 3 - Arthur Russell (Page 25) self-titled - no. 3 - Gentleman Jesse (Page 26) self-titled - no. 3 - Gentleman Jesse (Page 27) self-titled - no. 3 - Circlesquare (Page 28) self-titled - no. 3 - Circlesquare (Page 29) self-titled - no. 3 - Oneida (Page 30) self-titled - no. 3 - Cut Off Your Hands (Page 31) self-titled - no. 3 - Frances and the Lights (Page 32) self-titled - no. 3 - Frances and the Lights (Page 33) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 34) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 35) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 36) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 37) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 38) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 39) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 40) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 41) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 42) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 43) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 44) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 45) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 46) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 47) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 48) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 49) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 50) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 51) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 52) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 53) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 54) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 55) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 56) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 57) self-titled - no. 3 - cLOUDDEAD (Page 58) self-titled - no. 3 - cLOUDDEAD (Page 59) self-titled - no. 3 - cLOUDDEAD (Page 60) self-titled - no. 3 - cLOUDDEAD (Page 61) self-titled - no. 3 - cLOUDDEAD (Page 62) self-titled - no. 3 - cLOUDDEAD (Page 63) self-titled - no. 3 - cLOUDDEAD (Page 64) self-titled - no. 3 - cLOUDDEAD (Page 65) self-titled - no. 3 - cLOUDDEAD (Page 66) self-titled - no. 3 - cLOUDDEAD (Page 67) self-titled - no. 3 - cLOUDDEAD (Page 68) self-titled - no. 3 - cLOUDDEAD (Page 69) self-titled - no. 3 - cLOUDDEAD (Page Cover4)
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