self-titled - no. 3 - (Page 69) Why?: Who knows? I don’t know. Doseone: The process of which Yoni and I write—that clarity and depth—I’m proud of it. Everybody got the point that we were making something special that would last forever. What are you most proud of with anticon.? Odd Nosdam: That we put up with each other and put out great music regardless of our own personal philosophies and egos. Doseone: The fact that we never quit. I haven’t been to a dentist in six years. I don’t have health insurance. We could’ve stepped away from this because of fear. We don’t save starving children, but we were one another’s heroes. Odd Nosdam: The kind of music that gives you the chills—that’s better than drugs. The fact that I had that feeling with the same eight or nine guys—that’s special. The fact that this guy [points to Yoni] blows my mind regularly. He’s one of my favorite artists. We have pure respect for one another. Why?: I got blown once for being Dose’s boy by this one girl. Odd Nosdam: We got to open for Mad Professor in Tel Aviv [Israel]. That was cool. Doseone: Yoni made out with a girl with a serious sore. Why?: I did not make out with her. I swear. Doseone: That was intense. I was hanging with the guys who ran that show and smoking weed with them. They all started talking about all the people they knew who died. Do you listen to one another’s music still? Odd Nosdam: We go to one another’s shows. Doseone: I had Yoni over the past few years, and I’ll play him stuff that’s almost finished, get his feedback. Odd Nosdam: We also have so much distance from one another that I’ll get a finished copy of [Why?’s 2008 album] Alopecia, and I’ll listen to it, and it’s exciting. Doseone: That’s how it used to be—get records and dive in. What’s next for you guys? Doseone: Putting out some Themselves stuff. It’s going to be a big year I can’t talk about it much, but we’re going to put out an official release, and then we’re going to put out a special project—like a mixtape, but it’ll be for free for the downloaders. Satiate their downloading appetite. Why?: I’m putting out another album this year. We recorded enough songs during the recording of Alopecia that we have enough for another. Odd Nosdam: I’m trying to get back to the essence of making music. I’m trying to unlearn all the worries of making music Adam has a different kind of approach to the music industry, a jadedness or bitterness. It caused a lot of problems for me where I’ve permanently scarred my relationships with some people. The one thing I can do is make a good record and go home. Doseone: He loved the music when no one else liked it. Why?: Adam gave him the Greenthink shit It was basically me and Adam. Dave recorded one part on the record, and that was the part Robert liked the most. He was into that. And that’s when I think the first notion of us collaborating came into motion. Did it hurt your feelings when people didn’t understand what cLOUDDEAD was doing? Doseone: I played it for people, like my father, and people were getting it. Why?: Nobody liked me. I sucked. That’s the bottom line. I sounded awkward and gross. Doseone: They didn’t like how we were saying, “Put the gum in the cat’s ass.” Stuff like that was just weird. Everybody in rap goes into the studio with their head down low, their hoodie up, thugging out. We wanted to do something very different. Would you consider doing something together again? Doseone: I don’t know. http://www.anticon.com
Table of Contents Feed for the Digital Edition of self-titled - no. 3 self-titled - no. 3 Contents Titus Andronicus A.C. Newman Los Campesinos! Zombi Arthur Russell Gentleman Jesse Circlesquare Oneida Cut Off Your Hands Frances and the Lights School of Seven Bells and Free Blood ...Trail of Dead’s Conrad Keely cLOUDDEAD self-titled - no. 3 self-titled - no. 3 - self-titled - no. 3 (Page Cover1) self-titled - no. 3 - self-titled - no. 3 (Page Cover2) self-titled - no. 3 - self-titled - no. 3 (Page 3) self-titled - no. 3 - self-titled - no. 3 (Page 4) self-titled - no. 3 - self-titled - no. 3 (Page 5) self-titled - no. 3 - self-titled - no. 3 (Page 6) self-titled - no. 3 - self-titled - no. 3 (Page 7) self-titled - no. 3 - self-titled - no. 3 (Page 8) self-titled - no. 3 - self-titled - no. 3 (Page 9) self-titled - no. 3 - self-titled - no. 3 (Page 10) self-titled - no. 3 - self-titled - no. 3 (Page 11) self-titled - no. 3 - self-titled - no. 3 (Page 12) self-titled - no. 3 - Contents (Page 13) self-titled - no. 3 - Titus Andronicus (Page 14) self-titled - no. 3 - Titus Andronicus (Page 15) self-titled - no. 3 - A.C. Newman (Page 16) self-titled - no. 3 - A.C. Newman (Page 17) self-titled - no. 3 - A.C. Newman (Page 18) self-titled - no. 3 - A.C. Newman (Page 19) self-titled - no. 3 - Los Campesinos! (Page 20) self-titled - no. 3 - Los Campesinos! (Page 21) self-titled - no. 3 - Los Campesinos! (Page 22) self-titled - no. 3 - Zombi (Page 23) self-titled - no. 3 - Arthur Russell (Page 24) self-titled - no. 3 - Arthur Russell (Page 25) self-titled - no. 3 - Gentleman Jesse (Page 26) self-titled - no. 3 - Gentleman Jesse (Page 27) self-titled - no. 3 - Circlesquare (Page 28) self-titled - no. 3 - Circlesquare (Page 29) self-titled - no. 3 - Oneida (Page 30) self-titled - no. 3 - Cut Off Your Hands (Page 31) self-titled - no. 3 - Frances and the Lights (Page 32) self-titled - no. 3 - Frances and the Lights (Page 33) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 34) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 35) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 36) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 37) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 38) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 39) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 40) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 41) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 42) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 43) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 44) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 45) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 46) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 47) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 48) self-titled - no. 3 - School of Seven Bells and Free Blood (Page 49) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 50) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 51) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 52) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 53) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 54) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 55) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 56) self-titled - no. 3 - ...Trail of Dead’s Conrad Keely (Page 57) self-titled - no. 3 - cLOUDDEAD (Page 58) self-titled - no. 3 - cLOUDDEAD (Page 59) self-titled - no. 3 - cLOUDDEAD (Page 60) self-titled - no. 3 - cLOUDDEAD (Page 61) self-titled - no. 3 - cLOUDDEAD (Page 62) self-titled - no. 3 - cLOUDDEAD (Page 63) self-titled - no. 3 - cLOUDDEAD (Page 64) self-titled - no. 3 - cLOUDDEAD (Page 65) self-titled - no. 3 - cLOUDDEAD (Page 66) self-titled - no. 3 - cLOUDDEAD (Page 67) self-titled - no. 3 - cLOUDDEAD (Page 68) self-titled - no. 3 - cLOUDDEAD (Page 69) self-titled - no. 3 - cLOUDDEAD (Page Cover4)
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