Vintage Guitar - December 2016 - Open - 68

COLUMN Fretprints
SOUND
Brad's main studio guitar
is his trademark '68 mapleboard Fender Tele played
on virtually every track.
It has a Lindy Fralin Blue
Special bridge and Fralin
overwound neck pickups,
6105 fretwire, and Glaser G-bender. Onstage, he
uses several Crook Custom
Guitars T-Style models,
ty pically equipped with
APC T300N or Adder neck
and Voodoo or Fralin Blue
Special bridge pickups and
a Charlie McVay G-bender.
He played Hank Goddard's
Gibson Firebird on the
tribute "More Than a Song."
His main acoustic guitar
is a pre-war Martin D-28
acquired at Gruhn's Guitars
in 2010. He also plays a
signature model Gibson J-45
acoustic/electric. He prefers
Ernie Ball medium-gauge
picks and .010-.046 Regular
Slinky strings.
Inspired by John Jorgenson, he has long preferred
vintage Vox AC30 amps,
and currently favors a red
'62. He also uses Dr. Z
amps including KT45 and
Stingray heads, Prescription Extra Strength and Z
Wreck (combining Z and
Trainwreck tones) models
and a newly unveiled collaborat ion, t he DB4 (a
fourth design collaboration
between Paisley and Mike
Zaite). Live, he pairs his

"Huckleberry Jam" celebrates the love of his son,
Huck, and is a take on classic-rock/boogie shuffles
such as "Satch Boogie" and "Hot for Teacher." Note
a similar use of first-position blues-rock melody
containing open strings built around the open-A chord
form, prominent triplet rhythms, and a gritty semidistorted tone. The rolling riff-oriented phrases in
A come to rest on an E7 chord in measure 4, where
a low-register string bend and syncopated chord
jabs create contrast. He employs typical slurred

triads implying C and D major chords in measure
6, however, the line in 7 is definitive Paisley. This
passage presents an ear-catching variation of his
broken-sixth cross-picking approach in the upper
register, functioning as a freer lead-guitar fill in the
largely riff-based proceedings. Note the use of sixth
intervals on the first and third strings alternated
with open-string pull-offs and percussive muted
notes articulated with hybrid picking depictive
of the Tele-school chicken-pickin' sound.

Z's with Tony Bruno amps, generally using four amps in concert
for various overdrive sounds. His cabinets contain Weber and
Celestion speakers,.
Paisley's ever-changing effects rig has housed a Line 6 M13 modeler, Z-Verb tube reverb, and stompboxes by Wampler, Empress,
Maxon, Road Effects, and Aqua Puss, Xotic, a Keeley-modded
TS-808 overdrive, Zendrive, Boss Tremolo TR-2, and DD-3 digital
delay, MXR Phase 90, Axess BS-2 buffer, and Dunlop wah fed
into Effects Gizmo loops and Ground Control Pro foot switcher.
Wolf Marshall is the founder and original editor-in-chief of GuitarOne magazine
and a respected author and columnist who has been influential in contemporary
music education since the early 1980s. His latest releases include 101 MustKnow Rock Licks, B.B. King: the Definitive Collection, and Best of Jazz Guitar.
Wolf's list of credits can be found at wolfmarshall.com.

VINTAGE GUITAR

68

December 2016


http://www.vibrawood.com http://www.wolfmarshall.com http://guitar-villa.com

Table of Contents for the Digital Edition of Vintage Guitar - December 2016 - Open

Contents
Vintage Guitar - December 2016 - Open - Cover
Vintage Guitar - December 2016 - Open - IFC
Vintage Guitar - December 2016 - Open - 1
Vintage Guitar - December 2016 - Open - 2
Vintage Guitar - December 2016 - Open - 3
Vintage Guitar - December 2016 - Open - 4
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Vintage Guitar - December 2016 - Open - 6
Vintage Guitar - December 2016 - Open - 7
Vintage Guitar - December 2016 - Open - Contents
Vintage Guitar - December 2016 - Open - 9
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Vintage Guitar - December 2016 - Open - 26
Vintage Guitar - December 2016 - Open - 27
Vintage Guitar - December 2016 - Open - 28
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Vintage Guitar - December 2016 - Open - 33
Vintage Guitar - December 2016 - Open - 34
Vintage Guitar - December 2016 - Open - 35
Vintage Guitar - December 2016 - Open - 36
Vintage Guitar - December 2016 - Open - 37
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Vintage Guitar - December 2016 - Open - 40
Vintage Guitar - December 2016 - Open - 41
Vintage Guitar - December 2016 - Open - 42
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Vintage Guitar - December 2016 - Open - 68
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Vintage Guitar - December 2016 - Open - 73
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Vintage Guitar - December 2016 - Open - 160
Vintage Guitar - December 2016 - Open - IBC
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