Vintage Guitar - October 2017 - open - 77

two additional labels. It was probably made
with wooden pegs, then had mechanical tuning machines fitted to a replacement head,
the evidence being the half-moon plugs of
the first- and sixth-string roller holes in the
original and second head remnant, which still
survives. It was in this configuration, with
mechanical tuning machines, that the guitar
was photographed while held by Llobet. The

head was later removed, leaving a sliver attached
to the original neck, then the current head
installed after plugging the roller holes and
being drilled for friction pegs. While many
might suggest the wooden pegs indicate this
was a "flamenco" guitar, in those days, pegs
were the norm and mechanical tuning was an
expensive upgrade. This head work, along with
the top replacement, was likely done by Manuel

VINTAGE GUITAR

77

March 2017

(TOP LEFT CLOCKWISE) The solid-bent/crimped
top linings and individual bottom lining glue
blocks. The top fan bracing and solid repairs.
The simple rosette could easily pass as one
made by Vicente Arias. The neck heel is shaped
nearly identical to those of Vicente Arias.

Ramírez, the most famous guitar maker in
Spain at the beginning of the 20th century.


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Table of Contents for the Digital Edition of Vintage Guitar - October 2017 - open

Contents
Vintage Guitar - October 2017 - open - Cover
Vintage Guitar - October 2017 - open - IFC
Vintage Guitar - October 2017 - open - 3
Vintage Guitar - October 2017 - open - 4
Vintage Guitar - October 2017 - open - 5
Vintage Guitar - October 2017 - open - 6
Vintage Guitar - October 2017 - open - 7
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Vintage Guitar - October 2017 - open - 9
Vintage Guitar - October 2017 - open - Contents
Vintage Guitar - October 2017 - open - 11
Vintage Guitar - October 2017 - open - 12
Vintage Guitar - October 2017 - open - 13
Vintage Guitar - October 2017 - open - 14
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Vintage Guitar - October 2017 - open - IBC
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