In Broadcast - October 2013 - 12

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 24 - OCTOBER 2013

N E W S

InNEWS

ARRI Unveils AMIRA Camera
A

RRI has introduced AMIRA, a
versatile documentary-style
camera that combines exceptional
image quality and affordable CFast
2.0 workflows.
The camera has an ergonomic
design optimised for single-operator
use and extended shouldermounted operation.
Ready to pick up and shoot
straight out of the camera bag,
AMIRA is hardy enough to take
anywhere and features in-camera
grading with preloaded looks
based on 3D LUTs, as well as 200
fps slow motion.
Throughout its long history ARRI
has offered film and programme
makers a range of diverse cameras
suited to different production tasks;
common to them all, however,
has been the promise of creative
liberation through functional, userfriendly design.
AMIRA represents a continuation
of this tradition. It will sit alongside

ARRI’s AMIRA boasts the
same sensor as the ALEXA

other camera offerings from ARRI,
answering the needs of certain types
of camera professional and certain
types of production.
The AMIRA features the
same sensor as the ALEXA,
recording superior HD 1080 or 2K
pictures that are suitable for any
distribution format.
With a dynamic range of more
than 14 stops, low noise levels,
subtle highlight handling, natural

colour rendering, flattering skin
tones and speeds of up to 200 fps,
ARRI claim that the AMIRA will
deliver life-like images.
AMIRA records Rec 709 or Log
C images using ProRes LT, 422,
422HQ or 444 codecs.
Recording in-camera to CFast
2.0 flash memory cards with
super-quick data rates, the route
into post-production is made as
simple as possible.

TIMA Awarded Dedicated UN Fibre Circuits
12

IMA, a global facilities and
content service provider, has
become one of only 15 media
companies worldwide to be
awarded dedicated UN fibre circuits.

TIMA (The International Media
Associates) has now secured office
space within the UN.
This new UN status recognises
TIMA’s growing standing within the
international
m e d i a
community
and is part of
the company’s
on-going
commitment
to be at the
heart of news
and decisionm a k i n g
worldwide.
“Dedicated
UN
fibre
circuits mean
The International Media Associates working with the UN
that TIMA can

T

access all UN pool material and
distribute it live or recorded to
customers around the world,” said
Alla Salehian, CEO of TIMA. “At a
time of considerable international
tension and conflict we believe this
greater access will provide important
background to today’s headline
stories,” he added.
TIMA has also been allocated
four dedicated positions on Press
Island to provide live feed services
to broadcast clients.
From the UN in New York, TIMA
can now distribute live and recorded
content to broadcasters around the
world via its dedicated fibre circuits,
provided by Hibernia Networks, to
Washington DC and Europe as well
as via its satellite uplink units in the
US and London.

Ultra HD Trio
Mini Converter
GBR: A trio of autoswitching
Mini Converters from Blackmagic
Design
add
Ultra
HD.
Mini Converter Optical Fibre is
a bidirectional unit that includes
6G-SDI and 6 Gb/s optical
fibre for SD, HD and Ultra HD.
Mini Converter SDI to HDMI 4K –
four SDI inputs that allow support
for Ultra HD video inputs using a
single link 6G-SDI, dual link 3G-SDI
and quad link HD-SDI connections.
Mini Converter SDI Multiplex 4K –
four SDI inputs and four SDI outputs
allowing conversion.

RTS RP-1000
Colour Keypanel
GER: RTS has introduced the RP1000 series – the newest member of its
colour display keypanel family and the
successor to its flagship KP 32 CLD.
The 32-position RP-1032 offers an
advanced display, state-of-the-art
functionality and a modern, modular
design that fits into any broadcast
control room or truck application.
The unit supports the RP-1932
expansion keypanel and both the
RTS RVON VOIP and OMNEO IP
optional network audio cards.

Video Clarity’s 4K
A/V Analyser
USA: Video Clarity debuted its
ClearView Extreme 4K videoquality analysers in Europe at IBC.
The analysers provide a new
level of input/output capability and
performance in subjective picturequality comparison for researchers
in broadcast and consumer
product manufacturing, as well
as engineering departments in
television broadcasting, cable, and
IPTV program-delivery networks.
Video Clarity says that several
leading broadcast engineering groups
have already adopted the solution.


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In Broadcast - October 2013

Table of Contents for the Digital Edition of In Broadcast - October 2013

In Broadcast - October 2013
In This Issue
InNews: Fox Turkey Upgrades GV Systems
InNews: Pebble Beach Wins TV Globo Deal
InFocus: Virtual Sets Made Easy
InStudio: Blackcam Debuts Remote – Control Systems
InGear: Fujifilm Launches 4K Cine Zoom Lens
InSound: Roland Introduces the VC-1 Series
InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - Intro
In Broadcast - October 2013 - In Broadcast - October 2013
In Broadcast - October 2013 - Cover2
In Broadcast - October 2013 - In This Issue
In Broadcast - October 2013 - InNews: Fox Turkey Upgrades GV Systems
In Broadcast - October 2013 - 5
In Broadcast - October 2013 - InNews: Pebble Beach Wins TV Globo Deal
In Broadcast - October 2013 - 7
In Broadcast - October 2013 - 8
In Broadcast - October 2013 - 9
In Broadcast - October 2013 - 10
In Broadcast - October 2013 - 11
In Broadcast - October 2013 - 12
In Broadcast - October 2013 - 13
In Broadcast - October 2013 - 14
In Broadcast - October 2013 - 15
In Broadcast - October 2013 - 16
In Broadcast - October 2013 - 17
In Broadcast - October 2013 - 18
In Broadcast - October 2013 - 19
In Broadcast - October 2013 - 20
In Broadcast - October 2013 - 21
In Broadcast - October 2013 - 22
In Broadcast - October 2013 - 23
In Broadcast - October 2013 - 24
In Broadcast - October 2013 - 25
In Broadcast - October 2013 - 26
In Broadcast - October 2013 - 27
In Broadcast - October 2013 - InFocus: Virtual Sets Made Easy
In Broadcast - October 2013 - 29
In Broadcast - October 2013 - 30
In Broadcast - October 2013 - 31
In Broadcast - October 2013 - 32
In Broadcast - October 2013 - 33
In Broadcast - October 2013 - InStudio: Blackcam Debuts Remote – Control Systems
In Broadcast - October 2013 - 35
In Broadcast - October 2013 - 36
In Broadcast - October 2013 - 37
In Broadcast - October 2013 - 38
In Broadcast - October 2013 - 39
In Broadcast - October 2013 - 40
In Broadcast - October 2013 - 41
In Broadcast - October 2013 - 42
In Broadcast - October 2013 - InGear: Fujifilm Launches 4K Cine Zoom Lens
In Broadcast - October 2013 - 44
In Broadcast - October 2013 - 45
In Broadcast - October 2013 - 46
In Broadcast - October 2013 - 47
In Broadcast - October 2013 - 48
In Broadcast - October 2013 - 49
In Broadcast - October 2013 - 50
In Broadcast - October 2013 - 51
In Broadcast - October 2013 - 52
In Broadcast - October 2013 - 53
In Broadcast - October 2013 - InSound: Roland Introduces the VC-1 Series
In Broadcast - October 2013 - 55
In Broadcast - October 2013 - 56
In Broadcast - October 2013 - 57
In Broadcast - October 2013 - 58
In Broadcast - October 2013 - 59
In Broadcast - October 2013 - 60
In Broadcast - October 2013 - 61
In Broadcast - October 2013 - 62
In Broadcast - October 2013 - 63
In Broadcast - October 2013 - 64
In Broadcast - October 2013 - 65
In Broadcast - October 2013 - 66
In Broadcast - October 2013 - 67
In Broadcast - October 2013 - 68
In Broadcast - October 2013 - 69
In Broadcast - October 2013 - 70
In Broadcast - October 2013 - 71
In Broadcast - October 2013 - InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - 73
In Broadcast - October 2013 - 74
In Broadcast - October 2013 - 75
In Broadcast - October 2013 - 76
In Broadcast - October 2013 - 77
In Broadcast - October 2013 - 78
In Broadcast - October 2013 - 79
In Broadcast - October 2013 - 80
In Broadcast - October 2013 - S1
In Broadcast - October 2013 - S2
In Broadcast - October 2013 - S3
In Broadcast - October 2013 - S4
In Broadcast - October 2013 - S5
In Broadcast - October 2013 - S6
In Broadcast - October 2013 - S7
In Broadcast - October 2013 - S8
In Broadcast - October 2013 - S9
In Broadcast - October 2013 - S10
In Broadcast - October 2013 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202003
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202001
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201911
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201909
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY3
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY2
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY1
http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201906
http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201904
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201903
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201901
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
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