In Broadcast - October 2013 - 34

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 24 - OCTOBER 2013

N E W S

InSTUDIO

OpenMedia Newsroom Computer System
For ProSiebenSat.1 Magazine Production
A

f ter extensive testing of
Newsroom Computer Systems,
ProSiebenSat.1 Media decided on
using OpenMedia for magazinetype shows.
ProSiebenSat.1 Production, a full
subsidiary of ProSiebenSat.1 Media
AG, provides technical systems for
producing and sharing TV content.
For the production of magazine
shows in Munich, ProSiebenSat.1
decided on working with OpenMedia
INFINITY from ANNOVA.
The first step involves OpenMedia
delivering the editorial department
workflow from the initial idea to
playout. Interfaces to Media Asset
Management, graphic and archive
will be established, and “ProNews”,
the current system, will be replaced.
Alongside the classic newsroom
workflow journalists will be able

34

ProSiebenSat.1 Media AG Building

to access editorial and mediaindependent themes as well as
future event planning.
Frank
Stephan,
Head
of Production Systems at
ProSiebenSat.1 Production GmbH,
explained: “After a detailed review
of Newsroom Computer Systems
in the marketplace, we decided on
OpenMedia. ANNOVA Systems has
been a reliable partner throughout
this process. We were convinced,
not only by the impressive level
of functionality, but also by the
freely scalable workflow model.
Our system environment can be
smoothly integrated with their
flexible product. We’re confident that
we can design new solutions in the
future and will be able to integrate
them as well. With the help of
OpenMedia INFINITY we can picture
different scenarios and are ready for
any future editorial planning.”
Michael Schüller, CEO of ANNOVA
Systems, added: “We are looking
forward to strategic collaboration
with ProSiebenSat.1 production
and are proud to have one of the
biggest private TV broadcasting
groups in Europe as a new
customer. The varied innovations,
which ProSiebenSat.1 delivers, are
a perfect match with our OpenMedia

Playout Centre Unterföhring

product portfolio. I am convinced
that we are at the beginning of a

Source: ProSiebenSat.1 Media AG

long-term business relationship.”

Blackcam Debuts Remote-Controlled Camera Systems
A

t IBC 2013, BlackcamSystems
introduced compact and
p o r t a b l e r e m o te - c o n t r o l l e d
camera tracking systems. The
systems are ideal for capturing
unique perspectives from angles
p revi o u s l y u n re a c h a b l e by
conventional handheld, tripod,
or full-sized remote-controlled
camera support systems.
Blackcam systems can be
installed in, around or above a stage
or set (overslung or underslung) for
dynamic moving shots. Due to their

compact size and uniquely versatile
track, Blackcams seamlessly
integrate with the action without
obstructing the talent or other set
elements. Control is via cable or
wireless remote. Already used in
Europe, the systems are popular
on major variety style television and
fashion runway shows, live music
performances, and sporting events.
BlackcamSystems are available
in three sizes to accommodate a
wide variety of cameras. The fullsized Blackcam model B40 accepts

BlackcamSystem’s B40 with Sony HDC-P1Sm

various cameras, including: ARRI
Alexa M, RED Epic and Scarlet,
Sony F5/F55/P1 and similar sizes.
The B40 is also compatible with a
3D mirror rig. The mid-sized B20 is
compatible with Bradley’s Camball
HDC 150, and DSLR cameras such
as Canon 5D and similar sizes.
The super compact B10 fits in a
suitcase style carrier for on-board
air transport, and is suitable for tiny
HD cameras like GoPro, Modula
Baby MKII, SinaCAM, and Indiecam.
Each BlackcamSystem includes
a camera cradle, dolly, track,
production cabling and remotecontrol system. The track comes
in linear or curved segments for
the most dynamic configuration,
regardless of the shooting challenge.
Moving swiftly and discreetly,
with a vertical capacity of up to 15
degrees uphill, a Blackcam dolly
attaches to the inner sides of the
tracks with several lateral guide
rollers and optional safety bars. The
unit can be powered using AC with
cables or via battery, which runs
the system for at least two hours
per charge on average.

Since the black anodised track is
relatively lightweight (only 4 kg/m/
2.68 lbs/ft), set-up can quickly be
accomplished by just one person.
Specific set-up time depends upon
the track length and whether the
system is controlled via cable or
remote (setting up 10 m of track
with cabling requires approximately
one hour). Track segments come
in 50cm (1.64ft), 1m (3.28 ft), 2m
(6.56ft), or 4m (13.12ft) lengths
with a minimum standard inner
radius of 1m (3.28 ft), but custom
tracks can be manufactured upon
request. BlackcamSystems can also
customise the speed of each system,
control station etc. Operators can
choose from a Joystick or Piezo
stick, and the rack can be set up
with two monitors, intercom, and
other components.
BlackcamSystems are small
enough so they don’t interrupt the
action and run silently so they don’t
disrupt the audio. The systems are
available for sale worldwide, except
in Germany where they are available
for rental only.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.annova.tv/en/index.php http://www.youtube.com/watch?v=cKBpJ2Kbl8g

In Broadcast - October 2013

Table of Contents for the Digital Edition of In Broadcast - October 2013

In Broadcast - October 2013
In This Issue
InNews: Fox Turkey Upgrades GV Systems
InNews: Pebble Beach Wins TV Globo Deal
InFocus: Virtual Sets Made Easy
InStudio: Blackcam Debuts Remote – Control Systems
InGear: Fujifilm Launches 4K Cine Zoom Lens
InSound: Roland Introduces the VC-1 Series
InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - Intro
In Broadcast - October 2013 - In Broadcast - October 2013
In Broadcast - October 2013 - Cover2
In Broadcast - October 2013 - In This Issue
In Broadcast - October 2013 - InNews: Fox Turkey Upgrades GV Systems
In Broadcast - October 2013 - 5
In Broadcast - October 2013 - InNews: Pebble Beach Wins TV Globo Deal
In Broadcast - October 2013 - 7
In Broadcast - October 2013 - 8
In Broadcast - October 2013 - 9
In Broadcast - October 2013 - 10
In Broadcast - October 2013 - 11
In Broadcast - October 2013 - 12
In Broadcast - October 2013 - 13
In Broadcast - October 2013 - 14
In Broadcast - October 2013 - 15
In Broadcast - October 2013 - 16
In Broadcast - October 2013 - 17
In Broadcast - October 2013 - 18
In Broadcast - October 2013 - 19
In Broadcast - October 2013 - 20
In Broadcast - October 2013 - 21
In Broadcast - October 2013 - 22
In Broadcast - October 2013 - 23
In Broadcast - October 2013 - 24
In Broadcast - October 2013 - 25
In Broadcast - October 2013 - 26
In Broadcast - October 2013 - 27
In Broadcast - October 2013 - InFocus: Virtual Sets Made Easy
In Broadcast - October 2013 - 29
In Broadcast - October 2013 - 30
In Broadcast - October 2013 - 31
In Broadcast - October 2013 - 32
In Broadcast - October 2013 - 33
In Broadcast - October 2013 - InStudio: Blackcam Debuts Remote – Control Systems
In Broadcast - October 2013 - 35
In Broadcast - October 2013 - 36
In Broadcast - October 2013 - 37
In Broadcast - October 2013 - 38
In Broadcast - October 2013 - 39
In Broadcast - October 2013 - 40
In Broadcast - October 2013 - 41
In Broadcast - October 2013 - 42
In Broadcast - October 2013 - InGear: Fujifilm Launches 4K Cine Zoom Lens
In Broadcast - October 2013 - 44
In Broadcast - October 2013 - 45
In Broadcast - October 2013 - 46
In Broadcast - October 2013 - 47
In Broadcast - October 2013 - 48
In Broadcast - October 2013 - 49
In Broadcast - October 2013 - 50
In Broadcast - October 2013 - 51
In Broadcast - October 2013 - 52
In Broadcast - October 2013 - 53
In Broadcast - October 2013 - InSound: Roland Introduces the VC-1 Series
In Broadcast - October 2013 - 55
In Broadcast - October 2013 - 56
In Broadcast - October 2013 - 57
In Broadcast - October 2013 - 58
In Broadcast - October 2013 - 59
In Broadcast - October 2013 - 60
In Broadcast - October 2013 - 61
In Broadcast - October 2013 - 62
In Broadcast - October 2013 - 63
In Broadcast - October 2013 - 64
In Broadcast - October 2013 - 65
In Broadcast - October 2013 - 66
In Broadcast - October 2013 - 67
In Broadcast - October 2013 - 68
In Broadcast - October 2013 - 69
In Broadcast - October 2013 - 70
In Broadcast - October 2013 - 71
In Broadcast - October 2013 - InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - 73
In Broadcast - October 2013 - 74
In Broadcast - October 2013 - 75
In Broadcast - October 2013 - 76
In Broadcast - October 2013 - 77
In Broadcast - October 2013 - 78
In Broadcast - October 2013 - 79
In Broadcast - October 2013 - 80
In Broadcast - October 2013 - S1
In Broadcast - October 2013 - S2
In Broadcast - October 2013 - S3
In Broadcast - October 2013 - S4
In Broadcast - October 2013 - S5
In Broadcast - October 2013 - S6
In Broadcast - October 2013 - S7
In Broadcast - October 2013 - S8
In Broadcast - October 2013 - S9
In Broadcast - October 2013 - S10
In Broadcast - October 2013 - S11
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http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY1
http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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