Early Music America Winter 2013 - (Page 29)
Let's put on a...
Zarzuela!
The Orchestra of New Spain fulfills its director's dream of staging a popular Baroque theater piece
an orchestra today have
an opportunity to bring a lost
masterwork to life for contemporary
audiences. It is even more unusual for
the masterwork to come from the rich
tradition of the Spanish Baroque
zarzuela, a form of lyric drama similar
to operetta but with a distinctly
Spanish flair.
Yet this is exactly what the Dallasbased Orchestra of New Spain and its
musical director, Grover Wilkins III,
were able to accomplish last February,
when they presented their opulent, fullscale production of Sebastián Durón's
Las Nuevas armas de amor in the work's
first modern staged performance. This
ambitious venture, reviewed by Dallas
music critic Wayne Lee Gay as "a masterful and constantly delightful production," was the result of the passion,
scholarship, and collaboration of a team
of devoted experts.
The vision of staging a Baroque
zarzuela in Dallas took over two decades
to accomplish. In 1992, Wilkins witnessed a production of the José de Nebra
zarzuela, Viento es la dicha de amor, in
Madrid.
"It was a revelation," Wilkins recalls.
"The adherence to Baroque gesture gave
it a verisimilitude of social context I had
not seen in other Baroque or Classical
opera productions." For Wilkins, the
complete unity of period visual elements
made the production a feast for the
senses. "From that moment on, my
interests were focused on the idea of
someday producing a zarzuela by
Sebastián Durón I had seen in Madrid's
National Library the previous year. >
R
ARELY DOES
ALL PHOTOS: HENLEYCREATIVE.COM
By Rachel Penn Adams
In Sebastián Durón's
Las nuevas armas de
amor, Jupiter
confiscates the bow
and arrows of
Cupid, setting the
plot in motion.
Early Music America
Winter 2013
29
http://www.HENLEYCREATIVE.COM
Table of Contents for the Digital Edition of Early Music America Winter 2013
Editor's Note
Reader Forum
Sound Bytes
Musings: Time Traveling with Instruments
Profile: Pure Gold: Beiliang Zhu
Recording Reviews
Let's put on a... Zarzuela!
A Banquet of Music 40 Years in the Serving
Honoring Krebs
Book Reviews
Ad Index
In Conclusion: Dido and Aeneas Reconsidered
Early Music America Winter 2013
http://www.brightcopy.net/allen/EMAM/22-1
http://www.brightcopy.net/allen/EMAM/21-4
http://www.brightcopy.net/allen/EMAM/21-3
https://www.nxtbook.com/allen/EMAM/21-2
https://www.nxtbook.com/allen/EMAM/21-1
https://www.nxtbook.com/allen/EMAM/20-4
https://www.nxtbook.com/allen/EMAM/20-3
https://www.nxtbook.com/allen/EMAM/20-2
https://www.nxtbook.com/allen/EMAM/20-1
https://www.nxtbook.com/allen/EMAM/19-4
https://www.nxtbook.com/allen/EMAM/19-3
https://www.nxtbook.com/allen/EMAM/19-2
https://www.nxtbook.com/allen/EMAM/19-1
https://www.nxtbook.com/allen/EMAM/18-4
https://www.nxtbook.com/allen/EMAM/18-3
https://www.nxtbookmedia.com