Early Music America Spring 2014 - (Page 14)
U
nique...
musings
By Thomas Forrest Kelly
My No Early Music Dream
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14
Spring 2014 Early Music America
Every year The New York Times publishes
What I really think is that we should
an end-of-year list of favorite classical
stop doing this. We should declare victorecordings, and several times I have
ry and leave the field. For a long time I
commented on that list. Pretty soon
and others have dreamed of a day when
you'll think that it's my way of avoiding there would be no early music-just
thinking up any actual new idea of my
music. And we may just have arrived
own. In part you're right, since it hasn't
there. If half of the recommended
been easy coming up with four columns recordings are claimed by us, does it
a year once I swore off mentioning a cer- mean that Early Music America has
tain quartet of highly seaachieved its goal? We can
sonal concertos by a cerstop paying our dues? I
It's not the past
tain Venetian composer
hope not, partly because
that gives the music of my love for Mahler,
whose name starts with
its value for us-
"V" and whose concertos
Stravinsky, and the music
number in the hundreds
of a few of my friends
it's the music.
even though the unmenand colleagues. But also,
tionable four get played
partly because this exerall the time in restaurants, elevators,
cise is silly. There is no line between earon hold, etc. But I am not mentioning
ly music and real music. Music is music.
them....
Essentially, all music that is not being
So, the Times asks its music critics to premiered right now is early music;
choose favorite new recordings from the it's music from the past.
previous year, no repetitions allowed.
But it's not the past that gives the
music its value for us-it's the music. If
The headline this year was "Favorite
it's early, well, fine. If not, that's fine,
Sounds, Early to Environmental."
too. The critics of The New York Times
We are in the headline!
have suggested that it's OK for half of
In previous years, I've been pleased
to report the significant presence of early their recommendation to be chronologimusic-or sad to report that we seem
cally challenged, and it does my heart
to be losing ground. But this year the
good to see that list. But that's because I
situation is different. We don't exist.
come from an older world that doesn't
Of 25 CDs recommended, six are ear- exist any longer. Now, I think, music is
ly music recordings as determined by
music. We should continue to love the
their "historically informed" performers, music we love; we might even look
while six are early music recordings by
around for some more music, even
virtue of their repertoire (I'm including
some music outside our favorite period.
Beethoven and Mozart, composers who
There's quite a lot of it, no matter how
are often co-opted by us.)
broad our chronological period is.
The earliest is the Orlando Consort's
So, perhaps you'll join me in congratwonderful recording of music from
ulating the Times and its critics in the
Machaut's "Livre dou Voir Dit" (great to breadth of their taste and rejoice with
have Medieval music in there); and the
me in the fact that we have left our little
latest is Cecilia Bartoli's recording of
parochial corner behind and joined
Norma. But there's a lot that is and isn't the grown-up world of music.
early music. Jordi Savall's Homage to Syria? And should we really include modThomas Forrest Kelly is a professor of music
at Harvard University and a board member
ern instrument Beethoven and Mozart
and past president of Early Music America.
on our side of the ledger?
I
http://www.wennerfloeten.de
http://www.guntramwolf.de
Table of Contents for the Digital Edition of Early Music America Spring 2014
Editor's Note
Reader Forum
Sound Bytes
Musings: My No Early Music Dream
Profile: Choral Conductor Amelia LeClair
Recording Reviews
Donors ex machina
Three Small Nails
Early Music Is a Capital Idea
Composing Electronic Music for Baroque Instruments
2014 Guide: Workshops & Festivals
Book Reviews
Ad Index
In Conclusion: 4,568 Pages Ago
Early Music America Spring 2014
http://www.brightcopy.net/allen/EMAM/22-1
http://www.brightcopy.net/allen/EMAM/21-4
http://www.brightcopy.net/allen/EMAM/21-3
https://www.nxtbook.com/allen/EMAM/21-2
https://www.nxtbook.com/allen/EMAM/21-1
https://www.nxtbook.com/allen/EMAM/20-4
https://www.nxtbook.com/allen/EMAM/20-3
https://www.nxtbook.com/allen/EMAM/20-2
https://www.nxtbook.com/allen/EMAM/20-1
https://www.nxtbook.com/allen/EMAM/19-4
https://www.nxtbook.com/allen/EMAM/19-3
https://www.nxtbook.com/allen/EMAM/19-2
https://www.nxtbook.com/allen/EMAM/19-1
https://www.nxtbook.com/allen/EMAM/18-4
https://www.nxtbook.com/allen/EMAM/18-3
https://www.nxtbookmedia.com