Recording - June 2019 - 28
Below, a list of great gizmos and
terrific tools to help you nail your
low-end, lock your boom, let your
spoken word be heard, boost your
mic levels, keep your connections
clean, and split your mic signals.-PV
HAN D Y
HARDWARE
Reviews by Paul Vnuk Jr. and Mike Metlay
Amphion FlexBase25
From the petite One12 to the double-tall Two18, we have reviewed every studio monitor and amplifier from Finland's Amphion, except the BaseOne25 and BaseTwo25 low-end extension
speakers. Half speaker, half speaker stand, these models were designed to literally live under one of the company's monitors, adding dual/stereo low end extension. I have heard them in action
at various trade shows; they work well, but require a very specific
room/monitor setup that my space simply cannot accommodate.
The FlexBase25 is Amphion's latest bass extension system.
According to Amphion it's not a standard subwoofer, but it does
consist of a single unit designed to live between your monitors,
and can be mono, stereo, or even a bit wider.
The big box
The FlexBase25 is a 110 lb. monolithic box that measures
33" high, 12 1/4" wide, and 13 1/2" deep. On the left and
right sides of the cabinet, about 2/3 of the way up, are a pair
of 10" aluminum drivers, similar to the rest of the Amphion
line. It is a sealed-cabinet
design with no venting,
radiators, or bass ports,
and features an active
4th-order crossover.
The FlexBase25 is capable of 117dB maximum SPL, with frequency
responses of 20-260Hz
±3dB (lowpass) and 35
Hz-200 kHz ±3dB (high
pass). Also on the FlexBase25 is a single input
jack that connects via
Neutrik speakON cable
to the Amphion FlexAmp,
which is the brains of the
operation as well as a
600W (300W x2) RMS
@ 4Ω power amp.
28 RECORDING June 2019
Like a subwoofer setup (I know, not a subwoofer), the FlexBase25 system lives inline between your interface outputs and
the inputs of your speakers, connected via Left/Right XLR I/O.
The FlexAmp connects to the FlexBase25 with the aforementioned speakON cable and there is also a set of XLR LFE I/O
for linking units, as well as direct LFE connection.
The front panel has buttons for power and bypass, which takes
the FlexBase25 out of the system and returns your main monitors
to full range. When it's active, a crossover knob lets you select
the crossover point from a generous range of 35Hz-260Hz. A
second knob allows you to tweak the unit's volume level ±10dB.
Used in tandem, these first two controls let you determine the
proper blend and level of your desired low end.
The FlexBase receives a full stereo signal over that single
4-conductor speakON cable, and the last dial on the FlexAmp
lets you decide how wide this stereo image should be. Thanks
to the coincident stereo design of the FlexBase25, with both
speakers facing out to the sides, you can choose if the signal
is stereo, mono, or pushed a touch beyond the usual stereo
image, according to your needs/tastes.
In use
Unlike a traditional "set it and forget it" subwoofer install,
part of the "flex" in FlexBase25 comes from its interactive design. I would suggest mounting/placing the FlexAmp in a position where it can be tweaked as your needs dictate.
While the FlexBase25 is not a traditional subwoofer, it can act
as one if desired. Set it to mono, focus the crossover around 80Hz
and below, and crank it up. It will boom and thoom and shake your
room, or as a recent client exclaimed: "Wow, that thing kicks!"
Recording - June 2019
Table of Contents for the Digital Edition of Recording - June 2019
Fade In
Fast Forward
Focal Trio11 Be
Eric Loomis—From live sound to Ivy Hall
Test Tones & Metering
Handy Hardware
Cool Controllers
Stellar Soundware
First Look: KRK Systems ROKIT 5 G4
Vance Powell on mixing The Raconteurs' Help Us Stranger
Steinberg Cubase 10
Plug-In Outlet: Puremagnetik Plug-ins
Lynx Studio Technology Aurora(n)
Studio 101. Part 17: Studio controllers
Readers’ Tracks
Fade Out
Recording - June 2019 - Intro
Recording - June 2019 - Cover1
Recording - June 2019 - Cover2
Recording - June 2019 - 1
Recording - June 2019 - 2
Recording - June 2019 - 3
Recording - June 2019 - Fade In
Recording - June 2019 - 5
Recording - June 2019 - 6
Recording - June 2019 - 7
Recording - June 2019 - Fast Forward
Recording - June 2019 - 9
Recording - June 2019 - 10
Recording - June 2019 - 11
Recording - June 2019 - Focal Trio11 Be
Recording - June 2019 - 13
Recording - June 2019 - 14
Recording - June 2019 - 15
Recording - June 2019 - Eric Loomis—From live sound to Ivy Hall
Recording - June 2019 - 17
Recording - June 2019 - 18
Recording - June 2019 - 19
Recording - June 2019 - 20
Recording - June 2019 - 21
Recording - June 2019 - 22
Recording - June 2019 - 23
Recording - June 2019 - Test Tones & Metering
Recording - June 2019 - 25
Recording - June 2019 - 26
Recording - June 2019 - 27
Recording - June 2019 - Handy Hardware
Recording - June 2019 - 29
Recording - June 2019 - 30
Recording - June 2019 - 31
Recording - June 2019 - 32
Recording - June 2019 - 33
Recording - June 2019 - Cool Controllers
Recording - June 2019 - 35
Recording - June 2019 - 36
Recording - June 2019 - 37
Recording - June 2019 - 38
Recording - June 2019 - 39
Recording - June 2019 - Stellar Soundware
Recording - June 2019 - 41
Recording - June 2019 - 42
Recording - June 2019 - 43
Recording - June 2019 - 44
Recording - June 2019 - 45
Recording - June 2019 - First Look: KRK Systems ROKIT 5 G4
Recording - June 2019 - 47
Recording - June 2019 - Vance Powell on mixing The Raconteurs' Help Us Stranger
Recording - June 2019 - 49
Recording - June 2019 - 50
Recording - June 2019 - 51
Recording - June 2019 - 52
Recording - June 2019 - 53
Recording - June 2019 - 54
Recording - June 2019 - 55
Recording - June 2019 - 56
Recording - June 2019 - 57
Recording - June 2019 - Steinberg Cubase 10
Recording - June 2019 - 59
Recording - June 2019 - Plug-In Outlet: Puremagnetik Plug-ins
Recording - June 2019 - 61
Recording - June 2019 - Lynx Studio Technology Aurora(n)
Recording - June 2019 - 63
Recording - June 2019 - Studio 101. Part 17: Studio controllers
Recording - June 2019 - 65
Recording - June 2019 - Readers’ Tracks
Recording - June 2019 - 67
Recording - June 2019 - 68
Recording - June 2019 - 69
Recording - June 2019 - 70
Recording - June 2019 - 71
Recording - June 2019 - Fade Out
Recording - June 2019 - Cover3
Recording - June 2019 - Cover4
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