Recording - June 2019 - 30
I primarily set the FlexBase25 to be a sonically integrated extension of my One18/Amp100 setup. For mixing most styles of
music, I prefer bass extension that you do not necessarily notice
until you bypass the unit and find it missing. This is a perfect
place to note that while it's designed to be best used within
arms' reach, there's also a remote footswitch option available
to by-pass the FlexBase25 for quick A-B comparisons.
Conclusion
I have done a number of mixes with the FlexBase25 as part
of my system, again set to a moderately noticeable stereo setup, and I have been very pleased with the results. Amphion
in general is not a low-cost option, and the FlexBase25 is not
inexpensive: it's more of an investment in your studio's sound.
An odd bit of praise is that most of the time I forget that the FlexBase25 is there. I never feel like my bass is overcooked; it does
its job and stays out of the way, adding just the low end I need to
nail my mixes. Living up to its name, the FlexBase 25 makes my
already-beloved Amphion setup even more flexible.-PV
Price: $4750
More from: amphion.fi
BigRock Innovations
BOOMLOK BL-1
When preparing issues of RECORDING about making studio
life easier, we love to feature those special products that bring
much-needed help in awkward places, preferably without
breaking the bank. The BOOMLOK, first shown at Winter
NAMM 2018 and now shipping from new manufacturer
BigRock Innovations, fits that description perfectly.
The BOOMLOK is a rigid plastic bar, about 7" long, with clamps
at both ends similar to what you'd use to attach accessories to a
mic stand. It does one job: add a structural support between a mic
boom and mic stand so the boom doesn't sag under the weight of
a heavy mic. You set your mic where you want it, have someone
30 RECORDING June 2019
steady the boom while you screw on the BOOMLOK, and bada
boom (sorry), you're done.
The clamps are held to the boom and stand by threaded rods with
non-marring nylon tips and tightened with wingnuts. In between the
wingnut, bar, and clamp are a pair of soft rubber rings. This allows
the clamps to be tensioned without cracking the hardware.
I tried the BOOMLOK with an inexpensive boom that hates
heavy mics, mounted on my AirTurn goSTAND (reviewed
December 2018), and set up the heaviest mic I own, a Lauten
LS-208 end-address condenser that I use for my radio shows
(reviewed March 2019). The LS-208 is a reasonably beefy mic,
but what really kills booms is its heavy yoke shockmount. Once
adjusted, the BOOMLOK held everything where it needed to be
without slippage or issues. I then tried a much heavier mic that's
in for a future review-the RØDE PodMic-and the BOOMLOK
just yawned. Good stuff!
Setting the BOOMLOK so it doesn't slip takes a little bit of
experimentation; try putting it on the front or back of the boom,
and try to set the clamps against joints or other protruding hardware. You'll get the hang of it in no time.
While we always recommend high-end professional stands
like the Latch Lake MicKing for heavy and expensive mics, sometimes that's not feasible. Your room might have budget or space
constraints, or maybe you might find yourself on stage trying to
get a mic to hold steady with a spare boom somebody handed
you from a backstage storeroom. The BOOMLOK could end up
saving your mic-and your show.-MM
Price: $34.95
More from: boomlok.net
DPA Microphones
d:fine 6066 Subminiature
Headset Microphone
Back in May 2013 we looked a the d:fine series of headset
microphones from DPA. These are a great solution for both live
sound and for the recording of presentations, sermons, seminars, and theater dialog. Then in July 2018 we were introduced to DPA's CORE technology, a new performance-boosting
amplifier/capsule circuit that was first launched in the upgraded d:vote CORE 4099 models. DPA's CORE technology is now
part of the d:fine series, along with a newly redesigned 3 mm
(0.12 in) subminiature omni capsule-60% smaller than the
previous version.
The new d:fine 6066 Subminiature Headset Microphone also
sports a redesigned headset with 3-point ear gripping system,
http://www.amphion.fi
http://www.boomlok.net
Recording - June 2019
Table of Contents for the Digital Edition of Recording - June 2019
Fade In
Fast Forward
Focal Trio11 Be
Eric Loomis—From live sound to Ivy Hall
Test Tones & Metering
Handy Hardware
Cool Controllers
Stellar Soundware
First Look: KRK Systems ROKIT 5 G4
Vance Powell on mixing The Raconteurs' Help Us Stranger
Steinberg Cubase 10
Plug-In Outlet: Puremagnetik Plug-ins
Lynx Studio Technology Aurora(n)
Studio 101. Part 17: Studio controllers
Readers’ Tracks
Fade Out
Recording - June 2019 - Intro
Recording - June 2019 - Cover1
Recording - June 2019 - Cover2
Recording - June 2019 - 1
Recording - June 2019 - 2
Recording - June 2019 - 3
Recording - June 2019 - Fade In
Recording - June 2019 - 5
Recording - June 2019 - 6
Recording - June 2019 - 7
Recording - June 2019 - Fast Forward
Recording - June 2019 - 9
Recording - June 2019 - 10
Recording - June 2019 - 11
Recording - June 2019 - Focal Trio11 Be
Recording - June 2019 - 13
Recording - June 2019 - 14
Recording - June 2019 - 15
Recording - June 2019 - Eric Loomis—From live sound to Ivy Hall
Recording - June 2019 - 17
Recording - June 2019 - 18
Recording - June 2019 - 19
Recording - June 2019 - 20
Recording - June 2019 - 21
Recording - June 2019 - 22
Recording - June 2019 - 23
Recording - June 2019 - Test Tones & Metering
Recording - June 2019 - 25
Recording - June 2019 - 26
Recording - June 2019 - 27
Recording - June 2019 - Handy Hardware
Recording - June 2019 - 29
Recording - June 2019 - 30
Recording - June 2019 - 31
Recording - June 2019 - 32
Recording - June 2019 - 33
Recording - June 2019 - Cool Controllers
Recording - June 2019 - 35
Recording - June 2019 - 36
Recording - June 2019 - 37
Recording - June 2019 - 38
Recording - June 2019 - 39
Recording - June 2019 - Stellar Soundware
Recording - June 2019 - 41
Recording - June 2019 - 42
Recording - June 2019 - 43
Recording - June 2019 - 44
Recording - June 2019 - 45
Recording - June 2019 - First Look: KRK Systems ROKIT 5 G4
Recording - June 2019 - 47
Recording - June 2019 - Vance Powell on mixing The Raconteurs' Help Us Stranger
Recording - June 2019 - 49
Recording - June 2019 - 50
Recording - June 2019 - 51
Recording - June 2019 - 52
Recording - June 2019 - 53
Recording - June 2019 - 54
Recording - June 2019 - 55
Recording - June 2019 - 56
Recording - June 2019 - 57
Recording - June 2019 - Steinberg Cubase 10
Recording - June 2019 - 59
Recording - June 2019 - Plug-In Outlet: Puremagnetik Plug-ins
Recording - June 2019 - 61
Recording - June 2019 - Lynx Studio Technology Aurora(n)
Recording - June 2019 - 63
Recording - June 2019 - Studio 101. Part 17: Studio controllers
Recording - June 2019 - 65
Recording - June 2019 - Readers’ Tracks
Recording - June 2019 - 67
Recording - June 2019 - 68
Recording - June 2019 - 69
Recording - June 2019 - 70
Recording - June 2019 - 71
Recording - June 2019 - Fade Out
Recording - June 2019 - Cover3
Recording - June 2019 - Cover4
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