Recording - June 2019 - 46
REVIEW
FIRST LOOK
KRK ROKIT 5 G4
REVIEW BY PAUL VNUK JR.
T
he KRK ROKIT is possibly the most ubiquitous
studio monitor of the last 15 years. You will find
them in bedroom studios, editing suites, and used
in full-scale professional facilities alongside monitors
costing ten times their price. I might boldly assert that
they are the NS-10 of today: Not because they sound
like an NS-10, but because they are everywhere-
offering a consistent sound that many engineers
know and trust.
At the 2018 Winter NAMM Show, KRK launched
the latest generation of ROKIT, now known as the
RPG4 (ROKIT Powered G4). There are 4 models
in the line: The ROKIT 5 G4, ROKIT 7 G4, ROKIT
8 G4 and ROKIT 10-3 G4. Each model number
corresponds to its bass driver size, and the 10-3 is a
3-way design with a 10" driver and 4.5" mid.
Yellow Kevlar is back
While the previous 3rd-generation ROKITs used a glass aramid woofer design, for the new RPG4 models, KRK is using
woven Kevlar. Previously this material was reserved for the
company's midline and high-end models in the V and Exposé
series. The 1" tweeter, which was previously a 1" soft dome
design, is now made of matching yellow woven Kevlar as well.
Looks, power, and specs
I was sent the ROKIT 5 G4. Its cabinet size and styling is
unmistakably ROKIT-like in appearance, but is a complete redesign from previous models. They are flat-topped with subtly
contoured squared edges, with a larger front-firing bass port
that spans the entire bottom of the speaker face. This rectangular cabinet design harks back to the original first-generation
ROKITs. The new model measures 11.22" x 7.48" x 9.49"
and weighs 10.69 lb. There is also a high density acoustic
iso-foam pad on the bottom to aid in decoupling the speaker
from its surface.
The ROKIT 5 G4 is a bi-amplified design with 55W of combined Class D power. It offers a frequency range of 43Hz-
40kHz and a maximum peak SPL level of 104dB. Past ROKIT
models offered separate input jacks for balanced XLR, 1/4",
and RCA inputs. The new models do away with RCA inputs,
and XLR and 1/4" are now handled via a single Neutrik Combo
input jack.
46 RECORDING June 2019
Digital controls
On the back of the cabinet, the new model offers similar
controls as past generations, but this time with more options
in digital form. Gone are the stepped multiple adjustment
knobs, replaced by a large LCD with a stepped, continuous
rotary encoder.
Here you can scroll through and select between preset low
and high EQ settings, boost or attenuate the output level, and
make system adjustments. These include LCD brightness, turning the front backlit logo on, off or dim, or engage / disengage the speaker's standby mode. This is an increasingly common feature on modern studio monitors that puts the speaker
to sleep when no signal is present and returns it to life when
signal hits the unit.
One product that has been advertised that will work with
the ROKIT G4 to aid with your room acoustics is the new KRK
Audio Tools App. According to KRK it is coming soon and
will work with G4 as well as V Series 4 and more. We will
make sure to give that a thorough review when it becomes
available later this year.
Recording - June 2019
Table of Contents for the Digital Edition of Recording - June 2019
Fade In
Fast Forward
Focal Trio11 Be
Eric Loomis—From live sound to Ivy Hall
Test Tones & Metering
Handy Hardware
Cool Controllers
Stellar Soundware
First Look: KRK Systems ROKIT 5 G4
Vance Powell on mixing The Raconteurs' Help Us Stranger
Steinberg Cubase 10
Plug-In Outlet: Puremagnetik Plug-ins
Lynx Studio Technology Aurora(n)
Studio 101. Part 17: Studio controllers
Readers’ Tracks
Fade Out
Recording - June 2019 - Intro
Recording - June 2019 - Cover1
Recording - June 2019 - Cover2
Recording - June 2019 - 1
Recording - June 2019 - 2
Recording - June 2019 - 3
Recording - June 2019 - Fade In
Recording - June 2019 - 5
Recording - June 2019 - 6
Recording - June 2019 - 7
Recording - June 2019 - Fast Forward
Recording - June 2019 - 9
Recording - June 2019 - 10
Recording - June 2019 - 11
Recording - June 2019 - Focal Trio11 Be
Recording - June 2019 - 13
Recording - June 2019 - 14
Recording - June 2019 - 15
Recording - June 2019 - Eric Loomis—From live sound to Ivy Hall
Recording - June 2019 - 17
Recording - June 2019 - 18
Recording - June 2019 - 19
Recording - June 2019 - 20
Recording - June 2019 - 21
Recording - June 2019 - 22
Recording - June 2019 - 23
Recording - June 2019 - Test Tones & Metering
Recording - June 2019 - 25
Recording - June 2019 - 26
Recording - June 2019 - 27
Recording - June 2019 - Handy Hardware
Recording - June 2019 - 29
Recording - June 2019 - 30
Recording - June 2019 - 31
Recording - June 2019 - 32
Recording - June 2019 - 33
Recording - June 2019 - Cool Controllers
Recording - June 2019 - 35
Recording - June 2019 - 36
Recording - June 2019 - 37
Recording - June 2019 - 38
Recording - June 2019 - 39
Recording - June 2019 - Stellar Soundware
Recording - June 2019 - 41
Recording - June 2019 - 42
Recording - June 2019 - 43
Recording - June 2019 - 44
Recording - June 2019 - 45
Recording - June 2019 - First Look: KRK Systems ROKIT 5 G4
Recording - June 2019 - 47
Recording - June 2019 - Vance Powell on mixing The Raconteurs' Help Us Stranger
Recording - June 2019 - 49
Recording - June 2019 - 50
Recording - June 2019 - 51
Recording - June 2019 - 52
Recording - June 2019 - 53
Recording - June 2019 - 54
Recording - June 2019 - 55
Recording - June 2019 - 56
Recording - June 2019 - 57
Recording - June 2019 - Steinberg Cubase 10
Recording - June 2019 - 59
Recording - June 2019 - Plug-In Outlet: Puremagnetik Plug-ins
Recording - June 2019 - 61
Recording - June 2019 - Lynx Studio Technology Aurora(n)
Recording - June 2019 - 63
Recording - June 2019 - Studio 101. Part 17: Studio controllers
Recording - June 2019 - 65
Recording - June 2019 - Readers’ Tracks
Recording - June 2019 - 67
Recording - June 2019 - 68
Recording - June 2019 - 69
Recording - June 2019 - 70
Recording - June 2019 - 71
Recording - June 2019 - Fade Out
Recording - June 2019 - Cover3
Recording - June 2019 - Cover4
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