Recording - July 2019 - 42
Records The Stray Cats
was right behind him. When we cut the
actual vocal we used a U 47.
Anything else?
We also used an AEA R88 stereo ribbon mic positioned out in front of Brian
to capture the room.
I know when you are not using tape,
you are a Pro Tools guy? Did you
track into Pro Tools?
I did.
As you were tracking to Pro Tools,
did you do any submixing or bussing
of the mics to single or group channels or tracks?
The kick drum mics and the snare
drum mics were both bussed to single
channels, but everything else was sent
to its own separate channel. One thing
I did do was to bus together Brian's two
guitar mics for the Bassman and the two
channels for the Supro to the same two
channels in Pro Tools. I would turn on
whichever amp he was using for the
take. This way, it was always the same
two microphone channels for Brian running into Pro Tools.
What about the four bass channels?
Did you bus those to a mono channel?
Again, the bass was complicated. I
captured everything separately on its
own track, and then we had to do a little
bit of "brainy" work after each session
to get things to line up. I'm not saying
that we would move or line up the tracks
in Pro Tools, but we did have to align
them in the mix; for that, we used the Little Labs IBP, which is an external phase
alignment box.
It took quite a bit of listening, because
you have a complex phase relationship
of two microphones on the instrument,
one microphone on the amp, a piezo
pickup through a DI, all trying to work
together in harmony with each other.
Also Jim likes to swap out different piezo
pickups on his bass, and some of them
would not be in phase with the amp.
42 RECORDING July 2019
For tracking you mentioned that you
went through a Neve console. Did
you track through any equalization
or compression?
So they were hearing it live mixed
back into their headphones while
they were tracking so they could
respond to it?
The kick and the snare both went
through UREI 1176s. For the microphones
on the bass, we used a Fairchild 670
compressor... that was nice! On the DI
we used a Teletronix LA-2A, and there's
no compression on the amp mic. There
was also no compression on the guitars.
On Brian's vocal takes the U 47 went
into a Neve 1073 microphone preamp
into a Chandler RS124 compressor that
I have. It's really awesome. [The RS124
is a recreation of the modified Altec
compressors used at Abbey Road in the
1960s-PV]
Yes, exactly. I put the bass through the
tape slap, especially the U 67 on the
top end of the strings where you hear
the sound of the slap, and a touch of the
low bass mic, a little bit of the kick drum,
a lot of the snare drum, a little bit of the
overheads. I also put a fair bit of tape
slap on the room mic.
Did the band do full takes until they
nailed it, or did you do any editing
of takes together for a master?
There was one song where we edited
a guitar solo in from another take, and
later in mixing I flew in some vocal edits
from different takes.
What about effects on the record?
We relied heavily on real tape echo,
again trying to capture the essence of
the Gene Vincent record.
Was the tape slap added as an effect
during mixdown?
No, that was done live during tracking. What I did was, I made a submix
off the board of select band instruments.
Then I took that and put it through one
side of a stereo 1/4" Studer B67 tape
machine, set to 15 ips. Then I took Brian's vocal and put it through the other
side of the tape machine. We just ran
that live constantly while they played. It
really informs the sound of the record.
Any other effects?
The only other effect, really, was from
Brian's guitar rig where he uses a Roland Space Echo. I did not put his guitar
through the tape slap. We let his guitar
sound be his guitar sound with the exception of what bled into the room mics.
So no added effects during mix down?
Back at my studio, I had to replace
some of the original slapback because
of some vocal edits. So I used my Ampex machine, no varispeed or anything,
I just also set it to15 ips and hit Record.
This may get a bit nerdy, but I recorded Brian's dry vocal and the tape slap
on his voice to a stereo track in Pro
Tools, panned in mono, and I used a
trim plug-in on the tape side for level. In
theory, I figured this would make it easy
when editing in other vocal takes; however it does not really work because
the echo of one take might not combine well with the dry vocal of another.
That's why I had to use my Ampex in
places to reprint the effect during mixdown. It sounds more complicated than
it was, but in reality I just needed to
replace and reprint the echo for about
six seconds at a time here and there.
No big deal!
PHOTO BY: SETH LULOFF
Vance Powell
Recording - July 2019
Table of Contents for the Digital Edition of Recording - July 2019
Fade In
Fast Forward
That One Mic: Electric Guitar
Christone "Kingfish" Ingram: Capturing the sound of blues guitar
IK Multimedia AXE I/O
IK Multimedia iRig Stomp I/O
BOSS Waza Craft CE-2W Chorus and DC-2W Dimension C
Lauten LS-308
Strymon Volante
Vance Powell - recording and mixing the Stray Cats latest album 40
PSI Audio A17-M
STL Tones STL Tonality–Howard Benson
LEWITT LCT 040 MATCH
Throwback To The Future
GFI System Clockwork Delay V3
Recording - July 2019 - Intro
Recording - July 2019 - Cover1
Recording - July 2019 - Cover2
Recording - July 2019 - 1
Recording - July 2019 - 2
Recording - July 2019 - 3
Recording - July 2019 - Fade In
Recording - July 2019 - 5
Recording - July 2019 - 6
Recording - July 2019 - 7
Recording - July 2019 - Fast Forward
Recording - July 2019 - 9
Recording - July 2019 - 10
Recording - July 2019 - 11
Recording - July 2019 - That One Mic: Electric Guitar
Recording - July 2019 - 13
Recording - July 2019 - 14
Recording - July 2019 - 15
Recording - July 2019 - Christone "Kingfish" Ingram: Capturing the sound of blues guitar
Recording - July 2019 - 17
Recording - July 2019 - 18
Recording - July 2019 - 19
Recording - July 2019 - 20
Recording - July 2019 - 21
Recording - July 2019 - IK Multimedia AXE I/O
Recording - July 2019 - 23
Recording - July 2019 - 24
Recording - July 2019 - 25
Recording - July 2019 - IK Multimedia iRig Stomp I/O
Recording - July 2019 - 27
Recording - July 2019 - 28
Recording - July 2019 - 29
Recording - July 2019 - 30
Recording - July 2019 - 31
Recording - July 2019 - 32
Recording - July 2019 - 33
Recording - July 2019 - BOSS Waza Craft CE-2W Chorus and DC-2W Dimension C
Recording - July 2019 - 35
Recording - July 2019 - Lauten LS-308
Recording - July 2019 - 37
Recording - July 2019 - Strymon Volante
Recording - July 2019 - 39
Recording - July 2019 - Vance Powell - recording and mixing the Stray Cats latest album 40
Recording - July 2019 - 41
Recording - July 2019 - 42
Recording - July 2019 - 43
Recording - July 2019 - PSI Audio A17-M
Recording - July 2019 - 45
Recording - July 2019 - 46
Recording - July 2019 - 47
Recording - July 2019 - STL Tones STL Tonality–Howard Benson
Recording - July 2019 - 49
Recording - July 2019 - 50
Recording - July 2019 - 51
Recording - July 2019 - 52
Recording - July 2019 - 53
Recording - July 2019 - 54
Recording - July 2019 - 55
Recording - July 2019 - 56
Recording - July 2019 - 57
Recording - July 2019 - 58
Recording - July 2019 - 59
Recording - July 2019 - Throwback To The Future
Recording - July 2019 - 61
Recording - July 2019 - 62
Recording - July 2019 - 63
Recording - July 2019 - 64
Recording - July 2019 - 65
Recording - July 2019 - 66
Recording - July 2019 - 67
Recording - July 2019 - 68
Recording - July 2019 - 69
Recording - July 2019 - LEWITT LCT 040 MATCH
Recording - July 2019 - 71
Recording - July 2019 - GFI System Clockwork Delay V3
Recording - July 2019 - Cover3
Recording - July 2019 - Cover4
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