Recording - November 2019 - 57

and punchy with that amp. For my
1980 Marshall 2203 head, the go-to
cabinet was the 4x12 classic stack -
it sounds just how I'm used to hearing
that amp, which is huge and powerful. What stands out to me with these
cabinet emulations is the clean representation. It doesn't sound like a digital
reproduction to my ears. The speakers
sound very honest, without being too
hyped or overstated.
The natural sound continues with the
mic modeling, which includes five options: dyn57, dyn421, cnd451, cnd87,
and flat. I enjoy the flat setting the most,
and that isn't a knock to any of the other models. It just seems to translate well
with the various speaker settings. My
favorite of the models is the cnd451. It
has a full bottom with a bright and open
top-end, making it well suited for cleaner
guitar tones. The dyn57 model is a bit
brighter than I would have expected, but
is quickly warmed up by adjusting the
mic position. Mic position ranges from
the center (of the cone) to 10cm off-center, and by distance from the speaker
(short, medium, long).
The room modeling can be set to anechoic, small room, or big room. I like
the anechoic setting for a tight sound,
while the small room setting adds a bit
of dimension. It helps to give more of
a real speaker-pushing-air feeling. The
big room setting sounds believable, and
adds a larger sense of space, especially
when listening on headphones.

GET CONTROL!

[OfflfDD
manufacturing

Final Thoughts

The Boss WAZA Tube Amp Expander
is an absolute beast. For such a deep
and complicated device, it is effortless
to use. The reactive load circuit is one
of the best I've used-it sounds incredibly smooth and full bodied even at the
lowest of volumes. The onboard effects
might be a bit underwhelming, but that
is more than made up for by the impressive speaker cabinet and microphone
modeling. I found that the speaker emulations in particular have a high level
of realism and depth. There isn't much
to nitpick here, so I won't try. The Tube
Amp Expander is an extremely powerful
tool for both stage and studio.
Price: $1299
More from: www.boss.info/us/
products/waza_tube_amp_expander/
RECORDING November 2019

57

www.clearsonic.com

inc


https://www.pearlmanmicrophones.com https://www.clearsonic.com http://www.boss.info/us/

Recording - November 2019

Table of Contents for the Digital Edition of Recording - November 2019

No label
Fade In
Fast Forward
ESI M4U eX and M8U eX USB 3.0 MIDI interfaces
Dynaudio Core 7 High-end Professional Reference Monitor
Mirek Stiles at Abbey Road Studios
Radial Catapult RX4, TX4 4-Channel Cat 5 Audio Snake / Catapult MINI
Reviewed and Revisited: ErgoLab Stealth Executive Audio Engineer Chair
Steinberg SpectraLayers Pro 6
Small Rooms, Big Sound, Part 3: Acoustic Treatments
Luke Audio AL-Y56 Tube Microphone System
Fishman TriplePlay Connect MIDI Guitar Pickup System
My UK Studio Field Trip
AKG K371 and K275 over-ear, closed-back, foldable studio headphones
Arturia AudioFuse 8Pre 8-channel USB-C Audio Interface
Film Scoring with Jason Soudah
JUMPERZ Complete Custom Connectivity Solutions
Mackie ProFX16v3 Professional Effects Mixer with USB
BOSS WAZA Tube Amp Expander
Studio 101/Part 20: Furnishing the Studio
Sonarworks Reference 4 Sound Calibration Software
Fade Out
Recording - November 2019 - No label
Recording - November 2019 - Cover1
Recording - November 2019 - Cover2
Recording - November 2019 - 1
Recording - November 2019 - 2
Recording - November 2019 - 3
Recording - November 2019 - Fade In
Recording - November 2019 - 5
Recording - November 2019 - 6
Recording - November 2019 - 7
Recording - November 2019 - Fast Forward
Recording - November 2019 - 9
Recording - November 2019 - 10
Recording - November 2019 - 11
Recording - November 2019 - ESI M4U eX and M8U eX USB 3.0 MIDI interfaces
Recording - November 2019 - 13
Recording - November 2019 - Dynaudio Core 7 High-end Professional Reference Monitor
Recording - November 2019 - 15
Recording - November 2019 - Mirek Stiles at Abbey Road Studios
Recording - November 2019 - 17
Recording - November 2019 - 18
Recording - November 2019 - 19
Recording - November 2019 - 20
Recording - November 2019 - 21
Recording - November 2019 - Radial Catapult RX4, TX4 4-Channel Cat 5 Audio Snake / Catapult MINI
Recording - November 2019 - 23
Recording - November 2019 - Reviewed and Revisited: ErgoLab Stealth Executive Audio Engineer Chair
Recording - November 2019 - 25
Recording - November 2019 - Steinberg SpectraLayers Pro 6
Recording - November 2019 - 27
Recording - November 2019 - 28
Recording - November 2019 - 29
Recording - November 2019 - Small Rooms, Big Sound, Part 3: Acoustic Treatments
Recording - November 2019 - 31
Recording - November 2019 - 32
Recording - November 2019 - 33
Recording - November 2019 - 34
Recording - November 2019 - 35
Recording - November 2019 - Luke Audio AL-Y56 Tube Microphone System
Recording - November 2019 - 37
Recording - November 2019 - Fishman TriplePlay Connect MIDI Guitar Pickup System
Recording - November 2019 - 39
Recording - November 2019 - My UK Studio Field Trip
Recording - November 2019 - 41
Recording - November 2019 - AKG K371 and K275 over-ear, closed-back, foldable studio headphones
Recording - November 2019 - 43
Recording - November 2019 - Arturia AudioFuse 8Pre 8-channel USB-C Audio Interface
Recording - November 2019 - 45
Recording - November 2019 - Film Scoring with Jason Soudah
Recording - November 2019 - 47
Recording - November 2019 - 48
Recording - November 2019 - 49
Recording - November 2019 - JUMPERZ Complete Custom Connectivity Solutions
Recording - November 2019 - 51
Recording - November 2019 - Mackie ProFX16v3 Professional Effects Mixer with USB
Recording - November 2019 - 53
Recording - November 2019 - BOSS WAZA Tube Amp Expander
Recording - November 2019 - 55
Recording - November 2019 - 56
Recording - November 2019 - 57
Recording - November 2019 - 58
Recording - November 2019 - 59
Recording - November 2019 - 60
Recording - November 2019 - 61
Recording - November 2019 - 62
Recording - November 2019 - 63
Recording - November 2019 - Studio 101/Part 20: Furnishing the Studio
Recording - November 2019 - 65
Recording - November 2019 - 66
Recording - November 2019 - 67
Recording - November 2019 - 68
Recording - November 2019 - 69
Recording - November 2019 - Sonarworks Reference 4 Sound Calibration Software
Recording - November 2019 - 71
Recording - November 2019 - Fade Out
Recording - November 2019 - Cover3
Recording - November 2019 - Cover4
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