Recording - November 2019 - 63

Continued from page 60
check CD Baby and see what you find.
Again, not evil...
No, it's just stuff that happens that you didn't really
read.
The next reason [number seven] your song got
used is, your mix was perfect, it was master-quality.
And a lot of people have been asking me about
that today. "You mean I don't have to master it?"
No, you do not have to spend the time and money
to have it mastered, but it needs to sound like a master and not a demo-master quality.

and twosies.... They don't have all the songs for you
to be able to play there, but they have the titles of
all of them, so you can go on to YouTube and find
the ones they don't post. You hear the vibe of the
show; most shows really do have a distinct feel to
them. Even The Young and the Restless, we have a
real vibe. So the tools that you need are there.
When I started this, we didn't have Tunefind, we
didn't have any way of finding out what the.... And
that famous phone call you would make to the
music supervisor, "What are you looking for?" that
they never want to hear from you again as long as
they live. The object is, now you guys have tools I
never had, and you can go up there and type in
whatever show you love-Grey's Anatomy, Blackish,
whatever-and see and hear what they've used.
You can see if that is something you can create, or

is that something that you have something similar
to? You know the tone of the show. You do have to
watch a lot of TV, I guess, and there is so much TV
now, I don't know how you're doing it.
But the object is to have your best foot forward. Go
to Tunefind, or go and watch the videos, because
they are using sometimes very current artists and
even artists you've probably never heard of. They
are signing the most obscure new artists. The label
is launching this guy now, and you might never
even have heard of him because they don't play
him on radio. You need to know what is current
and happening in music-even genres you might
not normally listen to!
Don't miss Part 2 of this interview in next month's
TAXI Insider!

You and I differ on the terminology for this, but it's the
same thing. Years ago, back when TAXI first started
doing film and TV, "master-quality" was a Michael
Jackson record-something done in a pro studio,
blah, blah. But film and TV stuff very often was not
something that would be done at Westlake Studios or
Record Plant or whatever. And I saw an ad for a Panasonic video camera, and it said "Broadcast Quality."
And I thought that's what it is; it's good enough for a
broadcast. So that's why TAXI started using the term
Broadcast Quality, and the industry picked up on it. If
it's cleanly recorded, has a well-balanced mix, and
sounds good enough, and they would be happy to put
it on their show, it's Broadcast Quality. Is that a fair
statement?
Exactly! So you want the sound to be the best that it
can be. But you don't necessarily have to go that
extra mile and have it mastered unless you're going
to make an album. So you know, it's a good thing.
Just do your best.
Number eight (reason your song got used): You
hired a great singer, or you are a great singer. And
this is so wonderful to give singers work, if you are
a wonderful singer, but sometimes I get songs that
could be really good, but the singer is terrible. You
may love to sing, but you might not be the greatest
singer in the world, or you might not even be the
best singer for your own song. And it's kind of fun
when you explore working with singers and what
they can bring to the party. A lot of you are wonderful singers and you should sing your own songs,
but sometimes there is somebody who could take it
to the next level because their emotional content or
their tone makes it come alive. So don't always be
in the studio thinking you only have you. There's a
room full of people who would love to sing and
help make your song even better.
Number nine (reason your song got used): You did
your homework about the show or the film, and
you know about-thank God-Tunefind, which I
find that so many people don't know about. So we
are here to say write it down: Tunefind.com. It's the
best thing you can do to research current TV
shows. You can go on there; they have these onesies
RECORDING November 2019

63


https://www.songuard.com http://www.Tunefind.com

Recording - November 2019

Table of Contents for the Digital Edition of Recording - November 2019

No label
Fade In
Fast Forward
ESI M4U eX and M8U eX USB 3.0 MIDI interfaces
Dynaudio Core 7 High-end Professional Reference Monitor
Mirek Stiles at Abbey Road Studios
Radial Catapult RX4, TX4 4-Channel Cat 5 Audio Snake / Catapult MINI
Reviewed and Revisited: ErgoLab Stealth Executive Audio Engineer Chair
Steinberg SpectraLayers Pro 6
Small Rooms, Big Sound, Part 3: Acoustic Treatments
Luke Audio AL-Y56 Tube Microphone System
Fishman TriplePlay Connect MIDI Guitar Pickup System
My UK Studio Field Trip
AKG K371 and K275 over-ear, closed-back, foldable studio headphones
Arturia AudioFuse 8Pre 8-channel USB-C Audio Interface
Film Scoring with Jason Soudah
JUMPERZ Complete Custom Connectivity Solutions
Mackie ProFX16v3 Professional Effects Mixer with USB
BOSS WAZA Tube Amp Expander
Studio 101/Part 20: Furnishing the Studio
Sonarworks Reference 4 Sound Calibration Software
Fade Out
Recording - November 2019 - No label
Recording - November 2019 - Cover1
Recording - November 2019 - Cover2
Recording - November 2019 - 1
Recording - November 2019 - 2
Recording - November 2019 - 3
Recording - November 2019 - Fade In
Recording - November 2019 - 5
Recording - November 2019 - 6
Recording - November 2019 - 7
Recording - November 2019 - Fast Forward
Recording - November 2019 - 9
Recording - November 2019 - 10
Recording - November 2019 - 11
Recording - November 2019 - ESI M4U eX and M8U eX USB 3.0 MIDI interfaces
Recording - November 2019 - 13
Recording - November 2019 - Dynaudio Core 7 High-end Professional Reference Monitor
Recording - November 2019 - 15
Recording - November 2019 - Mirek Stiles at Abbey Road Studios
Recording - November 2019 - 17
Recording - November 2019 - 18
Recording - November 2019 - 19
Recording - November 2019 - 20
Recording - November 2019 - 21
Recording - November 2019 - Radial Catapult RX4, TX4 4-Channel Cat 5 Audio Snake / Catapult MINI
Recording - November 2019 - 23
Recording - November 2019 - Reviewed and Revisited: ErgoLab Stealth Executive Audio Engineer Chair
Recording - November 2019 - 25
Recording - November 2019 - Steinberg SpectraLayers Pro 6
Recording - November 2019 - 27
Recording - November 2019 - 28
Recording - November 2019 - 29
Recording - November 2019 - Small Rooms, Big Sound, Part 3: Acoustic Treatments
Recording - November 2019 - 31
Recording - November 2019 - 32
Recording - November 2019 - 33
Recording - November 2019 - 34
Recording - November 2019 - 35
Recording - November 2019 - Luke Audio AL-Y56 Tube Microphone System
Recording - November 2019 - 37
Recording - November 2019 - Fishman TriplePlay Connect MIDI Guitar Pickup System
Recording - November 2019 - 39
Recording - November 2019 - My UK Studio Field Trip
Recording - November 2019 - 41
Recording - November 2019 - AKG K371 and K275 over-ear, closed-back, foldable studio headphones
Recording - November 2019 - 43
Recording - November 2019 - Arturia AudioFuse 8Pre 8-channel USB-C Audio Interface
Recording - November 2019 - 45
Recording - November 2019 - Film Scoring with Jason Soudah
Recording - November 2019 - 47
Recording - November 2019 - 48
Recording - November 2019 - 49
Recording - November 2019 - JUMPERZ Complete Custom Connectivity Solutions
Recording - November 2019 - 51
Recording - November 2019 - Mackie ProFX16v3 Professional Effects Mixer with USB
Recording - November 2019 - 53
Recording - November 2019 - BOSS WAZA Tube Amp Expander
Recording - November 2019 - 55
Recording - November 2019 - 56
Recording - November 2019 - 57
Recording - November 2019 - 58
Recording - November 2019 - 59
Recording - November 2019 - 60
Recording - November 2019 - 61
Recording - November 2019 - 62
Recording - November 2019 - 63
Recording - November 2019 - Studio 101/Part 20: Furnishing the Studio
Recording - November 2019 - 65
Recording - November 2019 - 66
Recording - November 2019 - 67
Recording - November 2019 - 68
Recording - November 2019 - 69
Recording - November 2019 - Sonarworks Reference 4 Sound Calibration Software
Recording - November 2019 - 71
Recording - November 2019 - Fade Out
Recording - November 2019 - Cover3
Recording - November 2019 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com