Recording - April 2020 - 4

publisher:

Thomas Hawley
Brent Heintz

associate publisher:

FadeIn
When I started to consider how to kick off the April issue of RECORDING, I
assumed I would wax poetic on what it means to be a singer/songwriter in the
21st century, with all the cool new tools and gear that songsmiths have at their
disposal. There's a ton of software and hardware that can help take the melodies
and lyrics in your mind and, with a few turns of a knob or clicks of a mouse, turn
those ideas into full-blown finished songs-many in this very issue.
As I started to collate and read through this issue however, I began to see
themes emerge that focus more on how we work rather than the things we work
with. Part of this realization started as I finished my book report on Musician's Survival Guide to a Killer Record, by engineer/author Eric Sarafin AKA Mixerman.
Whether you're a songwriter, composer, sound designer, or you fall into the
current catch-all of 'content creator', chances are good that you spend a lot of
time working on your own. That can be cathartic, creative, freeing, and fun. It also
carries with it several potential pitfalls, roadblocks, and other issues.
Author Joe Albano tackles these subjects head-on. In his monthly column, Inside the
Box, Joe addresses tools, techniques, and considerations for solo songwriters working
in the studio. Joe also authored this month's Fade Out, where he navigates tunnel vision,
going stir crazy, and other travails of working alone in today's do-it-yourself music world.
There's no better illustration of all of the above than in our interview with Maia
Sharp and Anna Schulze, who perform and release music as Roscoe & Etta. Despite a
20-year separation in age, bringing with it with differing musical backgrounds, working methods, and experiences, Maia and Anna are perfect examples of the modern,
professional singer/songwriter and what's possible through trust and collaboration.
If you want to talk DIY and work ethic, Maia and Anna also exhibit an incredible willingness to continually learn new skills-even the non-musical ones needed
to survive in today's musical marketplace. Before you read the interview, search
out their self-titled album  Roscoe & Etta, or its follow up EP,  Blessings, Curses,
Anchors & Wings, on your favorite streaming service. As you listen to the music,
realize that they recorded the music in their home studios, played most of the
instruments, and then Anna learned how to mix music as she mixed their albums!
Of course, this is RECORDING Magazine, and this month's issue is also filled with
copious amounts of gear. Maia and Anna talk about their gear and studio setups. You
can check out what your fellow readers are using in their studios in this issue's Readers'
Tracks with Marty Peters, and Mark Hornsby talks about the gear and techniques he
used to record singer/songwriter Jonatha Brooke. Of course, in addition to our book
report, we have a dozen product reviews in these pages as well. Rounding things out,
acoustician James Lindenschmidt talks about building a vocal booth, and there's more...
As I wrap this up, I think what I'm feeling,
after reading all these stories, articles, and
even reviews this month is inspired to make
music, and isn't that the point?
Enjoy the issue and be inspired!

Cover photo by Erick Anderson. Erick is a Nashvillebased music photographer whose work has graced
our pages for many years. He is a true talent and we
are grateful for his contributions. Check out more of
his work at www.eafoto.com.
4

RECORDING April 2020

EDITORIAL
Paul Vnuk Jr.
associate editor: Alex Hawley
copy editor: Mike Scheibinger
músico pro editor: Rodrigo O. Sánchez
editor:

CONTRIBUTORS
Joe Albano, Mark Hornsby, Bill Stunt,
James Lindenschmidt, John Czerwinski
SOCIAL MEDIA
Brent Heintz, Paul Vnuk Jr.
ART & PRODUCTION
Colin Courtney
production manager: Colin Courtney
art director:

PLAYBACK PLATINUM SERIES
Lorenz Rychner

editor/producer:

CIRCULATION
Tiffany Sepe

circulation manager:

ADVERTISING SALES AND MARKETING
director: Brent Heintz
classifieds manager: Colin Courtney
ADMINISTRATION
Thomas Hawley

accounts receivable:

EXECUTIVE OFFICERS
Thomas Hawley
vice president: Brent Heintz
president:

SUBSCRIPTIONS/ADDRESS CHANGES:
1-800-783-4903
ADVERTISING/CLASSIFIEDS:
(303) 516-9118
RECORDING MAGAZINE
(ISSN 1078-8352; USPS 002-298)
is published monthly, 12 times per year
CORPORATE OFFICE
Music Maker Publications, Inc.
5408 Idylwild Trail, Boulder, CO 80301-3523
Tel: (303) 516-9118
Email: info@recordingmag.com
EDITORIAL OFFICE
9069 S.13th Street, Oak Creek, WI 53154
Tel: (414) 745-7262
Email: paul@recordingmag.com
Periodicals Postage is paid at Boulder, CO and at additional
mailing offices. POSTMASTER: Send address changes to
RECORDING, Subscriber Services, P.O. Box 3000, Denville,
NJ 07834-3000. Tel: 1-800-783-4903, Fax: 1-973-627-5872.
Subscription rate: $23.97 per year. Distributed to the music
trade by Hal Leonard Corporation. All material is subject to
worldwide copyright protection, and reproduction or imitation
in whole or in part is ex-
pressly forbidden without written
consent from the publishers. All reasonable care is taken to
ensure accuracy in the preparation of the magazine, but Music
Maker Publications, Inc. cannot be held legally responsible for
its contents. The publishers cannot assume responsibility for the
return of unsolicited manuscripts, photographs or materials.
All trademarked names, whether indicated as such or not, are
owned by their respective companies.
Canada Post:  Publications Mail Agreement #41491032.
Canada Returns to be sent to Bleuchip International,
P.O. Box 25542, London, ON  N6C 6B2

© Copyright 2020 Music Maker Publications, Inc.
PRINTED IN THE U.S.A.


http://www.eafoto.com

Recording - April 2020

Table of Contents for the Digital Edition of Recording - April 2020

No label
Fade In
Fast Forward
TELEFUNKEN Elektroakustik Alchemy Series TF29 and TF39
Warm Audio BUS-COMP
Vocal Booths: Why they’re needed, when they should be avoided, and how to do them right
Reviewed and Revisited: Fishman Triple Play Connect— for Acoustic Guitar
RECORDING Book Report: Musician’s Survival Guide to a Killer Record: A Studio Field Manual by Mixerman
Roscoe & Etta
AKG Lyra Ultra-HD Multimode USB Microphone
Plugin Outlet: Waves Ovox Vocal ReSynthesis Plugin
EVO by Audient: EVO 4 USB Audio Interface
Inside the Studio with Mark Hornsby: Recording Jonatha Brooke
DPA 2028 Supercardioid Handheld Vocal Microphone
Shure MV88+ Video Kit
Plugin Outlet: Toontrack Songwriters Tools EZmix Pack
Inside the Box with Joe Albano
Plugin Outlet: Sonible smart:comp
Steinberg UR44C USB Audio Interface
Readers' Tracks
Fade Out: Tips for the ‘One Man Band’
Recording - April 2020 - No label
Recording - April 2020 - Cover1
Recording - April 2020 - Cover2
Recording - April 2020 - 1
Recording - April 2020 - 2
Recording - April 2020 - 3
Recording - April 2020 - Fade In
Recording - April 2020 - 5
Recording - April 2020 - 6
Recording - April 2020 - 7
Recording - April 2020 - Fast Forward
Recording - April 2020 - 9
Recording - April 2020 - 10
Recording - April 2020 - 11
Recording - April 2020 - TELEFUNKEN Elektroakustik Alchemy Series TF29 and TF39
Recording - April 2020 - 13
Recording - April 2020 - 14
Recording - April 2020 - 15
Recording - April 2020 - Warm Audio BUS-COMP
Recording - April 2020 - 17
Recording - April 2020 - 18
Recording - April 2020 - 19
Recording - April 2020 - Vocal Booths: Why they’re needed, when they should be avoided, and how to do them right
Recording - April 2020 - 21
Recording - April 2020 - 22
Recording - April 2020 - 23
Recording - April 2020 - Reviewed and Revisited: Fishman Triple Play Connect— for Acoustic Guitar
Recording - April 2020 - 25
Recording - April 2020 - RECORDING Book Report: Musician’s Survival Guide to a Killer Record: A Studio Field Manual by Mixerman
Recording - April 2020 - 27
Recording - April 2020 - Roscoe & Etta
Recording - April 2020 - 29
Recording - April 2020 - 30
Recording - April 2020 - 31
Recording - April 2020 - 32
Recording - April 2020 - 33
Recording - April 2020 - 34
Recording - April 2020 - 35
Recording - April 2020 - AKG Lyra Ultra-HD Multimode USB Microphone
Recording - April 2020 - 37
Recording - April 2020 - Plugin Outlet: Waves Ovox Vocal ReSynthesis Plugin
Recording - April 2020 - 39
Recording - April 2020 - EVO by Audient: EVO 4 USB Audio Interface
Recording - April 2020 - 41
Recording - April 2020 - Inside the Studio with Mark Hornsby: Recording Jonatha Brooke
Recording - April 2020 - 43
Recording - April 2020 - 44
Recording - April 2020 - 45
Recording - April 2020 - DPA 2028 Supercardioid Handheld Vocal Microphone
Recording - April 2020 - 47
Recording - April 2020 - Shure MV88+ Video Kit
Recording - April 2020 - 49
Recording - April 2020 - Plugin Outlet: Toontrack Songwriters Tools EZmix Pack
Recording - April 2020 - 51
Recording - April 2020 - Inside the Box with Joe Albano
Recording - April 2020 - 53
Recording - April 2020 - 54
Recording - April 2020 - 55
Recording - April 2020 - Plugin Outlet: Sonible smart:comp
Recording - April 2020 - 57
Recording - April 2020 - 58
Recording - April 2020 - 59
Recording - April 2020 - Steinberg UR44C USB Audio Interface
Recording - April 2020 - 61
Recording - April 2020 - 62
Recording - April 2020 - 63
Recording - April 2020 - Readers' Tracks
Recording - April 2020 - 65
Recording - April 2020 - 66
Recording - April 2020 - 67
Recording - April 2020 - 68
Recording - April 2020 - 69
Recording - April 2020 - 70
Recording - April 2020 - 71
Recording - April 2020 - Fade Out: Tips for the ‘One Man Band’
Recording - April 2020 - Cover3
Recording - April 2020 - Cover4
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