Recording - June 2020 - 63

Continued from page 60
Bob: Yeah, he had some great stuff. And that was
my first deal. Whoa! I called my son-because my
son and I write together-and he was sleeping,
and I said, "Wake him up and make him go out in
the hallway so he doesn't wake the baby." And [he
yells], "We got the first one! Yay, this is all great!"
And then that turned into a placement on Californication within the year. So then, OK, let's get the
blinders on-like what they put on the horses-
and let's stay on this path. Master your genre; know
your genre. I've done a number of mentor things
here at the Rally, and what do I hear quite
frequently? I do jazz, I do hip-hop, I do country, I
do this, I do that. And I think Michael did one of
the first videos I saw way back when in 2007. And
he asked what was the V-word was that you should
never say, variety or...?

It's amazing how many people join TAXI, send in a few
things, get discouraged, go online and complain
about it. "Oh, I didn't make my 300 bucks back," or
"The screeners don't know what they're doing." Obviously, the screeners do know what they are doing,
and the company works, because it's got thousands of
people who have made money. Maybe now, over all
these years, maybe over 10,000 people who have
made money-some that are making a lot of money.
So the system works. It's the same screeners, the same
listings, the same company, the same everything
ostensibly for every member, yet it works for some
and doesn't work for others. In my judgment, having
run this company for so long, it's the people who
come to the Road Rally, who go on the Forum, and
watch TAXI TV. If they put those three things
together, it's almost impossible to not have at least
some level of success. But if they isolate themselves

and just go, "Here's my music, and it's music that I
already had, and, yeah, it's got a bass part, and it says
something about a funky bass, so I'm sending it in. It
doesn't matter if it's the wrong genre."
Bob: On your thing of isolation, so many- especially starting composers-lock themselves in the
room, and that's their world. Like I said in my presentation today, "If you're the best in the room,
you're in the wrong room."
That's great.
Bob: Yeah, you want to always be being stretched
and being pushed and saying, "Wow, how did you
do that? How did you play that? Talk to me, I need
to learn how to do that."
Don't Miss Part Two of the Panel in next month's TAXI
Insider!

Versatility!
Bob: Versatility. You know, zero in. If your genre
is country, then master it. What's the old thing?
Ten-thousand hours? When people ask me what I
do, I'm very comfortable now saying, "I'm a composer, not just a musician." Not that there is
anything wrong with being a musician, but I'm a
composer. What do I play? Well, I play all the keys,
I play all the saxes, and I play my DAW. That is an
instrument in itself-learning your DAW, learning
your software, learning your plug-ins, learning how
to make the strings sound like strings. And when
you're writing for strings, or you're writing for
woodwinds... Now, I have the benefit of being a
classically trained oboist and all that, so I've sat in
the orchestra. I know what a viola sounds like-
scary sometimes. But then, when you hear that
your strings don't sound like strings, well, you've
never sat in an orchestra, dude. But learn how that
instrument is played. So many people, when they
take an instrument and they're doing a plug-in,
they would just play it like on a piano. But that's
not how the flute plays, that's not how the clarinet
would articulate, and you have to learn... I remember on the Forum... If you're not on the Forum,
newbies, get on the TAXI Forum. I can't say
enough about the Forum. The TAXI Forum.
The TAXI Forum. Forums.TAXI.com.
Bob: I've learned so much there, and met so many
incredible co-writers on the Forum. Go there and
learn. You'll put your music up, and you have to
have patience-we all know that-and thick skin.
You have to be able to take what comes at you, and
instead of being defensive, instead of trying to
defend your position-because it's probably
wrong-because the person who knows more than
you is trying to help you here, they're not trying to
hurt you. And learn from it. Learn from it. It's so
important!

RECORDING June 2020

63


http://Forums.TAXI.com http://www.recordingmag.com

Recording - June 2020

Table of Contents for the Digital Edition of Recording - June 2020

No label
Fade In
Reviewed & Revisited: Steinberg Cubase Pro 10.5
Soundware Showcase: EastWest Hollywood Pop Brass
First Look: Universal Audio LUNA
Forging the Exotic with Richard Devine
Plugin Outlet: Nugen Audio SEQ-S Linear Phase Spline EQ
Reviewed & Revisited: Pro Tools 2020
That One Effects Plugin, 2020 Edition: Reverb and Delay
Plugin Outlet: Arturia FX Collection
AMS Neve RMX16 500
Inside the Box with Joe Albano: The DAW: When Less Is More
Solid State Logic SSL 2+ USB Audio Interface
Reviewed & Revisited: RME Babyface Pro FS
Plugin Outlet: PIO: oeksound soothe 2 dynamic resonance suppressor
Inside the Studio with Mark Hornsby: Mixing Nick D’Virgilio’s new album, Invisible
Soundware Showcase: Spitfire Audio: Ólafur Arnalds Stratus
Plugin Outlet: Baby Audio Comeback Kid Delay Plugin
Merging Technologies MERGING+ANUBIS
Once Over: Joule JouleBar Compact Power Strip
Readers’ Tracks
Considering a Keyboard-Based Studio
Advertiser Index
Plugin Outlet: IK Multimedia Sunset Sound Studio Reverb
Fade Out: Favorite DAW? Pshaw! Why choose only one?
Recording - June 2020 - Intro
Recording - June 2020 - No label
Recording - June 2020 - Cover2
Recording - June 2020 - 1
Recording - June 2020 - 2
Recording - June 2020 - 3
Recording - June 2020 - Fade In
Recording - June 2020 - 5
Recording - June 2020 - 6
Recording - June 2020 - 7
Recording - June 2020 - Reviewed & Revisited: Steinberg Cubase Pro 10.5
Recording - June 2020 - 9
Recording - June 2020 - Soundware Showcase: EastWest Hollywood Pop Brass
Recording - June 2020 - 11
Recording - June 2020 - First Look: Universal Audio LUNA
Recording - June 2020 - 13
Recording - June 2020 - Forging the Exotic with Richard Devine
Recording - June 2020 - 15
Recording - June 2020 - 16
Recording - June 2020 - 17
Recording - June 2020 - 18
Recording - June 2020 - 19
Recording - June 2020 - Plugin Outlet: Nugen Audio SEQ-S Linear Phase Spline EQ
Recording - June 2020 - 21
Recording - June 2020 - Reviewed & Revisited: Pro Tools 2020
Recording - June 2020 - 23
Recording - June 2020 - That One Effects Plugin, 2020 Edition: Reverb and Delay
Recording - June 2020 - 25
Recording - June 2020 - 26
Recording - June 2020 - 27
Recording - June 2020 - 28
Recording - June 2020 - 29
Recording - June 2020 - Plugin Outlet: Arturia FX Collection
Recording - June 2020 - 31
Recording - June 2020 - 32
Recording - June 2020 - 33
Recording - June 2020 - AMS Neve RMX16 500
Recording - June 2020 - 35
Recording - June 2020 - Inside the Box with Joe Albano: The DAW: When Less Is More
Recording - June 2020 - 37
Recording - June 2020 - 38
Recording - June 2020 - 39
Recording - June 2020 - Solid State Logic SSL 2+ USB Audio Interface
Recording - June 2020 - 41
Recording - June 2020 - Reviewed & Revisited: RME Babyface Pro FS
Recording - June 2020 - 43
Recording - June 2020 - Plugin Outlet: PIO: oeksound soothe 2 dynamic resonance suppressor
Recording - June 2020 - 45
Recording - June 2020 - Inside the Studio with Mark Hornsby: Mixing Nick D’Virgilio’s new album, Invisible
Recording - June 2020 - 47
Recording - June 2020 - 48
Recording - June 2020 - 49
Recording - June 2020 - Soundware Showcase: Spitfire Audio: Ólafur Arnalds Stratus
Recording - June 2020 - 51
Recording - June 2020 - Plugin Outlet: Baby Audio Comeback Kid Delay Plugin
Recording - June 2020 - 53
Recording - June 2020 - Merging Technologies MERGING+ANUBIS
Recording - June 2020 - 55
Recording - June 2020 - Once Over: Joule JouleBar Compact Power Strip
Recording - June 2020 - 57
Recording - June 2020 - Readers’ Tracks
Recording - June 2020 - 59
Recording - June 2020 - 60
Recording - June 2020 - 61
Recording - June 2020 - 62
Recording - June 2020 - 63
Recording - June 2020 - Considering a Keyboard-Based Studio
Recording - June 2020 - 65
Recording - June 2020 - 66
Recording - June 2020 - 67
Recording - June 2020 - Advertiser Index
Recording - June 2020 - 69
Recording - June 2020 - Plugin Outlet: IK Multimedia Sunset Sound Studio Reverb
Recording - June 2020 - 71
Recording - June 2020 - Fade Out: Favorite DAW? Pshaw! Why choose only one?
Recording - June 2020 - Cover3
Recording - June 2020 - Cover4
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