Recording - October 2020 - 51
almost supercardioid-like off-axis rejection and, more importantly, an extreme
off-axis tonal neutrality.
Finally, the RE20 makes use of humbucking coils similar to a guitar pickup.
This design was first used in 1934 in the
EV1 microphone to eliminate EMF and
line hum in the mic. I attest that it works
quite well, and for a vintage dynamic design, the RE20 is pretty doggone quiet.
In use
While the obvious use of the RE20
is all things voice, its controlled, neutral, and focused sound has also been
a favorite in recording studios, on kick
drum, percussion, and bass cabinet.
Starting with voice, out of the box with
no EQ the RE20 instantly delivers a produced voiceover tonality that's clear, full,
and thanks to the mic's internal screening, darn near devoid of plosives. To be
clear, while the low end of the RE20 is
gently boosted, it isn't exaggerated. Unlike competing broadcast and podcast
mics, the RE20 doesn't give you that
big, chesty, booming radio announcer
voice. Rather, it has a clear, solid and focused vocal tonality that translates well
to video voiceovers, online interviews,
and on-air DJ duties.
On kick drum and bass, it's perfect
for a full, realistic representation of the
tone. However, it's not a sculpted kick
or bass mic that adds sub rumble and
beater punch. If you want a kick drum
or bass guitar that sits naturally in a mix
with great presence and clarity, this mic
is a perfect choice.
Compared to most other dynamic
mics, the tight off-axis response of the
RE20 makes it very focused-perfect for
rejecting the bleed of nearby instruments
or performers. Since proximity effect is
a non-issue, and due to its rejection, this
is a great mic for capturing vocalists
who simultaneously play an instrument.
It will easily reject the instrument's sound
when placed off-axis, be it piano, acoustic guitar, etc. Thanks to proximity being
a non-issue, it won't matter if the singer
moves closer to or farther from the mic
when playing their instrument-a win/
win all around.
The RE20 is often compared to the
other popular broadcast dynamic mic,
the Shure SM7B (reviewed on Page 34).
By comparison, I would call the SM7B a
tad more sonically colored and mid-focused than the RE20, with less lowend presence and less top-end air. The
SM7B also has a wider polar pattern,
making it the choice when you want a
touch more bleed in your recordings-
just a touch. They are very much yin to
the other's yang.
Conclusion
Of all of the classic mics reviewed in
this issue, the Electro-Voice RE20 is the
one I have had the least experience
with. After using it for voiceovers, vocals, kick drum, floor tom, 15" bass
cabinet and even acoustic guitar, I can
see why almost every studio needs at
least one of these in their collections-
I know I do.
Price: $399
More From: electrovoice.com
http://www.electrovoice.com
http://www.cloudmicrophones.com
Recording - October 2020
Table of Contents for the Digital Edition of Recording - October 2020
No label
Fade In
The tried and true—classic mics you can still count on!
Royer Labs: R-121 Studio Ribbon Microphone
Inside the Box with Joe Albano: Assembling a Plugin Locker
Neumann: KM 184 Small Diaphragm Condenser Microphone
Audio-Technica: AT4050 Multi-pattern Condenser Microphone
Talking Mics with Massy
AEA: R44CX Ribbon Microphone
DPA: 4006 and 4011 Small Diaphragm Condenser Microphones
Shure: SM7B Vocal Microphone
All Analog at Muscle Shoals: Recording Bless Your Heart by The Allman Betts Band
Electro-Voice: RE20 Dynamic Broadcast Microphone with Variable-D
AKG: C414 XLS Reference Multipattern Condenser Microphone
Sennheiser: MD 421-II Cardioid Dynamic Microphone
Inside the Studio with Mark Hornsby: Everything But the Mic
Oktava: MK-012 Pencil Condenser Microphone
TELEFUNKEN Elektroakustik: ELA M 251E Large Diaphragm Tube Microphone
Readers’ Tracks
Recording - October 2020 - No label
Recording - October 2020 - Cover1
Recording - October 2020 - Cover2
Recording - October 2020 - 1
Recording - October 2020 - 2
Recording - October 2020 - 3
Recording - October 2020 - Fade In
Recording - October 2020 - 5
Recording - October 2020 - 6
Recording - October 2020 - 7
Recording - October 2020 - The tried and true—classic mics you can still count on!
Recording - October 2020 - 9
Recording - October 2020 - 10
Recording - October 2020 - 11
Recording - October 2020 - Royer Labs: R-121 Studio Ribbon Microphone
Recording - October 2020 - 13
Recording - October 2020 - 14
Recording - October 2020 - 15
Recording - October 2020 - Inside the Box with Joe Albano: Assembling a Plugin Locker
Recording - October 2020 - 17
Recording - October 2020 - 18
Recording - October 2020 - 19
Recording - October 2020 - Neumann: KM 184 Small Diaphragm Condenser Microphone
Recording - October 2020 - 21
Recording - October 2020 - Audio-Technica: AT4050 Multi-pattern Condenser Microphone
Recording - October 2020 - 23
Recording - October 2020 - Talking Mics with Massy
Recording - October 2020 - 25
Recording - October 2020 - 26
Recording - October 2020 - 27
Recording - October 2020 - 28
Recording - October 2020 - 29
Recording - October 2020 - AEA: R44CX Ribbon Microphone
Recording - October 2020 - 31
Recording - October 2020 - DPA: 4006 and 4011 Small Diaphragm Condenser Microphones
Recording - October 2020 - 33
Recording - October 2020 - Shure: SM7B Vocal Microphone
Recording - October 2020 - 35
Recording - October 2020 - All Analog at Muscle Shoals: Recording Bless Your Heart by The Allman Betts Band
Recording - October 2020 - 37
Recording - October 2020 - 38
Recording - October 2020 - 39
Recording - October 2020 - 40
Recording - October 2020 - 41
Recording - October 2020 - 42
Recording - October 2020 - 43
Recording - October 2020 - 44
Recording - October 2020 - 45
Recording - October 2020 - 46
Recording - October 2020 - 47
Recording - October 2020 - 48
Recording - October 2020 - 49
Recording - October 2020 - Electro-Voice: RE20 Dynamic Broadcast Microphone with Variable-D
Recording - October 2020 - 51
Recording - October 2020 - AKG: C414 XLS Reference Multipattern Condenser Microphone
Recording - October 2020 - 53
Recording - October 2020 - Sennheiser: MD 421-II Cardioid Dynamic Microphone
Recording - October 2020 - 55
Recording - October 2020 - Inside the Studio with Mark Hornsby: Everything But the Mic
Recording - October 2020 - 57
Recording - October 2020 - Oktava: MK-012 Pencil Condenser Microphone
Recording - October 2020 - 59
Recording - October 2020 - TELEFUNKEN Elektroakustik: ELA M 251E Large Diaphragm Tube Microphone
Recording - October 2020 - 61
Recording - October 2020 - 62
Recording - October 2020 - Readers’ Tracks
Recording - October 2020 - 64
Recording - October 2020 - 65
Recording - October 2020 - 66
Recording - October 2020 - 67
Recording - October 2020 - 68
Recording - October 2020 - 69
Recording - October 2020 - 70
Recording - October 2020 - 71
Recording - October 2020 - 72
Recording - October 2020 - Cover3
Recording - October 2020 - Cover4
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