Recording - December 2020 - 41

Your guitar amp is set up
in your lounge. Where do
you put Jason's amp?
In the bathroom. We stuck a Princeton
in there, and Jason played through that,
and then we both used our live pedalboards. I use a Way Huge Camel Toe
overdrive and then a Line 6 DL4 delay
and a wah pedal.

How about reverb? Is that
spring reverb on the amps?
The amp I used doesn't have reverb,
and I don't think Jason used the reverb
on the Princeton, so if there's reverb
on it, Martin would have done that in
the mix.

How about the acoustic guitars
on 'Irish Girl' and 'Anna Lee'?
I think those were a D-45 Martin,
and Jason would have played a Gibson Hummingbird just to get different
tonalities, miked with a U 47 or an
AKG C12.

What was the hardest song to nail? 

Probably 'Wreckless Abandon' because I was playing a 12-string and
singing at the same time, and it's got a
lot of chords at the neck-kind of Keith
Richards chords. To play that live and
also sing a vocal at the same time required a lot of concentration. For most
of the stuff, we didn't play many takes.
We'd learn the song, get a balance,
then work out an arrangement, do one
or two passes, and we're done. 

When it came to mixing, did you
guys do rough mixes first?
Actually, every session is a mix in
progress. As we're working, we're listening back and making adjustments.
There's not much stuff to do once you
get a basic balance on four or five guys.
That would be the template, and Martin
would go in and tidy it up and make it
sound bigger.

Do you have a favorite
song on the album?
I like 'Wreckless Abandon'-the lyrics
and the bombast. It reminds me of a

'Street Fighting Man' type of song. And
lyrically, I like 'Irish Girl'- the words
were very inspired and poetic, which is
not my forte, but on that song I like the
way the words and story came out.

The songs I keep going
back to are 'Sugar' and 'Aw
Honey'. Straightforward rock,
and so damn catchy!
'Honey' was a warm-up. It was the
first thing we did and just kind of a goof.
I didn't think it was going to be on the
record, but at the end, George goes,
"There's your first song?" I said, "What
are you talking about? We're just warming up." He said, "No, it's got magic,
it's cool, it's funny and it's rocking."

The whole album is one of those
classic records that you want
to put on again and again!
Thanks, Paul. I appreciate that. 

Thanks, Mike. I hope to see
you guys on tour someday!
Me too!


http://www.cloudmicrophones.com

Recording - December 2020

Table of Contents for the Digital Edition of Recording - December 2020

No label
Fade In
Echo Fix EF-X2 Tape Echo
RECORDING Magazine Holiday Buyer's Guide
TELEFUNKEN Elektroakustik Alchemy Series TF11 FET
PreSonus ioStation 24c: 2x2 USB-C audio interface and production controller
Strymon NightSky Time-Warped Reverberator
Dirty Knobs, Scratchy Pots, and Dance Party Boogie-Woogie: Recording Wreckless Abandon.
Reviewed and Revisited: iZotope RX 8 Advanced Audio Restoration Suite
Warm Audio WA-87 R2 FET Condenser Microphone
Avid Pro Tools | Carbon Interface
Inside the Box with Joe Albano: Choosing an Interface
Advanced Audio CM47 LE
Bettermaker Mastering Limiter
TechZone Audio Products Stellar X2/X2 Vintage LDC Microphones
Readers' Tracks
Inside the Studio with Mark Hornsby: People Hear What They See
Plugin Outlet: BABY Audio Super VHS 1980s Lo-Fi Plugin
Recording - December 2020 - No label
Recording - December 2020 - Cover1
Recording - December 2020 - Cover2
Recording - December 2020 - 1
Recording - December 2020 - 2
Recording - December 2020 - 3
Recording - December 2020 - Fade In
Recording - December 2020 - 5
Recording - December 2020 - 6
Recording - December 2020 - 7
Recording - December 2020 - Echo Fix EF-X2 Tape Echo
Recording - December 2020 - 9
Recording - December 2020 - 10
Recording - December 2020 - 11
Recording - December 2020 - RECORDING Magazine Holiday Buyer's Guide
Recording - December 2020 - 13
Recording - December 2020 - 14
Recording - December 2020 - 15
Recording - December 2020 - 16
Recording - December 2020 - 17
Recording - December 2020 - 18
Recording - December 2020 - 19
Recording - December 2020 - 20
Recording - December 2020 - 21
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Recording - December 2020 - 23
Recording - December 2020 - 24
Recording - December 2020 - 25
Recording - December 2020 - 26
Recording - December 2020 - 27
Recording - December 2020 - 28
Recording - December 2020 - 29
Recording - December 2020 - TELEFUNKEN Elektroakustik Alchemy Series TF11 FET
Recording - December 2020 - 31
Recording - December 2020 - PreSonus ioStation 24c: 2x2 USB-C audio interface and production controller
Recording - December 2020 - 33
Recording - December 2020 - Strymon NightSky Time-Warped Reverberator
Recording - December 2020 - 35
Recording - December 2020 - Dirty Knobs, Scratchy Pots, and Dance Party Boogie-Woogie: Recording Wreckless Abandon.
Recording - December 2020 - 37
Recording - December 2020 - 38
Recording - December 2020 - 39
Recording - December 2020 - 40
Recording - December 2020 - 41
Recording - December 2020 - 42
Recording - December 2020 - 43
Recording - December 2020 - 44
Recording - December 2020 - 45
Recording - December 2020 - 46
Recording - December 2020 - 47
Recording - December 2020 - Reviewed and Revisited: iZotope RX 8 Advanced Audio Restoration Suite
Recording - December 2020 - 49
Recording - December 2020 - Warm Audio WA-87 R2 FET Condenser Microphone
Recording - December 2020 - 51
Recording - December 2020 - Avid Pro Tools | Carbon Interface
Recording - December 2020 - 53
Recording - December 2020 - Inside the Box with Joe Albano: Choosing an Interface
Recording - December 2020 - 55
Recording - December 2020 - Advanced Audio CM47 LE
Recording - December 2020 - 57
Recording - December 2020 - Bettermaker Mastering Limiter
Recording - December 2020 - 59
Recording - December 2020 - TechZone Audio Products Stellar X2/X2 Vintage LDC Microphones
Recording - December 2020 - 61
Recording - December 2020 - Readers' Tracks
Recording - December 2020 - 63
Recording - December 2020 - 64
Recording - December 2020 - 65
Recording - December 2020 - 66
Recording - December 2020 - 67
Recording - December 2020 - 68
Recording - December 2020 - 69
Recording - December 2020 - Inside the Studio with Mark Hornsby: People Hear What They See
Recording - December 2020 - 71
Recording - December 2020 - Plugin Outlet: BABY Audio Super VHS 1980s Lo-Fi Plugin
Recording - December 2020 - Cover3
Recording - December 2020 - Cover4
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