Recording - May 2020 - 42
CREATIVE MIKING TECHNIQUES I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I
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Stereo Snare and
Fun Room Miking Tips
By José Diogo Neves
Wide, warm, stereo snare drums and off-center room miking
Do you like stereo snares? I do!
I don't like to label microphones. Every microphone can record any instrument, any sound. There are no 'vocal microphones' or 'drum microphones', there are only microphones.
My philosophy is that the process of recording is an open
book, a white canvas. I'm always looking for a way to improve
my recordings by trying some crazy ideas-for example, recording stereo snares!
For this idea, I used a pair of my favorite microphones-Vanguard Audio Labs V1S
pencil condenser mics
(with LOLLI capsules)
on opposite sides of a
snare drum. I set them
to cardioid and recorded them through
two channels of a Trident Trimix Console.
Photo by: José Diogo Neves
For this technique, the
snare was recorded alone without the rest of the drum kit. I
placed the microphones fairly wide-about 50cm away from
the side of the drum (or about 20" apart, facing each other). Of
course, feel free to explore different distances. I didn't precisely
phase align the mics; instead, I used my ears playing with the
natural phasing and delay to create interesting sounds. In the
mix, I hard-panned the results to accomplish a massive stereo
sound. The reason I did this was that I was looking for an exaggerated wide-open snare sound to fit into a soulish/electronic
track-a sampled snare that still sounded natural and real.
42 RECORDING May 2020
I could have easily used a pre-recorded sample from the millions of drum sample companies out there, such as for example
from the good people at THAT SOUND, but there is great satisfaction in doing it yourself! That's the point of sound to me-to
explore, to continually try and look for other sonic options.
Get random
In my sessions, I often have my 'random microphones' (I
actually use another name for them, but let's go with this one)
ready to do crazy things. Sometimes I'll put a microphone
under the piano, not to capture the piano, but to capture its
resonances when used as a room microphone on my drum
tracks. Sometimes I'll place a microphone facing a wooden
box a couple of meters away from the drums for added dimension, or I'll aim a mic at a window facing away from the
source to capture unique reflections. Another trick I use is to
place a microphone in a different room next to where I'm
tracking, for example a storage room-I leave the door open,
so the sound of the instruments bleeds in and acts kind of like
an echo chamber.
Pick a versatile mic
For mic choice, I often grab the versatile Vanguard Audio
Labs V1S+LOLLI. This mic kit comes with a pair of V1 pencil
condenser mics along with five interchangeable capsules, my
favorite of which is the included large diaphragm multipattern LOLLI capsule. It's by far the best room microphone I've
ever used-why? It's so warm, which is generally my problem with many room microphone choices-lack of warmth,
Recording - May 2020
Table of Contents for the Digital Edition of Recording - May 2020
No label
Fade In
Fast Forward
That One Instrument Mic
Plugin Outlet: Chandler Limited Germanium Compressor by Softube
Incidents in The Sound Lab: Recording and Mixing The String Cheese Incident
Peluso P-28 Pencil Tube Condenser Microphone
Austrian Audio Hi-X55 Professional Over-Ear Headphones
Creative Miking Techniques for Flute, Snare, Piano, and more!
The Do’s and Don’ts of Flute Recording
Stereo Snare and Fun Room Miking Tips
Recording Piano Wrong
Plugin Outlet: Silo Soundlabs Trident EQ plugins
Inside the Studio with Mark Hornsby: miking and making Nick D’Virgilio’s
Samar Audio Design AL95 Passive Ribbon Microphone
Heiserman H47tube Microphone
Inside the Box with Joe Albano: Microphone and Preamp Modeling
Readers' Tracks
Plugin Outlet: Polyverse Comet
Recording - May 2020 - No label
Recording - May 2020 - Cover1
Recording - May 2020 - Cover2
Recording - May 2020 - 1
Recording - May 2020 - 2
Recording - May 2020 - 3
Recording - May 2020 - Fade In
Recording - May 2020 - 5
Recording - May 2020 - 6
Recording - May 2020 - 7
Recording - May 2020 - Fast Forward
Recording - May 2020 - 9
Recording - May 2020 - That One Instrument Mic
Recording - May 2020 - 11
Recording - May 2020 - 12
Recording - May 2020 - 13
Recording - May 2020 - 14
Recording - May 2020 - 15
Recording - May 2020 - 16
Recording - May 2020 - 17
Recording - May 2020 - 18
Recording - May 2020 - 19
Recording - May 2020 - Plugin Outlet: Chandler Limited Germanium Compressor by Softube
Recording - May 2020 - 21
Recording - May 2020 - 22
Recording - May 2020 - 23
Recording - May 2020 - Incidents in The Sound Lab: Recording and Mixing The String Cheese Incident
Recording - May 2020 - 25
Recording - May 2020 - 26
Recording - May 2020 - 27
Recording - May 2020 - 28
Recording - May 2020 - 29
Recording - May 2020 - 30
Recording - May 2020 - 31
Recording - May 2020 - 32
Recording - May 2020 - 33
Recording - May 2020 - Peluso P-28 Pencil Tube Condenser Microphone
Recording - May 2020 - 35
Recording - May 2020 - Austrian Audio Hi-X55 Professional Over-Ear Headphones
Recording - May 2020 - 37
Recording - May 2020 - Creative Miking Techniques for Flute, Snare, Piano, and more!
Recording - May 2020 - 39
Recording - May 2020 - The Do’s and Don’ts of Flute Recording
Recording - May 2020 - 41
Recording - May 2020 - Stereo Snare and Fun Room Miking Tips
Recording - May 2020 - 43
Recording - May 2020 - Recording Piano Wrong
Recording - May 2020 - 45
Recording - May 2020 - Plugin Outlet: Silo Soundlabs Trident EQ plugins
Recording - May 2020 - 47
Recording - May 2020 - Inside the Studio with Mark Hornsby: miking and making Nick D’Virgilio’s
Recording - May 2020 - 49
Recording - May 2020 - 50
Recording - May 2020 - 51
Recording - May 2020 - 52
Recording - May 2020 - 53
Recording - May 2020 - 54
Recording - May 2020 - 55
Recording - May 2020 - Samar Audio Design AL95 Passive Ribbon Microphone
Recording - May 2020 - 57
Recording - May 2020 - Heiserman H47tube Microphone
Recording - May 2020 - 59
Recording - May 2020 - Inside the Box with Joe Albano: Microphone and Preamp Modeling
Recording - May 2020 - 61
Recording - May 2020 - 62
Recording - May 2020 - 63
Recording - May 2020 - 64
Recording - May 2020 - 65
Recording - May 2020 - 66
Recording - May 2020 - 67
Recording - May 2020 - 68
Recording - May 2020 - 69
Recording - May 2020 - Readers' Tracks
Recording - May 2020 - 71
Recording - May 2020 - Plugin Outlet: Polyverse Comet
Recording - May 2020 - Cover3
Recording - May 2020 - Cover4
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