Recording - May 2020 - 53

THE

PELUSO P-414

VINTAGE TRIBUTE WITH

DPA mics at Abbey Road:

ITS BRASS CAPSULE IS AN EXTREMELY DURABLE

Decca Tree L: 4006 A with 50mm APE modifier
Decca Tree C: 4006 A with 50mm APE modifier
Decca Tree R: 4006 A with 50mm APE modifier
Violins, Violas, Double Bass: 4011 A Cardioid
Celli: 4015 A Wide Cardioid
Room Mics 1: (2) 4041
Room Mics 2: (2) 4006 A (nose cones attached)

MID- RANGE AND SHIMMERING HIGH- END AIR

AND VERSATILE MICROPHONE. THE DETAILED
PROVIDE AMAZING RESULTS ON VOCALS, PIANO,
GUITARS, AMPS, STRINGS, DRUMS, HORNS...
ANYWHERE YOU PUT IT, ANYWHERE YOU TAKE IT,
AN

PELUSO'S LDC MIC
FOR STAGE & STUDIO

P414

THE P-414 IS UP TO THE CHALLENGE.

Photo by Gabriel Antonini

The Orchestra: Back to Abbey Road

I've recorded several dozen projects in Studio 2 at Abbey Road and it's always a
joy to go back to that space. Not only because of the history behind the room, but the
phenomenal selection of musicians in London; there are about a dozen working orchestras in London proper. These musicians are accustomed to working in a recording
studio environment. Using all DPA microphones in this space was not only a first for
me, but also for the conductor and some of the engineers at the studio.
'Turn Your Life Around' features an eighteen-piece string section consisting of first
and second violins, violas, celli and double bass; we used a combination of direct,
room, and Decca Tree mics to record it. Direct: 4011 A mics on the violins, violas
and double bass; 4015 A Wide Cardioid mics on the celli. Room: a 4041 pair, and
a spaced pair of 4006 A mics with nose cones attached. On the Decca Tree, we
placed three DPA 4006 A mics with 50mm APE (Acoustic Pressure Equalizer) modules
attached; these optional DPA mic mods alter frequency response without producing
artifacts. Our APE mods provided us with a frequency response curve strikingly similar
to the (tamer) vintage Neumann M 49 and M 50 LDC mics used in orchestral sessions.
While I shouldn't be surprised, it's amazing to me how great everything sounded;
I heard things in that room that I've never heard before. From the bottom octave all
the way up to the top end clarity, using these mics in that space was like taking a
filter off a photograph and seeing it in full clarity for the first time.

COVID-19 Update:
We are open for Sales & Repair.
Special 10% REBATE offer on
purchases from US dealers through
May, details on our website!

Dual back plate brass capsule
Four polar patterns
Detailed mid-range
Shimmering high-end air
Ultra low self-noise for modern recording
Custom-wound transformer balanced output
Extremely durable all metal construction
Extended stem for quick easy mounting
10/20 dB pad & 75/150Hz high-pass lter
Handmade in USA

PELUSOMICROPHONELAB.COM

Peluso Microphone Lab
RECORDING May 2020

53


http://www.pelusomicrophonelab.com

Recording - May 2020

Table of Contents for the Digital Edition of Recording - May 2020

No label
Fade In
Fast Forward
That One Instrument Mic
Plugin Outlet: Chandler Limited Germanium Compressor by Softube
Incidents in The Sound Lab: Recording and Mixing The String Cheese Incident
Peluso P-28 Pencil Tube Condenser Microphone
Austrian Audio Hi-X55 Professional Over-Ear Headphones
Creative Miking Techniques for Flute, Snare, Piano, and more!
The Do’s and Don’ts of Flute Recording
Stereo Snare and Fun Room Miking Tips
Recording Piano Wrong
Plugin Outlet: Silo Soundlabs Trident EQ plugins
Inside the Studio with Mark Hornsby: miking and making Nick D’Virgilio’s
Samar Audio Design AL95 Passive Ribbon Microphone
Heiserman H47tube Microphone
Inside the Box with Joe Albano: Microphone and Preamp Modeling
Readers' Tracks
Plugin Outlet: Polyverse Comet
Recording - May 2020 - No label
Recording - May 2020 - Cover1
Recording - May 2020 - Cover2
Recording - May 2020 - 1
Recording - May 2020 - 2
Recording - May 2020 - 3
Recording - May 2020 - Fade In
Recording - May 2020 - 5
Recording - May 2020 - 6
Recording - May 2020 - 7
Recording - May 2020 - Fast Forward
Recording - May 2020 - 9
Recording - May 2020 - That One Instrument Mic
Recording - May 2020 - 11
Recording - May 2020 - 12
Recording - May 2020 - 13
Recording - May 2020 - 14
Recording - May 2020 - 15
Recording - May 2020 - 16
Recording - May 2020 - 17
Recording - May 2020 - 18
Recording - May 2020 - 19
Recording - May 2020 - Plugin Outlet: Chandler Limited Germanium Compressor by Softube
Recording - May 2020 - 21
Recording - May 2020 - 22
Recording - May 2020 - 23
Recording - May 2020 - Incidents in The Sound Lab: Recording and Mixing The String Cheese Incident
Recording - May 2020 - 25
Recording - May 2020 - 26
Recording - May 2020 - 27
Recording - May 2020 - 28
Recording - May 2020 - 29
Recording - May 2020 - 30
Recording - May 2020 - 31
Recording - May 2020 - 32
Recording - May 2020 - 33
Recording - May 2020 - Peluso P-28 Pencil Tube Condenser Microphone
Recording - May 2020 - 35
Recording - May 2020 - Austrian Audio Hi-X55 Professional Over-Ear Headphones
Recording - May 2020 - 37
Recording - May 2020 - Creative Miking Techniques for Flute, Snare, Piano, and more!
Recording - May 2020 - 39
Recording - May 2020 - The Do’s and Don’ts of Flute Recording
Recording - May 2020 - 41
Recording - May 2020 - Stereo Snare and Fun Room Miking Tips
Recording - May 2020 - 43
Recording - May 2020 - Recording Piano Wrong
Recording - May 2020 - 45
Recording - May 2020 - Plugin Outlet: Silo Soundlabs Trident EQ plugins
Recording - May 2020 - 47
Recording - May 2020 - Inside the Studio with Mark Hornsby: miking and making Nick D’Virgilio’s
Recording - May 2020 - 49
Recording - May 2020 - 50
Recording - May 2020 - 51
Recording - May 2020 - 52
Recording - May 2020 - 53
Recording - May 2020 - 54
Recording - May 2020 - 55
Recording - May 2020 - Samar Audio Design AL95 Passive Ribbon Microphone
Recording - May 2020 - 57
Recording - May 2020 - Heiserman H47tube Microphone
Recording - May 2020 - 59
Recording - May 2020 - Inside the Box with Joe Albano: Microphone and Preamp Modeling
Recording - May 2020 - 61
Recording - May 2020 - 62
Recording - May 2020 - 63
Recording - May 2020 - 64
Recording - May 2020 - 65
Recording - May 2020 - 66
Recording - May 2020 - 67
Recording - May 2020 - 68
Recording - May 2020 - 69
Recording - May 2020 - Readers' Tracks
Recording - May 2020 - 71
Recording - May 2020 - Plugin Outlet: Polyverse Comet
Recording - May 2020 - Cover3
Recording - May 2020 - Cover4
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