Recording - March 2021 - 51

THE P-47 SS'S WIDE DYNAMIC RANGE IS AS CAPABLE OF
CAPTURING SUBTLE INTRICATE DETAIL AS IT IS A CRISP
LOUD KICK DRUM. ITS QUICK DETAILED TRANSIENT
RESPONSE IS EXCELLENT FOR GUITAR AND VOCAL WORK.
ITS LOW-CUT FILTER TEMPERS PROXIMITY EFFECT WHEN
CLOSE MICING. THE P-47 SS WILL BE A RICH DETAILED

Photo by Marc Urselli

EastSide Sound
(Hal Willner mixing)
Photo by Marc Urselli

Other sessions
My New York studio, EastSide Sound, 
has six iso booths and a live room. Still,
I'm no stranger there to room sound,
leakage and bleed. Once, when working on some Sam Cooke tracks that had
been recorded on 2-track (one mic for
the vocal and one for the orchestra),
even though we re-recorded the backing tracks, it was impossible to get rid
of the horn leakage on the original vocal track, so we ended up adding some
horns on the re-recording sessions. At recent sessions at Abbey Road Studio 2 in
London, I recorded a band with drums,
upright piano, vocals and a violin, all in
the same room. Even when completely
muting the room mics and any mics not
being used at any given time, the sound

of that huge 'Beatles room' in the vocals
and violin mics is so big that you can't
get rid of it. You can only reduce it, play
with it and use it to your advantage. You
accept it as a part of the recording, as a
character or band member.

Leakage
Leakage also becomes a hurdle when
it comes time to deliver instrumental tracks
to the label. A few tracks on AngelHeaded Hipster were recorded with live vocals
in the room (Jesse Harris, Maria McKee).
When it came time to deliver instrumental tracks, I explained to the label that it
wasn't possible to do so for those songs.
For Nick Cave's single, I had to piece together an instrumental using parts of the
song where he doesn't sing.
RECORDING March 2021

51

INTRODUCING THE NEW
PELUSO P47 SOLID STATE

Sunset Sound

(guitars, percusssion, horns,
and drums in the live room)

P47 SS

ADDITION TO YOUR MICROPHONE LOCKER.

P-47 SS

Low self-noise for modern recording
Handles very high SPL for loud sources
Cardioid, omni, & bi-directional patterns
Low-cut lter to temper proximity eﬀect
0, -10, -20 dB pad for additional headroom
Quick transient response for detailed capture
Custom-wound transformer balanced output
Excellent on drums, horns, vocals or strings
Extremely durable all metal construction
Handmade in USA

PELUSOMICROPHONELAB.COM

Peluso Microphone Lab

http://www.pelusomicrophonelab.com

Recording - March 2021

Table of Contents for the Digital Edition of Recording - March 2021

Fade In
Fast Forward
Neumann KH 750 DSP + MA 1 Monitor Alignment Microphone and Calibration System
Inside the Box with Joe Albano: Monitor Controllers
KRK ROKIT 7 G4 White Noise Monitor and S8.4 Studio Subwoofer
Sons of the past, brothers of the future: In the studio with Hearty Har
Ocean Way Audio HR5 Powered Studio Monitor
Inside the Studio with Mark Hornsby: Demystifying Acoustics
RME ADI-2 DAC FS Ultra-Fidelity PCM/DSD 768 kHz DA Converter
A Family of Headphones Compared: The Audio-Technica ATH-Mx Series
Mackie CR3-X Creative Reference Multimedia Monitors
Session Log: The AngelHeaded Hipster Part 3: Leakage, Instrumentals, Stems, Monitoring
Cranborne Audio Camden EC1 Preamp, Signal Processor & Headphone Amplifier
Swiss Army Recording Rooms: Acoustic treatments for multipurpose studio spaces
SPL Marc One Monitoring and Recording Controller
Eventide H9000 Next Generation Harmonizer (Part One)
Fade Out: It’s All About The Room
Recording - March 2021 - Intro
Recording - March 2021 - Cover1
Recording - March 2021 - Cover2
Recording - March 2021 - 1
Recording - March 2021 - 2
Recording - March 2021 - 3
Recording - March 2021 - Fade In
Recording - March 2021 - 5
Recording - March 2021 - 6
Recording - March 2021 - 7
Recording - March 2021 - Fast Forward
Recording - March 2021 - 9
Recording - March 2021 - Neumann KH 750 DSP + MA 1 Monitor Alignment Microphone and Calibration System
Recording - March 2021 - 11
Recording - March 2021 - 12
Recording - March 2021 - 13
Recording - March 2021 - Inside the Box with Joe Albano: Monitor Controllers
Recording - March 2021 - 15
Recording - March 2021 - 16
Recording - March 2021 - 17
Recording - March 2021 - 18
Recording - March 2021 - 19
Recording - March 2021 - KRK ROKIT 7 G4 White Noise Monitor and S8.4 Studio Subwoofer
Recording - March 2021 - 21
Recording - March 2021 - 22
Recording - March 2021 - 23
Recording - March 2021 - Sons of the past, brothers of the future: In the studio with Hearty Har
Recording - March 2021 - 25
Recording - March 2021 - 26
Recording - March 2021 - 27
Recording - March 2021 - 28
Recording - March 2021 - 29
Recording - March 2021 - 30
Recording - March 2021 - 31
Recording - March 2021 - 32
Recording - March 2021 - 33
Recording - March 2021 - Ocean Way Audio HR5 Powered Studio Monitor
Recording - March 2021 - 35
Recording - March 2021 - Inside the Studio with Mark Hornsby: Demystifying Acoustics
Recording - March 2021 - 37
Recording - March 2021 - 38
Recording - March 2021 - 39
Recording - March 2021 - RME ADI-2 DAC FS Ultra-Fidelity PCM/DSD 768 kHz DA Converter
Recording - March 2021 - 41
Recording - March 2021 - A Family of Headphones Compared: The Audio-Technica ATH-Mx Series
Recording - March 2021 - 43
Recording - March 2021 - 44
Recording - March 2021 - 45
Recording - March 2021 - 46
Recording - March 2021 - 47
Recording - March 2021 - Mackie CR3-X Creative Reference Multimedia Monitors
Recording - March 2021 - 49
Recording - March 2021 - Session Log: The AngelHeaded Hipster Part 3: Leakage, Instrumentals, Stems, Monitoring
Recording - March 2021 - 51
Recording - March 2021 - 52
Recording - March 2021 - 53
Recording - March 2021 - Cranborne Audio Camden EC1 Preamp, Signal Processor & Headphone Amplifier
Recording - March 2021 - 55
Recording - March 2021 - 56
Recording - March 2021 - 57
Recording - March 2021 - Swiss Army Recording Rooms: Acoustic treatments for multipurpose studio spaces
Recording - March 2021 - 59
Recording - March 2021 - SPL Marc One Monitoring and Recording Controller
Recording - March 2021 - 61
Recording - March 2021 - Eventide H9000 Next Generation Harmonizer (Part One)
Recording - March 2021 - 63
Recording - March 2021 - 64
Recording - March 2021 - 65
Recording - March 2021 - 66
Recording - March 2021 - 67
Recording - March 2021 - 68
Recording - March 2021 - 69
Recording - March 2021 - 70
Recording - March 2021 - 71
Recording - March 2021 - Fade Out: It’s All About The Room
Recording - March 2021 - Cover3
Recording - March 2021 - Cover4
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