Recording - June 2021 - 23

in real time and bring in sequences.
After that, I grab the laptop, go into the
living room, relax, and just listen to see
what's working, and then I go into more
of a forensic mode and chop things up
and move them around.

One of the coolest elements
of the album is the voices.
Some of it sounds like
distant poetry or even a
made-up language.

In some cases, it is a made-up language. Lisen Rylander Love, who's from
Sweden, sings vocals that are not in
an actual language. It's kind of like the
French progressive rock band Magma
[Richard proceeds to show off the Magma t-shirt he's wearing] who sing in their
own made-up language using vowels
and vocal sounds to create rhythms and
emotions, and it's fantastic. Lisa would
do things like that. Then there's Sophie
Worthen from America who sends poetry, and I take it and slow her voice
down and give it a David Lynch, Twin
Peaks eerie kind of feel. Then I chop the
words so that it doesn't make sense, but
it creates an interesting kind of vibe.
Something that's always interested me in
music is hearing mysterious things that
I can't always make out. And I didn't
want someone imposing their lyrics on
the tracks; I wanted the songs to be
about what I wanted them to be about.

Your wife Suzanne sings on
the track, 'Lucid'.

Yes, she's singing the big block harmonies alongside some other voices singing
words that I chopped up and rearranged.

Did you record her vocals
for that song?

They're her vocals that she recorded herself for other projects, and I took them and
again placed them in a different context.

I notice there are
engineers listed
album. Did you
mixing, or did
else?

multiple
on the
do the
someone

Stefano Quarta and Mats Johanson
are the engineers who tracked the remote sessions with the acoustic instruments. They have great mics and the
best outboard gear, and they captured
some of the best recorded performances

on the album. I engineered the rest, and
I mix as I go along. There's no mixing
process. At every stage of the recording,
I'm mixing it as I find the right balance
and places for things. When a song is
complete, there's no mix-rather, it's
what we've arrived at.

Do you mix into any
final master bus EQ or
compression?

I use compression on various elements, but I don't work with any general
or global compression or dynamics processing. If you have confidence in your
mastering engineer, which I do with Lee
Fletcher, that's the best way of working.

What song came together
the easiest?

I think it was the one you mentioned
with the CR-78 sound, 'Darkness Will
Find You'. We used the CR-78 a lot with
Japan. I've been after one for years, but
they're really expensive now. I've always
loved working with old rhythm machines,
so I programed something with that flavor. Then that song is basically just four
chords, and each time it cycles around,
another chord is added. It gives the effect of changing the key, but it's not. It
has deep emotional textures with multiple
layers of Prophet 5 with distortion, and
it just keeps building, and you can feel
your heart start to race as it builds. Many
people have told me it's their favorite
track on the album, and I probably did
the whole thing in a couple of hours.

Is there anything you miss
about those early studio
sessions and early synths? 

What I miss in the current situation
is being in nice studios with other musicians. I miss that social aspect of the
music, and trying out ideas instantly with
other people. On the technical side, what
we were using back then was just the
technology of the day. We had Prophets,
and Oberheim gear, and Roland gear,
and all these other fantastic new synths,
but we didn't feel any love toward them,
and we weren't all that careful with them.
It was just a piece of gear to help me
get what I want. Now, of course I feel
nostalgic about it, and I wish I had every
single thing I owned in the old days, but
it takes the passage of time before we
realize what we're missing.
RECORDING June 2021

23

RB GEAR
ON ALBUM
Richard Barbieri uses the
following synthesisers -
Roland System 700 Laboratory Series
Sequential Circuits Prophet 5
Moog Micromoog
Yamaha CS01
Roland SE-02
Dreadbox Medusa / Polyend Hybrid
Dreadbox NYX
Nord Lead A1
Access Virus Indigo 2
Roland V Synth

FX units & Sequencers

Strymon Blue Sky Reverb
Cathedral Reverb
Red Panda Tensor
TC Flashback Delay
Line 6 M8 multi fx
Boss RC-505 Loopstation
Arturia BeatStep Pro
Doepfer Dark Time step sequencer

Software

DAW - Reason 10
Arturia Instruments
Interface - MOTU Ultralite 3

Monitors

Yamaha NS10

BeatStep analog
sequencing and Strymon
and TC Electronic pedals



Recording - June 2021

Table of Contents for the Digital Edition of Recording - June 2021

Fade In
Fast Forward
Plugin Outlet: Accusonus ERA 5 Pro Bundle
Arturia KeyStep 37
Soundware Showcase: Spitfire Audio Originals Mrs Mills Piano
Richard Barbieri: Living under a spell: interpreting dreams through texture
Erica Synths: SYNTRX Analog Synthesizer
Moog Sound Studio: Mother-32 & DFAM Analog Synthesis Experience
Patch & Tweak with Moog from Bjooks
Plugin Outlet: NUGEN Stereoizer Elements
Inside the Studio with Mark Hornsby: A little summin, summin!
Eventide: H9000 Next Generation Harmonizer (Part 2)
Reviewed & Revisited: Steinberg Cubase Pro 11
Radial Engineering: EXTC Stereo
Inside the Box with Joe Albano: Working In Multiple DAWs
Reviewed and Revisited: PreSonus Studio One 5.2
Plugin Outlet: Focusrite FAST Plugins
Session Log: The Angelheaded Hipster, Part 6: Plugins
Plugin Outlet: BOOM Library EnRage
Reviewed and Revisited: Modarrt Pianoteq 7
Readers' Tracks
Reviewed and Revisited: Ableton Live 11
Plugin Outlet: Waves Vocal Bender
Fade Out: Spaceship Syndrome
Recording - June 2021 - Intro
Recording - June 2021 - Cover1
Recording - June 2021 - Cover2
Recording - June 2021 - 1
Recording - June 2021 - 2
Recording - June 2021 - 3
Recording - June 2021 - Fade In
Recording - June 2021 - 5
Recording - June 2021 - 6
Recording - June 2021 - 7
Recording - June 2021 - Fast Forward
Recording - June 2021 - 9
Recording - June 2021 - Plugin Outlet: Accusonus ERA 5 Pro Bundle
Recording - June 2021 - 11
Recording - June 2021 - 12
Recording - June 2021 - 13
Recording - June 2021 - Arturia KeyStep 37
Recording - June 2021 - 15
Recording - June 2021 - Soundware Showcase: Spitfire Audio Originals Mrs Mills Piano
Recording - June 2021 - 17
Recording - June 2021 - Richard Barbieri: Living under a spell: interpreting dreams through texture
Recording - June 2021 - 19
Recording - June 2021 - 20
Recording - June 2021 - 21
Recording - June 2021 - 22
Recording - June 2021 - 23
Recording - June 2021 - 24
Recording - June 2021 - 25
Recording - June 2021 - Erica Synths: SYNTRX Analog Synthesizer
Recording - June 2021 - 27
Recording - June 2021 - Moog Sound Studio: Mother-32 & DFAM Analog Synthesis Experience
Recording - June 2021 - 29
Recording - June 2021 - Patch & Tweak with Moog from Bjooks
Recording - June 2021 - 31
Recording - June 2021 - Plugin Outlet: NUGEN Stereoizer Elements
Recording - June 2021 - 33
Recording - June 2021 - Inside the Studio with Mark Hornsby: A little summin, summin!
Recording - June 2021 - 35
Recording - June 2021 - Eventide: H9000 Next Generation Harmonizer (Part 2)
Recording - June 2021 - 37
Recording - June 2021 - Reviewed & Revisited: Steinberg Cubase Pro 11
Recording - June 2021 - 39
Recording - June 2021 - 40
Recording - June 2021 - 41
Recording - June 2021 - Radial Engineering: EXTC Stereo
Recording - June 2021 - 43
Recording - June 2021 - Inside the Box with Joe Albano: Working In Multiple DAWs
Recording - June 2021 - 45
Recording - June 2021 - 46
Recording - June 2021 - 47
Recording - June 2021 - Reviewed and Revisited: PreSonus Studio One 5.2
Recording - June 2021 - 49
Recording - June 2021 - Plugin Outlet: Focusrite FAST Plugins
Recording - June 2021 - 51
Recording - June 2021 - Session Log: The Angelheaded Hipster, Part 6: Plugins
Recording - June 2021 - 53
Recording - June 2021 - 54
Recording - June 2021 - 55
Recording - June 2021 - Plugin Outlet: BOOM Library EnRage
Recording - June 2021 - 57
Recording - June 2021 - Reviewed and Revisited: Modarrt Pianoteq 7
Recording - June 2021 - 59
Recording - June 2021 - Readers' Tracks
Recording - June 2021 - 61
Recording - June 2021 - 62
Recording - June 2021 - 63
Recording - June 2021 - 64
Recording - June 2021 - 65
Recording - June 2021 - Reviewed and Revisited: Ableton Live 11
Recording - June 2021 - 67
Recording - June 2021 - Plugin Outlet: Waves Vocal Bender
Recording - June 2021 - 69
Recording - June 2021 - 70
Recording - June 2021 - 71
Recording - June 2021 - Fade Out: Spaceship Syndrome
Recording - June 2021 - Cover3
Recording - June 2021 - Cover4
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