Recording - June 2021 - 35
Batter Up
I've worked on a lot of Neve consoles. The 80 series
is typically the preferred pedigree. I like mixing on
them, these days much more as a summing mixer
with some mild EQ. Why? Recall. Clients have no
patience these days and they want mixes fast. Line
up the faders, run a tone through all the channels to
calibrate, recall the mix and print-pretty straightforward. Typically, I have the drums bussed out to
two channels (sometimes separating out the kick
and snare), the bass running to one or two faders,
followed by stereo pairs of electrics, acoustics, solos,
piano, keys, lead vocals, background vocals and FX
sends. So, reasonably I'm running around 20 to 24
faders. I have my mix rack inserted on the stereo
bus, and this gets printed back to the computer.
For this challenge, I pulled up a track from Marcus
Scott's solo album Back 2 Da Soul. [Check out the August 2020 issue for Mark's in-depth look at recording
this album] Originally this was recorded and mixed
using Pro Tools HDX. I exported the files and imported them into LUNA as follows: drums (separated out),
percussion, bass (DI and amp), electric guitars, horns
(separated out) piano, organ, lead vocal and several
tracks of choir-style background vocals. I then did a
quick remix of the song using a lot of the same plugins
that I used on the original mix, such as the UAD Neve
1073 emulation. Next, I bussed the tracks out to a
Neve 8078 console and printed the mix back to LUNA
using Apollo 8p interfaces. Finally, I did the same bussing within LUNA using the new Neve summing feature on the same busses as follows: drums, perc, bass,
guitars, piano, organ, horns, lead vocal, and background vocals, and printed that mix back into LUNA
as well. Once I got to the Neve/Neve emulation stage
of things, I didn't tweak the mixes.
So...how did it sound? Well, I've played the files
for about a half dozen friends and engineers. The reaction has been very interesting. For the most part-
tell you what: head over to recordingmag.com/
inside-the-studio, download the files and decide for
yourself. I think you'll be glad you did.
To sum it up
I recently watched a video where an engineer mixed
a song in Logic, then printed the stems and dropped
them into another platform to show how that software
compared on a given mix. I believe this approach is
flawed. Let's back up: If you've worked on at least a
handful of projects, then you probably have an idea of
what you like to hear in a mix. Some people like a big
thick bottom end, some people like a real slick, polished
sound, some people like a very transparent texture, and
the list goes on and on. That said, if I sit down to mix
a song, be it on a console, in a DAW, on an island...
whatever the case, I will subconsciously make a lot of
mix decisions based on my own personal preferences.
Therefore, if I mix a song from scratch on a Neve and
then come back the next day and mix the same song on
an SSL, they're both going to sound like my mixes (I hope). If you really want
to A/B two mixing platforms in an effort to see what they're doing sonically to
a set of files, print some rough mixes without a whole bunch of predetermined
processing and run those through the chosen platforms. In my opinion, this is a
simple way to see what a given product, software or workflow is really adding
to or taking away from your mix. See you next time...
Mark Hornsby is an award-winning music producer and audio engineer.
He is co-founder and president of EchoXS Entertainment, LLC, a company
dedicated to providing artists with creative solutions by some of the best
people in the business.
markhornsby.com
echoxs.com
RECORDING June 2021
35
https://www.recordingmag.com/inside-the-studio
https://www.recordingmag.com/inside-the-studio
http://www.markhornsby.com
http://www.echoxs.com
Recording - June 2021
Table of Contents for the Digital Edition of Recording - June 2021
Fade In
Fast Forward
Plugin Outlet: Accusonus ERA 5 Pro Bundle
Arturia KeyStep 37
Soundware Showcase: Spitfire Audio Originals Mrs Mills Piano
Richard Barbieri: Living under a spell: interpreting dreams through texture
Erica Synths: SYNTRX Analog Synthesizer
Moog Sound Studio: Mother-32 & DFAM Analog Synthesis Experience
Patch & Tweak with Moog from Bjooks
Plugin Outlet: NUGEN Stereoizer Elements
Inside the Studio with Mark Hornsby: A little summin, summin!
Eventide: H9000 Next Generation Harmonizer (Part 2)
Reviewed & Revisited: Steinberg Cubase Pro 11
Radial Engineering: EXTC Stereo
Inside the Box with Joe Albano: Working In Multiple DAWs
Reviewed and Revisited: PreSonus Studio One 5.2
Plugin Outlet: Focusrite FAST Plugins
Session Log: The Angelheaded Hipster, Part 6: Plugins
Plugin Outlet: BOOM Library EnRage
Reviewed and Revisited: Modarrt Pianoteq 7
Readers' Tracks
Reviewed and Revisited: Ableton Live 11
Plugin Outlet: Waves Vocal Bender
Fade Out: Spaceship Syndrome
Recording - June 2021 - Intro
Recording - June 2021 - Cover1
Recording - June 2021 - Cover2
Recording - June 2021 - 1
Recording - June 2021 - 2
Recording - June 2021 - 3
Recording - June 2021 - Fade In
Recording - June 2021 - 5
Recording - June 2021 - 6
Recording - June 2021 - 7
Recording - June 2021 - Fast Forward
Recording - June 2021 - 9
Recording - June 2021 - Plugin Outlet: Accusonus ERA 5 Pro Bundle
Recording - June 2021 - 11
Recording - June 2021 - 12
Recording - June 2021 - 13
Recording - June 2021 - Arturia KeyStep 37
Recording - June 2021 - 15
Recording - June 2021 - Soundware Showcase: Spitfire Audio Originals Mrs Mills Piano
Recording - June 2021 - 17
Recording - June 2021 - Richard Barbieri: Living under a spell: interpreting dreams through texture
Recording - June 2021 - 19
Recording - June 2021 - 20
Recording - June 2021 - 21
Recording - June 2021 - 22
Recording - June 2021 - 23
Recording - June 2021 - 24
Recording - June 2021 - 25
Recording - June 2021 - Erica Synths: SYNTRX Analog Synthesizer
Recording - June 2021 - 27
Recording - June 2021 - Moog Sound Studio: Mother-32 & DFAM Analog Synthesis Experience
Recording - June 2021 - 29
Recording - June 2021 - Patch & Tweak with Moog from Bjooks
Recording - June 2021 - 31
Recording - June 2021 - Plugin Outlet: NUGEN Stereoizer Elements
Recording - June 2021 - 33
Recording - June 2021 - Inside the Studio with Mark Hornsby: A little summin, summin!
Recording - June 2021 - 35
Recording - June 2021 - Eventide: H9000 Next Generation Harmonizer (Part 2)
Recording - June 2021 - 37
Recording - June 2021 - Reviewed & Revisited: Steinberg Cubase Pro 11
Recording - June 2021 - 39
Recording - June 2021 - 40
Recording - June 2021 - 41
Recording - June 2021 - Radial Engineering: EXTC Stereo
Recording - June 2021 - 43
Recording - June 2021 - Inside the Box with Joe Albano: Working In Multiple DAWs
Recording - June 2021 - 45
Recording - June 2021 - 46
Recording - June 2021 - 47
Recording - June 2021 - Reviewed and Revisited: PreSonus Studio One 5.2
Recording - June 2021 - 49
Recording - June 2021 - Plugin Outlet: Focusrite FAST Plugins
Recording - June 2021 - 51
Recording - June 2021 - Session Log: The Angelheaded Hipster, Part 6: Plugins
Recording - June 2021 - 53
Recording - June 2021 - 54
Recording - June 2021 - 55
Recording - June 2021 - Plugin Outlet: BOOM Library EnRage
Recording - June 2021 - 57
Recording - June 2021 - Reviewed and Revisited: Modarrt Pianoteq 7
Recording - June 2021 - 59
Recording - June 2021 - Readers' Tracks
Recording - June 2021 - 61
Recording - June 2021 - 62
Recording - June 2021 - 63
Recording - June 2021 - 64
Recording - June 2021 - 65
Recording - June 2021 - Reviewed and Revisited: Ableton Live 11
Recording - June 2021 - 67
Recording - June 2021 - Plugin Outlet: Waves Vocal Bender
Recording - June 2021 - 69
Recording - June 2021 - 70
Recording - June 2021 - 71
Recording - June 2021 - Fade Out: Spaceship Syndrome
Recording - June 2021 - Cover3
Recording - June 2021 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202503
https://www.nxtbook.com/musicmaker/musicmaker/recording_202502
https://www.nxtbook.com/musicmaker/musicmaker/recording_202501
https://www.nxtbook.com/musicmaker/musicmaker/recording_202412
https://www.nxtbook.com/musicmaker/musicmaker/recording_202411
https://www.nxtbook.com/musicmaker/musicmaker/recording_202410
https://www.nxtbook.com/musicmaker/musicmaker/recording_202409
https://www.nxtbook.com/musicmaker/musicmaker/recording_202408
https://www.nxtbook.com/musicmaker/musicmaker/recording_202407
https://www.nxtbook.com/musicmaker/musicmaker/recording_202406
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com