Recording - June 2021 - 67
mechanical noises way down, brightened
the tone considerably, added some reverb,
and named it 'Bright Verb'. Think of these
as useful, recallable snapshots.
Inspired by Nature
One of the most unique additions to Live
11 is Dillon Bastan's Inspired by Nature collection. These use natural, physical processes such as gravity, magnetism, inertia and
plants as musical inspiration. Two of my
favorites are Tree Tone and Bouncy Notes.
Tree Tone is a resonator built around a simulation of plant growth. Clicking on a plant
shape triggers a sprawling time-lapse animation of a plant growing, accompanied
by an immersive resonance-based soundscape. The thicker the branches, the lower and more prominent the note, and the
thinner branches are higher in pitch and
softer in volume. Results can be random or
assigned to a key and scale, and there are
additional Wind and Rain controls to excite the sound. Wind controls the intensity
and speed of a virtual gust of wind blowing on your resonator tree, agitating and
exciting the sound. The Rain control adds
tiny imaginary water droplets that fall and
strike the resonator tree in random spots,
like the sound of rain falling on a marimba or glockenspiel. I realize how abstract
this sounds, but I started thinking of this as
an actual tree that was producing sound.
It's very immersive and imaginative, and
it didn't take long to generate gorgeous
ambient soundscapes and atmospheres.
Follow the bouncing ball
I mentioned Bouncy Notes in passing
in my first look-now I've had a chance
to dig into it. Bouncy Notes is a hybrid
delay and arpeggiator effect with an
animation of bouncy balls going up
and down a piano roll. You control their
weight and size, and gravity's pull as
well. Used as a delay, the bouncing balls
dictate the pattern and decay of the delay. This can be as realistic as dropping
a basketball and watching the bouncing
get lower and faster to the point of ceasing to bounce, or it can be something otherworldly, like bouncing a baseball on
the moon in near-zero gravity. An Auto
setting can trigger the notes to happen
on their own, effectively turning Bouncy
Notes into an arpeggiator complete with
a choice of scale and tonic note, or it can
be completely random. You can even
draw in obstacles to interfere with the
bouncy balls. I already love the endless
and playful possibilities here, and I've
only just scratched the surface.
Spectrally speaking
Two other new faces in Live 11 are a
pair of spectral effects: Spectral Time and
Spectral Resonator. Most spectral-type
effects exhibit a blatant, glitchy, artifacted
digital signature. Kudos to Ableton for
pushing the possibilities of this approach
into some interesting new territory. Spectral Time is a frequency-based delay that
captures incoming audio snapshots and
routes them through a delay focused on
specific harmonics and frequencies of the
sound. I was able to dial in some exciting non-standard ambience and echoes
after some tweaking. Spectral Resonator
breaks the spectrum of an incoming audio
signal into separate sine waves based on
the harmonic content of the input signal,
then smears or shifts them by a frequency
or note value. The results range from a
time-stretched or granular effect to a vocoder-style instrument that you can trigger
and play via MIDI, which I loved. Both effects come with a bit of a learning curve,
and they took some time and tweaking before I was satisfied-there's a lot of sound
design potential to discover in these.
Never Been Better
I've been using Ableton as my main
DAW since Live 8, and I couldn't have
imagined back then what it would be like
today. I remember Live 10 was a revelation for me and gave me an inspiration
boost as I worked with it-ditto with Live
11. If you're an Ableton Live user, I strongly recommend upgrading. If you've never
tried Live, Ableton is offering a free 90
day trial of Live 11 Suite, which should
give you plenty of time to discover why
so many people, including myself, swear
by Ableton. Live 11 is a masterpiece, and
again, I find myself wondering how it
could get any better than this.
Price: Ableton Live Suite $749; Ableton Live Standard $449;
Ableton Live Intro $99. Upgrade options available.
More from: ableton.com
RECORDING June 2021
67
http://www.ableton.com
Recording - June 2021
Table of Contents for the Digital Edition of Recording - June 2021
Fade In
Fast Forward
Plugin Outlet: Accusonus ERA 5 Pro Bundle
Arturia KeyStep 37
Soundware Showcase: Spitfire Audio Originals Mrs Mills Piano
Richard Barbieri: Living under a spell: interpreting dreams through texture
Erica Synths: SYNTRX Analog Synthesizer
Moog Sound Studio: Mother-32 & DFAM Analog Synthesis Experience
Patch & Tweak with Moog from Bjooks
Plugin Outlet: NUGEN Stereoizer Elements
Inside the Studio with Mark Hornsby: A little summin, summin!
Eventide: H9000 Next Generation Harmonizer (Part 2)
Reviewed & Revisited: Steinberg Cubase Pro 11
Radial Engineering: EXTC Stereo
Inside the Box with Joe Albano: Working In Multiple DAWs
Reviewed and Revisited: PreSonus Studio One 5.2
Plugin Outlet: Focusrite FAST Plugins
Session Log: The Angelheaded Hipster, Part 6: Plugins
Plugin Outlet: BOOM Library EnRage
Reviewed and Revisited: Modarrt Pianoteq 7
Readers' Tracks
Reviewed and Revisited: Ableton Live 11
Plugin Outlet: Waves Vocal Bender
Fade Out: Spaceship Syndrome
Recording - June 2021 - Intro
Recording - June 2021 - Cover1
Recording - June 2021 - Cover2
Recording - June 2021 - 1
Recording - June 2021 - 2
Recording - June 2021 - 3
Recording - June 2021 - Fade In
Recording - June 2021 - 5
Recording - June 2021 - 6
Recording - June 2021 - 7
Recording - June 2021 - Fast Forward
Recording - June 2021 - 9
Recording - June 2021 - Plugin Outlet: Accusonus ERA 5 Pro Bundle
Recording - June 2021 - 11
Recording - June 2021 - 12
Recording - June 2021 - 13
Recording - June 2021 - Arturia KeyStep 37
Recording - June 2021 - 15
Recording - June 2021 - Soundware Showcase: Spitfire Audio Originals Mrs Mills Piano
Recording - June 2021 - 17
Recording - June 2021 - Richard Barbieri: Living under a spell: interpreting dreams through texture
Recording - June 2021 - 19
Recording - June 2021 - 20
Recording - June 2021 - 21
Recording - June 2021 - 22
Recording - June 2021 - 23
Recording - June 2021 - 24
Recording - June 2021 - 25
Recording - June 2021 - Erica Synths: SYNTRX Analog Synthesizer
Recording - June 2021 - 27
Recording - June 2021 - Moog Sound Studio: Mother-32 & DFAM Analog Synthesis Experience
Recording - June 2021 - 29
Recording - June 2021 - Patch & Tweak with Moog from Bjooks
Recording - June 2021 - 31
Recording - June 2021 - Plugin Outlet: NUGEN Stereoizer Elements
Recording - June 2021 - 33
Recording - June 2021 - Inside the Studio with Mark Hornsby: A little summin, summin!
Recording - June 2021 - 35
Recording - June 2021 - Eventide: H9000 Next Generation Harmonizer (Part 2)
Recording - June 2021 - 37
Recording - June 2021 - Reviewed & Revisited: Steinberg Cubase Pro 11
Recording - June 2021 - 39
Recording - June 2021 - 40
Recording - June 2021 - 41
Recording - June 2021 - Radial Engineering: EXTC Stereo
Recording - June 2021 - 43
Recording - June 2021 - Inside the Box with Joe Albano: Working In Multiple DAWs
Recording - June 2021 - 45
Recording - June 2021 - 46
Recording - June 2021 - 47
Recording - June 2021 - Reviewed and Revisited: PreSonus Studio One 5.2
Recording - June 2021 - 49
Recording - June 2021 - Plugin Outlet: Focusrite FAST Plugins
Recording - June 2021 - 51
Recording - June 2021 - Session Log: The Angelheaded Hipster, Part 6: Plugins
Recording - June 2021 - 53
Recording - June 2021 - 54
Recording - June 2021 - 55
Recording - June 2021 - Plugin Outlet: BOOM Library EnRage
Recording - June 2021 - 57
Recording - June 2021 - Reviewed and Revisited: Modarrt Pianoteq 7
Recording - June 2021 - 59
Recording - June 2021 - Readers' Tracks
Recording - June 2021 - 61
Recording - June 2021 - 62
Recording - June 2021 - 63
Recording - June 2021 - 64
Recording - June 2021 - 65
Recording - June 2021 - Reviewed and Revisited: Ableton Live 11
Recording - June 2021 - 67
Recording - June 2021 - Plugin Outlet: Waves Vocal Bender
Recording - June 2021 - 69
Recording - June 2021 - 70
Recording - June 2021 - 71
Recording - June 2021 - Fade Out: Spaceship Syndrome
Recording - June 2021 - Cover3
Recording - June 2021 - Cover4
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