Recording - October 2021 - 41
two top-notch hardware units will be. When I compared the
vocals and bass soloed, I barely heard any sonic differences,
from the deep reach of the low-end to the warm smoothness of
the grab, hold and release. Once I un-soloed the tracks in the
mix, any subtle differences were nil.
Custom Opto
Just as Team Slate did by offering multiple 1176 FET flavors
spread across the FG-116, FG-116 Modern, and Monster
offerings, Custom Opto takes the painstaking FG-2A model
and crafts a whole new optical compressor experience that
beautifully retains its sound and feel.
Pimp my opto
Added to the standard FG-2A controls of Peak Reduction and
Output Gain, the Comp/Limit control has been replaced by a
variable Ratio knob (1:1 to 10:1). Next up is a Speed control that
allows you to tailor the combined attack and release characteristics
to suit the music. The default setting is 5, making me guess this
is the standard classic knee / speed setting. The mix knob and
stereo option are also present in the Custom Opto.
Pimp my tone
The final control is a five-position tone control with a choice
of flat, smooth, warm, aggro and airy. A second knob allows
you to exaggerate its effect from 100 to 200%. Each setting is
well named. Smooth adds a mellow, even sheen to the sound.
Warm is the dustiest and most vintage-sounding of the group.
Price: All Access Pass: $9.99 month for 6 months,
then $14.99 monthly (annual); $24.99 month-by-month;
$149 annual upfront.
More From: slatedigital.com
Aggro is the most obvious, mid-forward and punchy (almost
FET-like), and airy adds a top-end air to the extreme upper
register that can nicely open up a compressed source. These
tonal variances go from subtle to more pronounced when set to
200% and depend on how hard you squeeze the sound.
Use
For engineers who find old-school opto compression (ahem)
limiting, this is the opto compressor for you. It takes the traditional
LA-2A and pushes it into realms similar to a Tube-Tech
CL1B, Millennia Media TCL-2, and beyond. This makes it versatile
and quite handy on a drum mix, modern keyboards, and
especially the master bus, which is where the Custom Opto has
found the most use in my mixes since it arrived, and I do not
expect that to change anytime soon.
Wrap-up
The best part is that if you are a Slate Digital All Access Pass
Subscriber, you have had the FG-2A for a while now, and the new
Custom Opto should be there by the time you are reading this.
You can purchase the Virtual Mix Rack ala-carte, but do look into
the subscriptions-the All Access Pass includes over 65 plugins,
soft synths, online classes, sample libraries, and more.
merging.com/anubis
KENNY MORAN ON USING
MERGING+ANUBIS AND ITS
NEW MUSIC MISSION
" I don't always get excited with new gear,
there's so much good stuff out there I tend
to use what I know and like. But every once
in a while something comes my way and I sit
up and take a listen. This box gets it! Sound
quality and AD convertors second to none.
Mic pres, line inputs and 6 outputs - mastering
grade DA's and small enough to fit in a
backpack... "
Mobile Sessions has to go anywhere and
be anywhere with a no compromise studio,
Merging + Anubis gets it
Independent Audio, Portland, Maine. T
Kenny Moran - Engineer / Producer
Stevie Wonder, Chaka Khan,
Earth Wind & Fire, The Great Gatsby
Soundtrack, J-Lo, Carly Rae Jepson...
207 773-2424 E dennis@independentaudio.com W www.independentaudio.com
http://www.slatedigital.com
http://www.merging.com/anubis
http://www.independentaudio.com
Recording - October 2021
Table of Contents for the Digital Edition of Recording - October 2021
Fade In
Tech 21: Bass Fly Rig v2
A Family of Microphones Compared: The Shure Unidyne... or, The SM57 & Friends
Soundware Showcase: Spitfire Audio Originals Jangle Box Piano
Closer to GWAR: Recording and remixing the masters of the Slave Pit, with Ronan Chris Murphy, Pustulus Maximus and the Berserker Blöthar
Zeppelin Design Labs: Cortado MkIII Contact Microphone
Session Log: The AngelHeaded Hipster, Part 10: Bass and Percussion
Plugin Outlet: Slate Digital FG-2A and Custom Opto
Morton Microphones: KickTone Microphone
Inside the Studio with Mark Hornsby: Nothing but the Mic
L-Acoustics: L-ISA Studio
KEMPER: PROFILER Head
Inside the Box with Joe Albano: Compression in the Box
Teegarden Audio: PPC-125 MD Condenser Microphone
Hit’n’Mix: RipX DeepAudio
Thirty-Five Years of RECORDING
Fade Out: The Right Mic for You!
Recording - October 2021 - Intro
Recording - October 2021 - Cover1
Recording - October 2021 - Cover2
Recording - October 2021 - 1
Recording - October 2021 - 2
Recording - October 2021 - 3
Recording - October 2021 - 4
Recording - October 2021 - 5
Recording - October 2021 - Fade In
Recording - October 2021 - 7
Recording - October 2021 - 8
Recording - October 2021 - 9
Recording - October 2021 - Tech 21: Bass Fly Rig v2
Recording - October 2021 - 11
Recording - October 2021 - A Family of Microphones Compared: The Shure Unidyne... or, The SM57 & Friends
Recording - October 2021 - 13
Recording - October 2021 - 14
Recording - October 2021 - 15
Recording - October 2021 - 16
Recording - October 2021 - 17
Recording - October 2021 - 18
Recording - October 2021 - 19
Recording - October 2021 - 20
Recording - October 2021 - 21
Recording - October 2021 - Soundware Showcase: Spitfire Audio Originals Jangle Box Piano
Recording - October 2021 - 23
Recording - October 2021 - Closer to GWAR: Recording and remixing the masters of the Slave Pit, with Ronan Chris Murphy, Pustulus Maximus and the Berserker Blöthar
Recording - October 2021 - 25
Recording - October 2021 - 26
Recording - October 2021 - 27
Recording - October 2021 - 28
Recording - October 2021 - 29
Recording - October 2021 - 30
Recording - October 2021 - 31
Recording - October 2021 - 32
Recording - October 2021 - 33
Recording - October 2021 - Zeppelin Design Labs: Cortado MkIII Contact Microphone
Recording - October 2021 - 35
Recording - October 2021 - Session Log: The AngelHeaded Hipster, Part 10: Bass and Percussion
Recording - October 2021 - 37
Recording - October 2021 - 38
Recording - October 2021 - 39
Recording - October 2021 - Plugin Outlet: Slate Digital FG-2A and Custom Opto
Recording - October 2021 - 41
Recording - October 2021 - Morton Microphones: KickTone Microphone
Recording - October 2021 - 43
Recording - October 2021 - Inside the Studio with Mark Hornsby: Nothing but the Mic
Recording - October 2021 - 45
Recording - October 2021 - 46
Recording - October 2021 - 47
Recording - October 2021 - L-Acoustics: L-ISA Studio
Recording - October 2021 - 49
Recording - October 2021 - KEMPER: PROFILER Head
Recording - October 2021 - 51
Recording - October 2021 - 52
Recording - October 2021 - 53
Recording - October 2021 - Inside the Box with Joe Albano: Compression in the Box
Recording - October 2021 - 55
Recording - October 2021 - 56
Recording - October 2021 - 57
Recording - October 2021 - Teegarden Audio: PPC-125 MD Condenser Microphone
Recording - October 2021 - 59
Recording - October 2021 - Hit’n’Mix: RipX DeepAudio
Recording - October 2021 - 61
Recording - October 2021 - Thirty-Five Years of RECORDING
Recording - October 2021 - 63
Recording - October 2021 - 64
Recording - October 2021 - 65
Recording - October 2021 - 66
Recording - October 2021 - 67
Recording - October 2021 - 68
Recording - October 2021 - 69
Recording - October 2021 - 70
Recording - October 2021 - 71
Recording - October 2021 - Fade Out: The Right Mic for You!
Recording - October 2021 - Cover3
Recording - October 2021 - Cover4
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