December 2021 - 69

Continued from page 66
are lower, but we have more access, and they
allow us to discover unknown songs,
unknown artists. They don't care who the
name is on it, it's about the song that works.
Your members have better access to the indefilmed
and I see footage, I now can take songs
and start to use and edit songs in and go,
" Oh, this type of song with the tech track will
start working. " We now have about eight
weeks of that, then the picture is locked.
Then I probably have about six to eight weeks
to work with a composer and songs until we
go to final mix.
Who is harder to have as your boss as music
supervisor? A director on a film or a showrunner
on a TV show?
A producer on a film, because they have very
little knowledge, experience, and sometimes
say, unless they have the best drama film. But
they have opinions, and they will come in.
The investors aren't so hard to deal with. It's
usually the other producers that just think, " I
helped shepherd this through; I put this
together, and I had this vision. " What I have
to do is navigate. Is the director a hired gun
" Don't spend too much of your time
trying to hit the studios with major
films, because they already have
their relationships; go to indie
films. "
-Mason Cooper
on a film? They usually aren't, but they can
get treated that way. Is their contract a DGA
contract? Would they have final say on the
final cut, or do they not, where the producer
has the final say?
I am just recently out of a project where I had
to navigate that and say, " Who's the boss? "
Because it is what I call a camel. Do you know
what a camel is, Michael? It's a horse made by
committee. And I had to navigate who was
the final boss, because I can't make
everybody happy. So that is a difficult
process. It's usually the director of the film.
I've gotta jump. Remind me the next time we
talk outside of this context. We've been working
with a young independent film producer named
Bernie, and the two of you guys will love each
other. He does small-ish films, but they're getting
bigger and he's getting more and more
traction. You should just know each other. You
guys would work so well together.
Indie films, and your people should be hitting
indie films. Don't spend too much of your
time trying to hit the studios with major
films, because they already have their
relationships; go to indie films. Our budgets
RECORDING DECEMBER 2021 69
FOR YOUR STUDIO
SIMPLE COMPUTER UPGRADES FOR THE RECORDING MUSICIAN
The Digital Audio Workstation (DAW) is the centerpiece of the
modern production studio. While many current Macs and
off-the-shelf PCs are content creation capable, purchasing or
building a machine specked to handle the... [full article online]
recordingmag.com/sponsored-articles/simple-computer-upgrades
MICS & MIKING
A BEGINNER'S GUIDE TO MIKING DRUMS: KIT SETUP,
WORKING WITH THE DRUM ROOM, MIC CHOICE, AND MORE!
One look at a professional multitrack track list should make the
complexity and importance of capturing a good drum kit sound
obvious. Even the most... [full article online]
recordingmag.com/sponsored-articles/beginners-guide-to-miking-drums
ACOUSTICS & MONITORING
AN ACOUSTICS PRIMER
GET STARTED WITH THE FUNDAMENTALS OF SOUND AND ACOUSTICS...
The latest and greatest gear may get all the attention, but if the
acoustics of your studio aren't suitable, all the toys in the world
won't make for great-sounding recordings. Let's examine the basics
of acoustics, look at issues that can affect... [full article online]
recordingmag.com/sponsored-articles/an-acoustics-primer
ACOUSTICS & MONITORING
MONITORS & MONITORING-WHAT'S RIGHT FOR
YOUR STUDIO: A HARD LOOK AT THE ART AND SCIENCE
OF HEARING YOUR MUSIC RIGHT
In studios of all types and sizes, every decision made-levels, EQ...
[full article online]
recordingmag.com/sponsored-articles/monitors-monitoring
FOR SONGWRITERS
A BASIC MIC PRIMER: THE MIC IS THE
CENTER OF THE RECORDING STUDIO, AND IT PAYS TO KNOW HOW
THEY WORK AND WHAT THEY DO.
Imagine that I am a typical pop music engineer, and I get called
up... [full article online]
recordingmag.com/sponsored-articles/basic-mic-primer
pendent films and TV productions.
Yeah. We hit it out of the ballpark. Every time
we work on an indie film we usually are getting
now seven, eight, nine songs in every indie film
through running TAXI listings. Most publishers
can't pull that off.
Anyway, Mason, you are the best. Not only have
you become a dear friend over the last few
years, a lot of that friendship is built on that I
have tremendous respect for your knowledge of
I can't wait to see you in person. Hey, is the
breakfast place open by you? Can we go eat outside
there, yet?
Yes, they've expanded into the garden.
Let's do it some Sunday. I'll bring Deb up and
the four of us can go out. I need to get a life.
Alright, ladies and gentlemen, Mason Cooper.
Thank you!
how the industry works, and we just get along
on a personal level, but I love sharing you with
my people.
I appreciate it, and I appreciate what you do
for all of your people.
http://www.recordingmag.com/sponsored-articles/simple-computer-upgrades http://www.recordingmag.com/sponsored-articles/simple-computer-upgrades http://www.recordingmag.com/sponsored-articles/beginners-guide-to-miking-drums http://www.recordingmag.com/sponsored-articles/beginners-guide-to-miking-drums http://www.recordingmag.com/sponsored-articles/an-acoustics-primer http://www.recordingmag.com/sponsored-articles/monitors-monitoring http://www.recordingmag.com/sponsored-articles/basic-mic-primer

December 2021

Table of Contents for the Digital Edition of December 2021

Fade In
Fast Forward
RECORDING’s 2021Holiday Buyer’s Guide
Arturia: MiniFuse 2
AKG: Ara Professional Two-Pattern USB Condenser Microphone
A day in the head of Still Woozy: Making modern pop and beyond
Austrian Audio: Hi-X15
Plugin Outlet: Black Rooster Audio OmniTec-67A
Inside the Box with Joe Albano: Free and Entry-level DAWs
ART: Project Series USB Pre IV Audio Interface
Plugin Outlet: Reverb Foundry Tai-Chi
Audeze: Euclid Closed-Back Planar Magnetic In-ear Monitors
Session Log: The AngelHeaded Hipster, Part 12 Mastering and Beyond: The Final Steps…
Genelec 8361A
Focusrite: Clarett+ 8 Pre
Inside the Studio with Mark Hornsby From the Studio to The Stage
Pioneer DJ VM-80 Active Monitor Speaker
Fade Out: Don’t Wait—Create!
December 2021 - Intro
December 2021 - Cover1
December 2021 - Cover2
December 2021 - 1
December 2021 - 2
December 2021 - 3
December 2021 - Fade In
December 2021 - 5
December 2021 - 6
December 2021 - 7
December 2021 - Fast Forward
December 2021 - 9
December 2021 - RECORDING’s 2021Holiday Buyer’s Guide
December 2021 - 11
December 2021 - 12
December 2021 - 13
December 2021 - 14
December 2021 - 15
December 2021 - 16
December 2021 - 17
December 2021 - 18
December 2021 - 19
December 2021 - 20
December 2021 - 21
December 2021 - Arturia: MiniFuse 2
December 2021 - 23
December 2021 - AKG: Ara Professional Two-Pattern USB Condenser Microphone
December 2021 - 25
December 2021 - A day in the head of Still Woozy: Making modern pop and beyond
December 2021 - 27
December 2021 - 28
December 2021 - 29
December 2021 - 30
December 2021 - 31
December 2021 - 32
December 2021 - 33
December 2021 - 34
December 2021 - 35
December 2021 - 36
December 2021 - 37
December 2021 - Austrian Audio: Hi-X15
December 2021 - 39
December 2021 - Plugin Outlet: Black Rooster Audio OmniTec-67A
December 2021 - 41
December 2021 - Inside the Box with Joe Albano: Free and Entry-level DAWs
December 2021 - 43
December 2021 - 44
December 2021 - 45
December 2021 - ART: Project Series USB Pre IV Audio Interface
December 2021 - 47
December 2021 - Plugin Outlet: Reverb Foundry Tai-Chi
December 2021 - 49
December 2021 - Audeze: Euclid Closed-Back Planar Magnetic In-ear Monitors
December 2021 - 51
December 2021 - Session Log: The AngelHeaded Hipster, Part 12 Mastering and Beyond: The Final Steps…
December 2021 - 53
December 2021 - 54
December 2021 - 55
December 2021 - Genelec 8361A
December 2021 - 57
December 2021 - Focusrite: Clarett+ 8 Pre
December 2021 - 59
December 2021 - Inside the Studio with Mark Hornsby From the Studio to The Stage
December 2021 - 61
December 2021 - Pioneer DJ VM-80 Active Monitor Speaker
December 2021 - 63
December 2021 - 64
December 2021 - 65
December 2021 - 66
December 2021 - 67
December 2021 - 68
December 2021 - 69
December 2021 - 70
December 2021 - 71
December 2021 - Fade Out: Don’t Wait—Create!
December 2021 - Cover3
December 2021 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com