Recording January 2022 - 30

DON'T KILL THE TALENT
WITH THE TECHNOLOGY...
Not so for the film composers. No matter how cool it sounds,
if it doesn't take you emotionally where it needs to go... I've
thrown much great music to the floor because it was really
cool, but what the scene needed was something else.
You mentioned samples earlier. Do you employ
those or plugins in much of your film work?
Yeah, absolutely. In one of my biggest movies, Wall Street,
there's not a human hand anywhere on the recordings. Okay,
that's going a little far. But for film, a film composer is not an
artist. He's a craftsman, and his job is to serve the director's art
and provide very specific, emotional signals to the audience,
whether by music, sound effect, or whatever means-it's about
delivering that. The audience couldn't care less whether it was
me sitting behind the drums in this piece of music. In fact, if they
do, I have failed at my job because I've pulled them out of the
movie. So, for film scoring, I go absolutely for efficiency.
Is there ever a time when you'll get behind the kit?
Sometimes, the plot calls for a throbbing drum set, so I'll hire
a guy, Greg De Belles usually, and concentrate on getting exactly
what the film needs, which is very specific. An artist can
follow their inspiration, " Hey, that sounds cool. I'll do that. "
30 RECORDING January 2022
Was that part of the learning curve between
being a musician in The Police and being a
film composer and understanding those
different roles or perspectives?
Yes. I kind of understood that from the get-go because I was
taught how to score a film by Francis Ford Coppola, who hired
me. [for Rumble Fish] I'd never worked on a film in any capacity-I
had no idea how films were made or what happens in
post-production or anything. No idea. So, he taught me, not by
telling me how to play guitar or what instruments to use, but all
about what's required of the music when Diane Lane looks over,
and there's Matt Dillon there, and we need to see that she loves
him, but she's afraid, I need to feel her fear and her love, as well
as his cocksure arrogance. He talked to me in those emotional
terms-how you feel and how you want the audience to feel.
Yeah, it seems to me that with music in film,
emotion takes precedence over technique...
And sometimes, the music contradicts what the director, the
lighting director, and the actor are all saying. And the director
needs you to know that it's all a lie-the guy's actually a scumbag.
[both laugh] And, as I'm fond of telling people, who are
you going to believe? Your lying eyes, or my shit chord? It's no
competition. No matter how beautiful the scene, the moonlight,
the handsome guy-you tell them [the audience] with the music
that he's an asshole, that's what they will believe. It doesn't
matter if it's Tom Cruise or Pee-wee Herman.

Recording January 2022

Table of Contents for the Digital Edition of Recording January 2022

Fade In
Fast Forward
Soundware Showcase: Toontrack Fields of Rock SDX
A Family of Microphones Compared: The AKG P Series
Austrian Audio CC8
Stewart Copeland: Don’t kill the talent with the technology…
Akai MPC Studio Controller and MPC 2 Software
Soundware Showcase: Boz Digital Labs Claps, Stomps and Snaps Bundle
Inside the Box with Joe Albano: Drum Plugins and Processing
Avantone Pro: Gauss 7 Two-way Powered Reference Monitor
Plugin Outlet: PSP Audioware Saturator
Inside the Studio with Mark Hornsby: The Memphis Drum Sound
Soundware Showcase: Spitfire Audio Hammers
API Select T12 Tube Mic Preamp
Session Log: Frank Kimbrough tribute recording session
Audio-Technica AT2040
Plugin Outlet: IK Multimedia T-RackS TASCAM Tape Collection
Readers' Tracks
sE Electronics V Pack Arena Drum Microphone Package
Plugin Outlet: BABY Audio TAIP
Fade Out: Both Sides of the Glass Things
Recording January 2022 - Intro
Recording January 2022 - Cover1
Recording January 2022 - Cover2
Recording January 2022 - 1
Recording January 2022 - 2
Recording January 2022 - 3
Recording January 2022 - Fade In
Recording January 2022 - 5
Recording January 2022 - 6
Recording January 2022 - 7
Recording January 2022 - Fast Forward
Recording January 2022 - 9
Recording January 2022 - Soundware Showcase: Toontrack Fields of Rock SDX
Recording January 2022 - 11
Recording January 2022 - 12
Recording January 2022 - 13
Recording January 2022 - A Family of Microphones Compared: The AKG P Series
Recording January 2022 - 15
Recording January 2022 - 16
Recording January 2022 - 17
Recording January 2022 - 18
Recording January 2022 - 19
Recording January 2022 - 20
Recording January 2022 - 21
Recording January 2022 - 22
Recording January 2022 - 23
Recording January 2022 - Austrian Audio CC8
Recording January 2022 - 25
Recording January 2022 - Stewart Copeland: Don’t kill the talent with the technology…
Recording January 2022 - 27
Recording January 2022 - 28
Recording January 2022 - 29
Recording January 2022 - 30
Recording January 2022 - 31
Recording January 2022 - 32
Recording January 2022 - 33
Recording January 2022 - Akai MPC Studio Controller and MPC 2 Software
Recording January 2022 - 35
Recording January 2022 - Soundware Showcase: Boz Digital Labs Claps, Stomps and Snaps Bundle
Recording January 2022 - 37
Recording January 2022 - Inside the Box with Joe Albano: Drum Plugins and Processing
Recording January 2022 - 39
Recording January 2022 - 40
Recording January 2022 - 41
Recording January 2022 - Avantone Pro: Gauss 7 Two-way Powered Reference Monitor
Recording January 2022 - 43
Recording January 2022 - Plugin Outlet: PSP Audioware Saturator
Recording January 2022 - 45
Recording January 2022 - Inside the Studio with Mark Hornsby: The Memphis Drum Sound
Recording January 2022 - 47
Recording January 2022 - Soundware Showcase: Spitfire Audio Hammers
Recording January 2022 - 49
Recording January 2022 - API Select T12 Tube Mic Preamp
Recording January 2022 - 51
Recording January 2022 - Session Log: Frank Kimbrough tribute recording session
Recording January 2022 - 53
Recording January 2022 - 54
Recording January 2022 - 55
Recording January 2022 - Audio-Technica AT2040
Recording January 2022 - 57
Recording January 2022 - Plugin Outlet: IK Multimedia T-RackS TASCAM Tape Collection
Recording January 2022 - 59
Recording January 2022 - Readers' Tracks
Recording January 2022 - 61
Recording January 2022 - 62
Recording January 2022 - 63
Recording January 2022 - 64
Recording January 2022 - 65
Recording January 2022 - sE Electronics V Pack Arena Drum Microphone Package
Recording January 2022 - 67
Recording January 2022 - Plugin Outlet: BABY Audio TAIP
Recording January 2022 - 69
Recording January 2022 - 70
Recording January 2022 - 71
Recording January 2022 - Fade Out: Both Sides of the Glass Things
Recording January 2022 - Cover3
Recording January 2022 - Cover4
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