Recording February 2022 - 12

REVIEW
Warm Audio
WA-8000
The big question...
I reached out to a colleague who owns
a Sony C-800G (huge thanks to Nick Pelc
and Augminished Studio), and we set up
a session to do some vocal recording with
both mics placed as tightly together as
possible. Beyond the expected similarities,
the WA-8000 was a fair amount brighter
than the C-800G, especially above
10 kHz. I also noticed a difference in
the low end in the 120-150 Hz range;
the WA-8000 had less energy here, delivering
a touch less body than its inspiration.
There are a couple of factors to
consider here: the age of the C-800G
capsule, and the variance between the
tubes across mics. This particular Sony
C-800G has seen daily use for years on
end, and the tubes are well burned in by
now. I suspect this contributes to the topend
differences between the two mics.
Overall, the sonic shape and presence
of the two mics do share similarities-the
essential
Sony signature is
there. Warm Audio has accomplished
quite a task, recreating this iconic microphone
from scratch.
Final thoughts
If you're looking for an open, forward,
and modern-sounding vocal microphone,
the WA-8000 fits the bill with flying colors.
It will feel right at home doing what
it's famous for-capturing hip-hop, R&B,
and pop vocals in all genders. Massive
respect for the Warm Audio team for
taking on this endeavor and once again
making a legendary signature sound accessible
to the masses-it's legit.
Further
Thoughts...
BY PAUL VNUK JR.
When the Warm Audio WA-8000
arrived at our editorial office, I was so
curious that I had to take a few days to
experience it in my own studio before
sending it on to Alex.
A tale of the tube
I put the WA-8000 to use on vocals (spoken
and sung), acoustic guitar, drums, and
percussion, and in every case I was treated
to an ultra-clear slice of reality. Yes, the
C-800G is a bright modern mic, and so too
is the WA-8000. The WA-8000 sounds relatively
uncolored-it captures what it's given in
a manner that brings to mind the Neumann
TLM 103 (another mic famous for its top end).
I enjoyed the WA-8000 when it was closest to
its source, especially on vocals, right at the point where its proximity effect bonds
with that trademark clarity. I did find it fairly plosive prone however, so a good
pop filter is necessary when you're right up on it. When you need the vocals to cut
sharply though a dense mix, the WA-8000 is a great choice. My favorite use was
on stacked backing vocals; here, it helped the vocal tracks sit clearly and effortlessly
in the back of the mix, without getting swallowed up.
Price: $1,199
More from: warmaudio.com
12 RECORDING February 2022
I also found the mic a nice choice for acoustic guitar in a dense rock mix where
you want to feel and hear the strums and picking but not deal with the weight and
buildup coming from the body. Finally, like Alex, I think the WA-8000 makes a
great, clear-sounding room mic when you really want to highlight the aspects of
the instrument in its space.
The WA-8000 is like its inspiration-a mic that ultimately landed a die-hard
niche position bordering on the urban mythical. Thanks to Warm Audio, players
looking to acquire this sonic signature will no longer need to scheme too hard to
get it in the locker.
http://www.warmaudio.com

Recording February 2022

Table of Contents for the Digital Edition of Recording February 2022

Fade In
Fast Forward
Warm Audio: WA-8000 Tube Condenser Microphone
Inside the Studio with Mark Hornsby: The Vocal Chain
Audix: A231 Large Diaphragm Condenser Vocal Microphone
A Family of Microphones Compared: The Neumann TLM Series
A View from Dream Theater HQ
sE Electronics: V7 Supercardioid Dynamic Vocal Microphone
Soundware Showcase: Orchestral Tools Miroire
PreSonus: PD-70 Broadcast Dynamic Microphone
Session Log: Becca Stevens and Elan Mehler
Arturia: MicroFreak Vocoder Edition
Earthworks: ETHOS XLR Broadcasting Microphone
Inside the Box with Joe Albano: Vocal Plugins and Processing
Milab: VIP-60 Large Diaphragm Condenser Microphone
Advanced Audio: CM49LE Multi-Pattern Tube Condenser Microphone
Fade Out
Recording February 2022 - Intro
Recording February 2022 - Cover1
Recording February 2022 - Cover2
Recording February 2022 - 1
Recording February 2022 - 2
Recording February 2022 - 3
Recording February 2022 - Fade In
Recording February 2022 - 5
Recording February 2022 - 6
Recording February 2022 - 7
Recording February 2022 - Fast Forward
Recording February 2022 - 9
Recording February 2022 - Warm Audio: WA-8000 Tube Condenser Microphone
Recording February 2022 - 11
Recording February 2022 - 12
Recording February 2022 - 13
Recording February 2022 - Inside the Studio with Mark Hornsby: The Vocal Chain
Recording February 2022 - 15
Recording February 2022 - 16
Recording February 2022 - 17
Recording February 2022 - Audix: A231 Large Diaphragm Condenser Vocal Microphone
Recording February 2022 - 19
Recording February 2022 - 20
Recording February 2022 - 21
Recording February 2022 - A Family of Microphones Compared: The Neumann TLM Series
Recording February 2022 - 23
Recording February 2022 - 24
Recording February 2022 - 25
Recording February 2022 - 26
Recording February 2022 - 27
Recording February 2022 - 28
Recording February 2022 - 29
Recording February 2022 - 30
Recording February 2022 - 31
Recording February 2022 - A View from Dream Theater HQ
Recording February 2022 - 33
Recording February 2022 - 34
Recording February 2022 - 35
Recording February 2022 - 36
Recording February 2022 - 37
Recording February 2022 - 38
Recording February 2022 - 39
Recording February 2022 - sE Electronics: V7 Supercardioid Dynamic Vocal Microphone
Recording February 2022 - 41
Recording February 2022 - Soundware Showcase: Orchestral Tools Miroire
Recording February 2022 - 43
Recording February 2022 - PreSonus: PD-70 Broadcast Dynamic Microphone
Recording February 2022 - 45
Recording February 2022 - Session Log: Becca Stevens and Elan Mehler
Recording February 2022 - 47
Recording February 2022 - 48
Recording February 2022 - 49
Recording February 2022 - Arturia: MicroFreak Vocoder Edition
Recording February 2022 - 51
Recording February 2022 - Earthworks: ETHOS XLR Broadcasting Microphone
Recording February 2022 - 53
Recording February 2022 - Inside the Box with Joe Albano: Vocal Plugins and Processing
Recording February 2022 - 55
Recording February 2022 - 56
Recording February 2022 - 57
Recording February 2022 - Milab: VIP-60 Large Diaphragm Condenser Microphone
Recording February 2022 - 59
Recording February 2022 - 60
Recording February 2022 - 61
Recording February 2022 - Advanced Audio: CM49LE Multi-Pattern Tube Condenser Microphone
Recording February 2022 - 63
Recording February 2022 - 64
Recording February 2022 - 65
Recording February 2022 - 66
Recording February 2022 - 67
Recording February 2022 - 68
Recording February 2022 - 69
Recording February 2022 - 70
Recording February 2022 - 71
Recording February 2022 - Fade Out
Recording February 2022 - Cover3
Recording February 2022 - Cover4
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