Recording March 2022 - Intro

Welcome to the digital edition of RECORDING MAGAZINE!
We are pleased to present our March issue
MONITORING AND ACOUSTICS.
Here's to making the best recordings possible!

Recording March 2022

Table of Contents for the Digital Edition of Recording March 2022

Fade In
Fast Forward
Focal Alpha 80 Evo & Alpha 50 Evo
Living in Atmos Country: An interview with Jeff Balding
Sennheiser: HD 400 PRO Open-Back Studio Headphones
Plugin Outlet: Eventide Audio SplitEQ
A Family of Microphones Compared: The Royer Labs R-Series
GIK Acoustics DecoShapes Hexagon Acoustic Panels
Listening to Architecture: The Russ Berger Interview
Plugin Outlet: KIT Plugins BB N105 V2 Channel Strip
Inside the Studio with Mark Hornsby: Studio Profile: Matt Boggs, Ramblin’ Rose Studio
Maestro: The Maestro Original Collection
Dear Reality: dearVR MIX
Session Log: Transfrontera at Abbey Road
Inside the Box with Joe Albano: A Monitoring Primer for DAW Users
Avantone: Planar Reference Grade Open Back Headphones
Once Over: Callus & Co. Three-Tier Keyboard Stand
Once Over: OWC 16X Mercury Pro Optical Drive
Reviewed and Revisited: PreSonus Eris E5 XT 2-Way Active
Readers' Tracks
Inside the Box with Joe Albano: A Monitoring Primer for DAW Users
Which comes first, room treatment or monitors?
Recording March 2022 - Intro
Recording March 2022 - Cover1
Recording March 2022 - Cover2
Recording March 2022 - 1
Recording March 2022 - 2
Recording March 2022 - 3
Recording March 2022 - Fade In
Recording March 2022 - 5
Recording March 2022 - 6
Recording March 2022 - 7
Recording March 2022 - Fast Forward
Recording March 2022 - 9
Recording March 2022 - Focal Alpha 80 Evo & Alpha 50 Evo
Recording March 2022 - 11
Recording March 2022 - 12
Recording March 2022 - 13
Recording March 2022 - 14
Recording March 2022 - 15
Recording March 2022 - Living in Atmos Country: An interview with Jeff Balding
Recording March 2022 - 17
Recording March 2022 - 18
Recording March 2022 - 19
Recording March 2022 - Sennheiser: HD 400 PRO Open-Back Studio Headphones
Recording March 2022 - 21
Recording March 2022 - Plugin Outlet: Eventide Audio SplitEQ
Recording March 2022 - 23
Recording March 2022 - A Family of Microphones Compared: The Royer Labs R-Series
Recording March 2022 - 25
Recording March 2022 - 26
Recording March 2022 - 27
Recording March 2022 - 28
Recording March 2022 - 29
Recording March 2022 - 30
Recording March 2022 - 31
Recording March 2022 - GIK Acoustics DecoShapes Hexagon Acoustic Panels
Recording March 2022 - 33
Recording March 2022 - 34
Recording March 2022 - 35
Recording March 2022 - Listening to Architecture: The Russ Berger Interview
Recording March 2022 - 37
Recording March 2022 - 38
Recording March 2022 - 39
Recording March 2022 - 40
Recording March 2022 - 41
Recording March 2022 - Plugin Outlet: KIT Plugins BB N105 V2 Channel Strip
Recording March 2022 - 43
Recording March 2022 - Inside the Studio with Mark Hornsby: Studio Profile: Matt Boggs, Ramblin’ Rose Studio
Recording March 2022 - 45
Recording March 2022 - Maestro: The Maestro Original Collection
Recording March 2022 - 47
Recording March 2022 - 48
Recording March 2022 - 49
Recording March 2022 - Dear Reality: dearVR MIX
Recording March 2022 - 51
Recording March 2022 - Inside the Box with Joe Albano: A Monitoring Primer for DAW Users
Recording March 2022 - 53
Recording March 2022 - 54
Recording March 2022 - 55
Recording March 2022 - Avantone: Planar Reference Grade Open Back Headphones
Recording March 2022 - 57
Recording March 2022 - Once Over: OWC 16X Mercury Pro Optical Drive
Recording March 2022 - 59
Recording March 2022 - Reviewed and Revisited: PreSonus Eris E5 XT 2-Way Active
Recording March 2022 - 61
Recording March 2022 - Readers' Tracks
Recording March 2022 - 63
Recording March 2022 - 64
Recording March 2022 - 65
Recording March 2022 - 66
Recording March 2022 - 67
Recording March 2022 - Inside the Box with Joe Albano: A Monitoring Primer for DAW Users
Recording March 2022 - 69
Recording March 2022 - 70
Recording March 2022 - 71
Recording March 2022 - Which comes first, room treatment or monitors?
Recording March 2022 - Cover3
Recording March 2022 - Cover4
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