Recording April 2022 - 64

Readers'
TRACKS
BY MARTY PETERS
" Out of Nowhere " / Millgroove
Equipment: Zoom H4n, iZotope Ozone
9, JBL Model 4206 Studio Monitors,
Gibson hollowbody guitar, Yamaha
G100 212 amplifier, Selmer tenor sax,
Hammond M100, Leslie 122, Markbass
LittleMark 250 bass amp, Gretsch
Catalina drums.
Music: " Out of Nowhere " is an
instrumental jazz standard. Stan
Czajkowsky played guitar, Frank
Cammisuli was on organ, Don Hall
played the tenor saxophone, Alex Karcza
played drums, and Urmas Soomet played
the electric guitar. Urmas is also credited
with building the custom ribbon mics,
recording and mastering.
Recording: Urmas has submitted a really
cool recording here with some great
Readers' Tracks is where respected
engineer and producer Marty Peters
listens to your recordings and critiques
them, pointing out where and how you
can make them better. Listen to the
songs, read the reviews, and submit
your own materials online.
gear twists. The group decided to go for
a completely live, old-school tracking approach:
two ribbon mics in a Blumlein
stereo configuration (one fig. 8 mic positioned
on top of another, 90° off-axis).
The mics went through Cloudlifters straight
into the Zoom recorder. The musicians
(working without a net!) were positioned
to achieve the desired mix.
Now the story gets really interesting:
Urmas actually built his own mics
over lockdown (we, on the other hand,
streamed movies and gained ten
pounds!). As Urmas relates in his production
notes, " I used ribbon trusses
from Austin Ribbon Mics and Cinemag
transformers. The most difficult part was
learning how to fabricate, corrugate and
install the ribbons into the trusses. "
Well, good on ya sir, you have our
respect! As for the results, they are
somewhat of a mixed bag. The recording
certainly has an old-school sound.
We hear plenty of the room ambiance
that Urmas was after, at least on the
drums and sax, less on the electric
guitar and electric bass, with the Hammond
organ somewhere in between.
We heard a mismatch of textures on
both our monitors and headphones
that threw us off a bit.
The directness of the amplified instruments
sticks out in contrast to the airiness
of the acoustic ones. The room placement
of the guitar amp and Leslie could
benefit from some adjustments. The guitar's
volume exceeds that of the organ,
and they appear in the same spot in the
soundstage, causing the organ to get
blocked/masked in the track.
Suggestions: We absolutely love projects
like this! The vast majority of our
Readers' Tracks submissions have overdubs,
so this is refreshing. Then there is
the whole other matter of building one's
recording tools, in this case, the microphones-fantastic!
As
for suggestions, Urmas relayed in
his production notes that, " It took us a
few sessions to figure out how to arrange
the musicians in our rehearsal room so
that the Blumlein configuration (of mics)
would pick up a reasonably balanced
sound... " Whether they intended the
guitar and bass to sound so dry and
present is anyone's guess, but we would
love to hear a touch of reverb on the
guitar and, again, suggest that the bass
amp positioning be experimented with.
Facing the amp towards a wall or tilted
up might present a less direct sound
that would blend better with the drums.
Think about repositioning the guitar amp
away from the Leslie cabinet to eliminate
the masking issue. Lastly, marking the
position of each player and instrument
/ amp with some painter's tape on the
floor will allow the band to keep track of
any changes and replicate things once
the ideal balance is achieved. All in all,
Millgroove has really gotten down to the
essence here, and we appreciate it!
Summary: Got live if you want it!
Listen online at
RECORDINGMAG.COM
64 RECORDING April 2022
http://www.royerlabs.com https://www.recordingmag.com/readers-tracks/ https://www.recordingmag.com/readers-tracks/

Recording April 2022

Table of Contents for the Digital Edition of Recording April 2022

Fade In
Fast Forward
LEWITT: LCT 1040 Ultimate microphone system
Vocal Production with Andrew Bolooki
Focusrite: Scarlett Solo & Scarlett 18i20 3rd Gen USB Audio Interfaces / Hitmaker Expansion Bundle
Session Log: Claudia Acuña at EastSide Sound
Royer Labs: dBooster2 Dual In-Line Signal Booster & DI
Soundware Showcase: Spitfire Audio: Cinematic Frozen Strings
Living in the song: The Wolf Bros. Live in Colorado
Plugin Outlet: NUGEN Audio: Paragon ST
Heritage Audio: MOTORCITY EQualizer
Inside the Box with Joe Albano: Tips and Techniques for Singers and Songwriters
Apogee: Duet 3 & Duet 3 Dock
PreSonus: Revelator USB mic
Inside the Studio with Mark Hornsby: Doing What It Takes For The Song To Survive
Ashun Sound Machines: Hydrasynth Explorer
Antelope Audio: Zen Q Synergy Core
Readers’ Tracks
Share the Creativity: Getting Into Co-writing
Recording April 2022 - Intro
Recording April 2022 - Cover1
Recording April 2022 - Cover2
Recording April 2022 - 1
Recording April 2022 - 2
Recording April 2022 - 3
Recording April 2022 - Fade In
Recording April 2022 - 5
Recording April 2022 - 6
Recording April 2022 - 7
Recording April 2022 - Fast Forward
Recording April 2022 - 9
Recording April 2022 - LEWITT: LCT 1040 Ultimate microphone system
Recording April 2022 - 11
Recording April 2022 - 12
Recording April 2022 - 13
Recording April 2022 - Vocal Production with Andrew Bolooki
Recording April 2022 - 15
Recording April 2022 - 16
Recording April 2022 - 17
Recording April 2022 - 18
Recording April 2022 - 19
Recording April 2022 - Focusrite: Scarlett Solo & Scarlett 18i20 3rd Gen USB Audio Interfaces / Hitmaker Expansion Bundle
Recording April 2022 - 21
Recording April 2022 - 22
Recording April 2022 - 23
Recording April 2022 - Session Log: Claudia Acuña at EastSide Sound
Recording April 2022 - 25
Recording April 2022 - 26
Recording April 2022 - 27
Recording April 2022 - 28
Recording April 2022 - 29
Recording April 2022 - Royer Labs: dBooster2 Dual In-Line Signal Booster & DI
Recording April 2022 - 31
Recording April 2022 - Soundware Showcase: Spitfire Audio: Cinematic Frozen Strings
Recording April 2022 - 33
Recording April 2022 - Living in the song: The Wolf Bros. Live in Colorado
Recording April 2022 - 35
Recording April 2022 - 36
Recording April 2022 - 37
Recording April 2022 - 38
Recording April 2022 - 39
Recording April 2022 - 40
Recording April 2022 - 41
Recording April 2022 - 42
Recording April 2022 - 43
Recording April 2022 - Plugin Outlet: NUGEN Audio: Paragon ST
Recording April 2022 - 45
Recording April 2022 - Heritage Audio: MOTORCITY EQualizer
Recording April 2022 - 47
Recording April 2022 - Inside the Box with Joe Albano: Tips and Techniques for Singers and Songwriters
Recording April 2022 - 49
Recording April 2022 - 50
Recording April 2022 - 51
Recording April 2022 - Apogee: Duet 3 & Duet 3 Dock
Recording April 2022 - 53
Recording April 2022 - PreSonus: Revelator USB mic
Recording April 2022 - 55
Recording April 2022 - Inside the Studio with Mark Hornsby: Doing What It Takes For The Song To Survive
Recording April 2022 - 57
Recording April 2022 - 58
Recording April 2022 - 59
Recording April 2022 - Ashun Sound Machines: Hydrasynth Explorer
Recording April 2022 - 61
Recording April 2022 - Antelope Audio: Zen Q Synergy Core
Recording April 2022 - 63
Recording April 2022 - Readers’ Tracks
Recording April 2022 - 65
Recording April 2022 - 66
Recording April 2022 - 67
Recording April 2022 - 68
Recording April 2022 - 69
Recording April 2022 - 70
Recording April 2022 - 71
Recording April 2022 - Share the Creativity: Getting Into Co-writing
Recording April 2022 - Cover3
Recording April 2022 - Cover4
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