RECORDING August 2022 - 22

REVIEW
United Studio
Technologies UT Twin87
Why choose between vintage and
modern when you can have both?
REVIEW BY ALEX HAWLEY
B
ased in Baton Rouge, La., United Studio Technologies started in
2018 with a mission to build classic microphone reissues with no
compromises. At the time of writing, United currently offers two
models: the UT FET47 and the UT Twin87, the later is on review today.
Inspired by the iconic Neumann U 87, the UT Twin87 sets itself apart
from other clones on the market with a unique twist. We'll look at how the
UT Twin87 stands on its own and how it stacks up against its inspiration.
Two for One
The UT Twin87 is a twin-circuit, largediaphragm
condenser microphone. It's
designed to recreate vintage and AI
variants of the legendary Neumann U
87. There is no shortage of U 87 clones
or remakes on the market, but United is
the first to combine both circuits into one
microphone. It's not accomplished with
a simple EQ filter, either. UT Twin87
is designed with two separate circuit
topologies that you can switch between
on the fly. Each circuit polarizes the
capsule according to the original
models, capturing a truly authentic
approach for both designs.
Authentic Components
UT Twin87 is made with high-quality
components, including a proprietary
large-core, custom-wound output transformer.
It's notably larger than the output
transformer found in Neumann models,
which United says was a decision to enhance
low-frequency dynamic response
and avoid any design bottlenecks.
The capsule is K87 style with a
custom 24k gold-sputtered dual-diaphragm
/ dual backplate design. It
also features WIMA film capacitors,
metal and carbon film resistors and
hand-selected transistors.
22 RECORDING August 2022
One thing that caught my eye is the
head basket shape. Rather than the classic
tapered edges of the U 87 head basket,
the UT Twin87 employs a bit more
of a generic circular shape. This is likely
to avoid design patent infractions, but
United measured and reproduced the
actual mesh gauges from the original
60s U 87, which accounts for some of
the sound signature.
Another exciting aspect United designed
into the UT Twin87 is the true-cardioid
mod. When the mic is set to cardioid
mode (it has the option of omni or figure-8
as well), it bypasses the pattern select circuitry
altogether and decouples from the
rear diaphragm of the capsule. United
claims this technique yields a " cardioid
function that is slightly hotter, more pure,
and boasts a better signal-to-noise ratio. "
In Use
I find it most valuable to evaluate microphones,
especially those designed in
the image of studio icons, on their own
before making any direct comparisons.
I am deeply familiar with the sound of
the U 87, but I put that reference to the
side until I had a chance to get to know
the sound of the UT Twin87 first. I tested
both circuits on voice, acoustic guitar
and grand piano.
Vintage Workhorse
The vintage setting is slightly warmer,
much smoother, and more forgiving
than its modern counterpart. I found its
character to be more well-rounded for
various sources. On acoustic guitar, it
sounds full and balanced through the
midrange and has a smooth and natural
top-end. This was the story for every
source I tried-that is why I view the
Modern Edge
The modern circuit on the UT Twin87
has a bright and forward character. It can
cut through mixes like a hot knife through
butter, with balanced mids, a top-end
sheen, and a tight bottom end. An edge
to the upper midrange contributes to its
ability to cut through the mix, around 5
or 6 kHz, giving it a polished sound for
voiceover work, pop or hip-hop vocals.
The modern setting also lends itself
nicely to grand piano. I only had one for
testing, so I couldn't try any stereo miking
techniques, but placing it a few feet back
from middle C captured a balanced image
of the entire piano. It yields a high
degree of detail and doesn't need too
much shaping to drop into a full mix. In
some cases, like acoustic guitar, I found
the brighter character a bit distracting and
sought a bit lower-midrange energy and
vibe, for lack of a better term. But that's
where the vintage circuit comes in ...

RECORDING August 2022

Table of Contents for the Digital Edition of RECORDING August 2022

Fade In
Fast Forward – 2022 NAMM Report
Session Log: Bleed and Leakage with Lou Reed, Part 1
Plugin Outlet: IK Multimedia T-RackS FAME Studio Reverb
United Studio Technologies UT Twin87
Danger In The Workplace: Remote composition, improvisation and recording with Stick Men
Austrian Audio OC707 True Condenser and OD505 Active Dynamic Vocal Microphones
Inside The Studio With Mark Hornsby: Capturing the Sound of Chicago
DPA 4055 Kick Drum Microphone
Killing Two Birds: Filming your band’s studio session
Roswell Pro Audio Mini K67x Condenser Microphone
Tracking My Band: Üfer Two More Skip the Last—Experiences and takeaways from tracking a reggae-rock album
sE Electronics NEOM USB
Inside The Box with Joe Albano: The Monitor Mix
Readers Tracks
Campfire Audio Solstice
RECORDING August 2022 - Intro
RECORDING August 2022 - Cover1
RECORDING August 2022 - Cover2
RECORDING August 2022 - 1
RECORDING August 2022 - 2
RECORDING August 2022 - 3
RECORDING August 2022 - Fade In
RECORDING August 2022 - 5
RECORDING August 2022 - 6
RECORDING August 2022 - 7
RECORDING August 2022 - Fast Forward – 2022 NAMM Report
RECORDING August 2022 - 9
RECORDING August 2022 - 10
RECORDING August 2022 - 11
RECORDING August 2022 - Session Log: Bleed and Leakage with Lou Reed, Part 1
RECORDING August 2022 - 13
RECORDING August 2022 - 14
RECORDING August 2022 - 15
RECORDING August 2022 - 16
RECORDING August 2022 - 17
RECORDING August 2022 - Plugin Outlet: IK Multimedia T-RackS FAME Studio Reverb
RECORDING August 2022 - 19
RECORDING August 2022 - 20
RECORDING August 2022 - 21
RECORDING August 2022 - United Studio Technologies UT Twin87
RECORDING August 2022 - 23
RECORDING August 2022 - Danger In The Workplace: Remote composition, improvisation and recording with Stick Men
RECORDING August 2022 - 25
RECORDING August 2022 - 26
RECORDING August 2022 - 27
RECORDING August 2022 - 28
RECORDING August 2022 - 29
RECORDING August 2022 - 30
RECORDING August 2022 - 31
RECORDING August 2022 - 32
RECORDING August 2022 - 33
RECORDING August 2022 - 34
RECORDING August 2022 - 35
RECORDING August 2022 - Austrian Audio OC707 True Condenser and OD505 Active Dynamic Vocal Microphones
RECORDING August 2022 - 37
RECORDING August 2022 - Inside The Studio With Mark Hornsby: Capturing the Sound of Chicago
RECORDING August 2022 - 39
RECORDING August 2022 - 40
RECORDING August 2022 - 41
RECORDING August 2022 - 42
RECORDING August 2022 - 43
RECORDING August 2022 - DPA 4055 Kick Drum Microphone
RECORDING August 2022 - 45
RECORDING August 2022 - Killing Two Birds: Filming your band’s studio session
RECORDING August 2022 - 47
RECORDING August 2022 - 48
RECORDING August 2022 - 49
RECORDING August 2022 - Roswell Pro Audio Mini K67x Condenser Microphone
RECORDING August 2022 - 51
RECORDING August 2022 - Tracking My Band: Üfer Two More Skip the Last—Experiences and takeaways from tracking a reggae-rock album
RECORDING August 2022 - 53
RECORDING August 2022 - 54
RECORDING August 2022 - 55
RECORDING August 2022 - 56
RECORDING August 2022 - 57
RECORDING August 2022 - sE Electronics NEOM USB
RECORDING August 2022 - 59
RECORDING August 2022 - Inside The Box with Joe Albano: The Monitor Mix
RECORDING August 2022 - 61
RECORDING August 2022 - 62
RECORDING August 2022 - 63
RECORDING August 2022 - Readers Tracks
RECORDING August 2022 - 65
RECORDING August 2022 - 66
RECORDING August 2022 - 67
RECORDING August 2022 - 68
RECORDING August 2022 - 69
RECORDING August 2022 - 70
RECORDING August 2022 - 71
RECORDING August 2022 - Campfire Audio Solstice
RECORDING August 2022 - Cover3
RECORDING August 2022 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com