RECORDING October 2022 - 63
delays [digital, tape (x2) and bucket brigade]
or rotary speaker.
The second section is reverb offering
a single signature reverb with real-time
control of mix, damping, pre-delay, decay
and tone. While both sections may
not replace your favorite outboard effects,
each effect is highly usable.
I especially liked the BBD and tape
delays, and the reverb. Rather than being
mediocre at covering multiple styles,
the reverb has a signature tonality that I
found quite useful and charming.
Glides, Slop, Hold and Splits
The Take 5 offers polyphonic glide,
a vintage control that introduces oldschool
oscillator slop, hold control and
possibly my favorite feature on this
synth, low-split mode.
Zynaptiq INTENSITY Ad - August 2022.pdf 1
In addition to the usual keyboard-octave
transpose feature, low split mode
divides the keyboard at the center C
and drops the bass side one or two octaves
allowing you to hold down the low
end while still playing higher notes on
the right-hand side. I wish every smallscale
keyboard had this feature.
Finally, there is a patch memory of
128 user and 128 factory user slots and
a preset button that, when off, sets the
keyboard instantly to match the settings
of each front panel control.
Taking Five
Unlike reviewing and recommending
for what a microphone or compressor
is best suited, reviewing a synthesizer is
more a case of for whom it is best suited.
First up, the Take 5 sounds fantastic.
It's full and lush with a great smoothness
and touch of warmth to its tone. It can
get aggressive, but it never gets piercing
and irritating like many modern analog
(and digital) synths. If you are looking
for a glitch box, this is not it.
Similarly, the modulation matrix is relatively
simple compared to many modern
synths, so this is not a make-it-weird,
self-evolving patch machine. Also, the Take
5 will not be the center of your voltage-controlled
external modular synth universe.
While much of that sounds like an indictment
of the Take 5, it helps outline
why I like this synth and to whom it is
best suited.
8/26/22 2:54 PM
Playing Sculpting
Many current synths are a deep tweaker's
paradise that allow you to spend
weeks designing impressive patches. By
contrast, like classic synths of old, the
Take 5 is a player's machine, and I'm
not talking about just ripping killer lead
lines. Instead, this is a synth for those
who like to sculpt sounds on the fly as
they play, and then play and compose
with the sounds they sculpt. This is precisely
what appeals to my sound design
tastes. This workflow makes the Take 5
perfect for sonic adventure in the studio
and on stage.
Wrap Up
I was instantly drawn into the sound
and feel of the Sequential Take 5 and
its stellar-sounding, organic approach to
sound creation; and I am only scratching
the
surface.
Despite
its
compact
size, focused feature set and price, this
beauty is infused with classic Sequential
DNA through and through.
Price: $1,499
More from: sequential.com
http://sequential.com
http://11dmedia.com
RECORDING October 2022
Table of Contents for the Digital Edition of RECORDING October 2022
Fade In
Fast Forward
Warm Audio WA-47F & WA-CX12X
The Nostalgic, Futurist Piano Man: Daniel Lanois Player, Piano
Focusrite Clarett+ OctoPre
Session Log: Ribbon Microphones
ADK Microphones: Munich-7-T T-FET
Moog Music Mavis
Inside The Studio With Mark Hornsby: Cool Mics by Non-Mic Companies
Heiserman Audio H251
Plugin Outlet: sonible smart:comp 2
AEA TRP500
Inside The Box with Joe Albano: Virtual Preamps
Pearlman Microphones TM-12A
MasterWriter
Sequential Take 5
Mojave MA-D
TIERRA Audio New Twenties
RECORDING October 2022 - Intro
RECORDING October 2022 - Cover1
RECORDING October 2022 - Cover2
RECORDING October 2022 - 1
RECORDING October 2022 - 2
RECORDING October 2022 - 3
RECORDING October 2022 - Fade In
RECORDING October 2022 - 5
RECORDING October 2022 - 6
RECORDING October 2022 - 7
RECORDING October 2022 - Fast Forward
RECORDING October 2022 - 9
RECORDING October 2022 - Warm Audio WA-47F & WA-CX12X
RECORDING October 2022 - 11
RECORDING October 2022 - 12
RECORDING October 2022 - 13
RECORDING October 2022 - 14
RECORDING October 2022 - 15
RECORDING October 2022 - The Nostalgic, Futurist Piano Man: Daniel Lanois Player, Piano
RECORDING October 2022 - 17
RECORDING October 2022 - 18
RECORDING October 2022 - 19
RECORDING October 2022 - 20
RECORDING October 2022 - 21
RECORDING October 2022 - 22
RECORDING October 2022 - 23
RECORDING October 2022 - 24
RECORDING October 2022 - 25
RECORDING October 2022 - Focusrite Clarett+ OctoPre
RECORDING October 2022 - 27
RECORDING October 2022 - 28
RECORDING October 2022 - 29
RECORDING October 2022 - Session Log: Ribbon Microphones
RECORDING October 2022 - 31
RECORDING October 2022 - 32
RECORDING October 2022 - 33
RECORDING October 2022 - 34
RECORDING October 2022 - 35
RECORDING October 2022 - 36
RECORDING October 2022 - 37
RECORDING October 2022 - 38
RECORDING October 2022 - 39
RECORDING October 2022 - ADK Microphones: Munich-7-T T-FET
RECORDING October 2022 - 41
RECORDING October 2022 - Moog Music Mavis
RECORDING October 2022 - 43
RECORDING October 2022 - Inside The Studio With Mark Hornsby: Cool Mics by Non-Mic Companies
RECORDING October 2022 - 45
RECORDING October 2022 - 46
RECORDING October 2022 - 47
RECORDING October 2022 - Heiserman Audio H251
RECORDING October 2022 - 49
RECORDING October 2022 - Plugin Outlet: sonible smart:comp 2
RECORDING October 2022 - 51
RECORDING October 2022 - AEA TRP500
RECORDING October 2022 - 53
RECORDING October 2022 - Inside The Box with Joe Albano: Virtual Preamps
RECORDING October 2022 - 55
RECORDING October 2022 - 56
RECORDING October 2022 - 57
RECORDING October 2022 - Pearlman Microphones TM-12A
RECORDING October 2022 - 59
RECORDING October 2022 - MasterWriter
RECORDING October 2022 - 61
RECORDING October 2022 - Sequential Take 5
RECORDING October 2022 - 63
RECORDING October 2022 - Mojave MA-D
RECORDING October 2022 - 65
RECORDING October 2022 - 66
RECORDING October 2022 - 67
RECORDING October 2022 - 68
RECORDING October 2022 - 69
RECORDING October 2022 - 70
RECORDING October 2022 - 71
RECORDING October 2022 - TIERRA Audio New Twenties
RECORDING October 2022 - Cover3
RECORDING October 2022 - Cover4
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