RECORDING November 2022 - 17

25 Years
of Finnish Excellence
Amphion is based
in Kuopio, Finland.
CEO Anssi Hyvönen
founded the brand
in 1998, initially focusing
on the home hi-fi and audiophile market. In 2013 Amphion
expanded into the professional studio arena. The current
pro-audio roster includes five studio monitors (One12,
One15, One18, Two15 and Two18), two Base systems
Consistent Acoustical Design
While most modern speaker designs feature rounded sculptural
cabinetry, active internal power amps, DSP-based tone
shaping and even internal digital conversion, Amphion speakers
are a beautiful balance of no-frills simplicity and Scandinavian
elegance.
Each model comes housed in a classic rectangular MDF cabinet
with a gently textured matte black finish. All models in the
line feature aluminum low-frequency drivers of varying sizes
and a matching 1 " Titanium tweeter.
Radiate
Amphion speakers use a sealed cabinet design, meaning
there are no bass ports or venting holes for air and low
frequencies to dissipate. Instead, Amphion cabinets feature
passive aluminum radiators. Each radiator is located on the
rear of the cabinet, directly behind the low-frequency drivers,
where it moves perfectly in tandem to disperse and control
the low end.
According to Amphion, this eliminates the problems found in
ported designs and greatly improves the critical low-mid resolution.
This also makes Amphion speakers an excellent choice for
smaller spaces as they work well close to walls and boundaries.
Large Circles of White
white,
A visually striking feature of Amphion monitors is the large
gently concave Corian waveguide surrounding the
tweeter. The tweeter is recessed into the waveguide, so it sits on
the same plane as the bass driver. This results in a super-tight
time alignment as the sound from both drivers reaches your ear
at the exact same time. This offers increased accuracy, focus
and a uniform dispersion pattern. The result is a wide sweet
spot and uniform performance across the sonic spectrum.
(FlexBase25 and BaseTwo25), plus a pair of power amp
options (Amp700 and Amp400.8).
Currently, Amphion employs 20 people, but is still
very much a family affair. For example, Anssi's son
Julian Hyvönen began assisting at the factory when he was
14 years old and is now the head of marketing. Just this year,
Amphion moved to a new 19,000 sq. ft. facility doubling
its manufacturing and warehousing capacity. I am also told it
allows for immediate shipping to customers all across the world.
Passionately Passive and DSP-Free
Most modern studio monitors on the market are active
designs equipped with internal power amps to power the
speakers. In contrast, the Amphion models are passive
designs-largely the norm prior to the late 90s-that require
the use of an external power amp. While you can choose to
use any appropriate, properly rated option, power amp choice
can affect a speaker's output level and tonality. Amphion offers
its own stereo Amp700 [Reviewed November 2020] and multichannel
Amp400.8, offering hand-in-glove performance and
consistency across the line.
As a passive design, Amphion speakers have no onboard
analog or DSP-based equalization or room correction options.
According to Anssi Hyvönen, " Keeping the product as simple
as possible electrically maximizes the resolution and transparency. "
This also makes Amphion monitors a great choice when
used with specialized third party DSP-based room correction
software when necessary.
By the Numbers
There are two available speaker configurations. The One
and Two prefixes correspond to the number of low-frequency
drivers in the cabinet, while the numeric second half denotes
the driver size in centimeters. Despite the presence of the
matching over/under drivers in the Two models, each Amphion
cabinet, from smallest to largest, remains a two-way design.
On Base
If you desire three-way performance, that can be
accomplished by adding one of the company's Base models-
a concept Amphion introduced in 2015. Note that the
FlexBase25 and BaseTwo25 are low-frequency extension
cabinets-not subwoofers.
RECORDING History
In March 2015, I had the honor of test-driving the One18
along with the now discontinued Amp100. The Two18 and
Amp500 (also discontinued) followed one year later, in March
2016. My predecessor laid ears on the petite and portable
One12 models with matching mono Amp100 amplifiers in July
2016, and in November of that same year I did a side-by-side
look at the One15 and Two15. In June 2019, I checked out the
FlexBase25, followed by the Amp700 in October 2020 and
the BaseTwo25 in September 2021.
RECORDING November 2022 17

RECORDING November 2022

Table of Contents for the Digital Edition of RECORDING November 2022

Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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